Forms Of Artistic Expression Research Articles

The Evolution of Indian Sculptural Traditions: Interweaving Art, Culture, and Contemporary Practices

Indian sculptural art has historically been intertwined with various artistic forms, such as music, dance, and painting, creating a distinct narrative that has shaped the country's cultural identity. Among these, religious idol-making holds a significant role in reflecting societal values, spiritual beliefs, and artistic expression. Over centuries, idol-making techniques have evolved while adhering to traditional aesthetic and religious principles. This paper explores the evolving traditions of Indian sculpture, with a particular focus on Rajasthani stone sculptures, and examines how modern Indian sculptors are adapting ancient practices to contemporary sensibilities. The research adopts a qualitative approach, employing historical analysis and interpretative methods. Archival materials, such as ancient texts and scholarly commentaries, are used to trace the continuity and transformation of traditional sculptural practices. Fieldwork conducted in Rajasthan, specifically in Jaipur and Alwar, documents the current state of traditional sculpture workshops. Interviews with contemporary sculptors provide insights into the adaptation of traditional techniques to modern artistic trends, while secondary literature on art history situates these changes within a broader cultural and religious context. Results indicate that religious idol-making continues to be a central form of artistic expression in Indian culture, with Rajasthani sculptors preserving traditional methods while incorporating modern materials and techniques. Proportions, aesthetic purity, and spiritual symbolism remain key components of traditional idol-making, influencing contemporary works. However, modern sculptors are expanding their themes to include social, political, and philosophical concepts, reflecting the changing socio-political landscape of India. In conclusion, Indian sculptural traditions have shown resilience and adaptability, balancing cultural heritage with modern innovation. This study highlights the evolving nature of Indian sculpture, particularly in Rajasthan, as artists continue to redefine their craft in response to contemporary cultural shifts.

THE DANCE OF JUSTICE: A RAWLSIAN PERSPECTIVE IN SRIVIDYA NATARAJAN’S THE UNDOING DANCE

This article delves into the role of Bharatanatyam, a classical Indian dance, as a transformative force for Kalyani, the protagonist in the novel The Undoing Dance (2018). It investigates how Bharatanatyam serves not only as a form of artistic expression but also as a means of transcending caste boundaries and societal expectations. By applying the concept of the difference principle, a framework within socio-political theory, the study examines how caste-based discrimination is confronted and reimagined through the medium of dance. Natarajan's narrative, which alternates between past and present, underscores the significance of Bharatanatyam in conveying Kalyani’s inner turmoil, struggles, and ultimate empowerment. Kalyani’s journey is marked by her revaluation of her Devadasi roots—a lineage steeped in both cultural richness and societal stigmatisation. As she reconnects with her heritage, she gains a deeper understanding of the matriarchal traditions within her community and begins to reinterpret them through her dance. This exploration leads to a redefined sense of identity and womanhood, where Bharatanatyam becomes a vessel for Kalyani’s self-expression and liberation. This study argues that classical dance, particularly Bharatanatyam, provides a unique lens through which the complexities of the Indian caste system can be viewed, offering Devadasi women in South India a powerful tool for reclaiming their narratives and challenging the entrenched social hierarchies. Through dance, Kalyani not only reclaims her heritage but also transforms her pain and suffering into a powerful statement of resilience and identity.

Introduction: Gender and (Auto)pathography from a Transnational Perspective

‘Medical Humanities’ (MH), the critical enclave of this cluster, is an interdisciplinary area of knowledge which examines human health and illness using the tools and insights of creative arts and humanities. MH endeavors to comprehend the diverse spectrum of physical and mental ailments by drawing from literature and various forms of artistic expression. The boom of MH both in the United States and Europe is manifested by the increase of this field of studies in undergraduate and graduate programs, professional training opportunities, career paths, conferences, and articles in prestigious academic journals, such as Medical Humanities, Intima: A Journal of Narrative Medicine, Journal of Medical Humanities, Literature and Medicine, or Arts and Health, among others. By consulting Scopus (http://www.scopus.com), the preeminent abstract and citation database for peer-reviewed research literature and conducting a search for 'Medical Humanities' spanning from 1970 to 2023, the findings in the 'Documents by Year' section (totaling 21,461 entries) reveal a consistent and steady upward trajectory. Commencing with a solitary document in 1971, the inaugural year recorded, the count surged to 54 in 1980, escalated to 498 in 2010, and surged to 1,581 in 2020, culminating in 2,417 entries by 2023. Furthermore, upon delving into the 'Documents by Subject Area', the analysis indicates that a significant majority of scholarly articles concerning MH originate from authors entrenched in the Health Sciences field (including Medicine, Nursing, Psychology, Neuroscience, Health professionals, Genetics), while only 15.9 percent stem from scholars within the Arts and Humanities domain. Hence, the authors of these articles, all affiliated with a research group located in Spain, envisioned the importance of enriching this field through their humanistic perspective, stemming from their roles as university professors and literature researchers.

“You don’t have to say much; paint it then!”: A Thematic Analysis of Mural Arts in Iraq (Mosul and Erbil as a Case)

People find themselves in need of adding some inspiration indoors; interior designers likely let their customers immerse in the charm of some wall art decor with sweet family room wall quotes like “Love begins at home”. The art of filling walls exceeds the interior spaces for decoration, including outdoor spaces where different forms of artistic expression are used. This wall art matters among populations globally as it conveys different messages to the public and the decision-makers as well. The current article investigates Mural Arts (MAs) in Mosul and Erbil, Iraq. The researchers aim to (1) interpret the variety of themes that Mosuli Artists (MoAs) and Erbili Artists (ErAs) communicate via painting and (2) figure out the shared and distinctive theme in MoAs and ErAs’ artwork. This study employed a qualitative approach to grasp the themes of MAs in both Mosul and Erbil. The researchers gathered 60 Mixed Mural Arts MMA samples (verbal and visual); 38 in Mosul and 22 in Erbil in four months (from 8 August to 20 November 2023). They purposefully covered a broad range of sites including street walls, building facades, government institution walls, school walls, and bridge side walls in both cities. The researchers employed the Thematic Analysis Approach (TAA)by Braun and Clarke (2006) benefiting from NVivo 11(1999-2017) software to induce themes in Mosul and Erbil. This study revealed a total of 13 themes in both Mosul and Erbil in Mosul and 5 in Erbil. 2 themes, viz. ‘Environmental Sustainability’ and ‘Patriotism’ were shared. Other 6 themes viz, ‘The Transformative Power of Knowledge’, ‘The Horse as a Symbol of Nobility’, ‘Reviving the City of Mosul’, ‘Women Abuse’, ‘Unity for Iraq’, and ‘Martyrdom’ were said to be distinctive in Mosul whereas 3 other themes, viz. ‘The Role of Women in Society’, ‘Music Therapy’, and ‘Motivation in Learning’ were interpreted in Erbil.

Didaculturation and Themes of History and Politics

The objective of this article is to make a didactic proposal based on cultural studies for various university courses. The project addresses three axes: knowledge through literature, creation through historical and political events, and innovation through forms of artistic expression. In this study, history and politics are addressed as teaching and learning approaches based on accumulated knowledge and culture. This is used so as to bring realities closer to learners and relate media texts to reality, which encourages learners to reflect on issues of great interest for the evolution of society, through what we will call "Didaculturation". A syllabus proposal can then be adapted to the needs of modern society and to address university failure.

Art performance as a political communication tool in Indonesia: beyond the stage

PurposeThis retrospective phenomenological case study examines the experiences of 18 politicians who participated in a political campaign using performing arts and artists in a regional heads and legislators in Indonesia. Also, the role of Gandrung art as a performing art is becoming a political communication tool for political actors in Indonesia.Design/methodology/approachThis study employs a retrospective phenomenological case. The informants recruited were 18 politicians who have local, regional and national political levels. The participants were interviewed about their experiences of campaigning using traditional performing arts as a form of political communication. Data collection techniques used in this study include interviews and photo documentation during the campaign process to triangulate findings.FindingsBased on a case study analysis and through thematic analysis, this research reveals three emerging themes which indicate that performing arts function as political communication tools in three significant ways: (1) as a form of artistic expression for conveying political messages through movement and the use of dancer costumes; (2) as a medium for showcasing cultural identity and representation as a form of concern for the local culture of voters; and (3) as a means to garner mass appeal and propagate political propaganda.Research limitations/implicationsThe study has two limitations. First, the study only interviewed a small number of participants. Thus, generalization for wider contexts of politicians is not possible. Second, the study focuses on examining the voice of politicians and analyzing it using thematic analysis.Originality/valueThere is a scarcity of research that specifically focuses on uncovering the perspectives of politicians who employ performing arts as a political communication tool. This study contributes to the understanding that art performance is inherently non-neutral, highlighting how performing arts can actively engage in political communication by conveying messages, shaping cultural identity and influencing public opinion in the context of Indonesia.

Understanding the Suicidality of Working Women in Santeshivara Lingannaiah Bhyrappa’s Brink

Suicide among working women is a growing concern and a subject of research that is frequently ignored. The objective of this research is to highlight the challenges faced by employed women that drive them to contemplate suicide, as shown through the protagonist, Amrita, in Santeshivara Lingannaiah Bhyrappa’s novel Brink (2020). Characters function as a conduit connecting the observer to the narrative. This allows the audience to experience empathy for the characters. The process of creating a character is a form of artistic expression. This study aims to analyse the portrayal of Amrita’s character in the novel Brink (2020). The main character, Amrita, is a single mother with a difficult past who fights to live a self-sufficient life with her sons. This study uses Meike Bal's Construction of Image to analyse Amrita’s characterisation and transformation throughout the novel. It underlines the importance of connection and hope in moulding her into a happy, driven woman instead of a depressed and hopeless woman. The research concludes by underscoring the importance of literature delving into sensitive topics to raise awareness and stimulate dialogue.

Intercultural Transformation Practices Exoticization of The Indigenous: Art, Music, and Childhood

Objective: To explore how the situated artistic practices of Nasa We’sx women and children from southern Tolima contribute to the emergence of participatory artistic initiatives within the framework of the "Cero a Siempre" policy. Theoretical Framework: This is based on decolonial epistemologies and the theory of ethical-political art as axes of social transformation. Additionally, it incorporates theories from thinkers like Jacques Rancière and Gayatri Spivak, highlighting art as a tool of resistance. Method: A contextual and reflective analysis was conducted to examine the constitution of Nasa We’sx arts, their relationship with politics and symbolism, as well as their connection to the production of situated knowledge. Results: Intersections, tensions, and intercultural transformations emerging from the indigenous communities in southern Tolima were identified. These communities have developed processes of emancipation and intervention based on their identities, mediated by the construction of situated artworks. Implications of the Research: This study highlights the importance of recognizing and valuing forms of artistic expression from non-hegemonic perspectives. It also underscores the relevance of artistic practices as tools of protest and emancipation, as well as their contribution to the production of situated knowledge. Originality/Value: The article provides a critical and reflective perspective on the situated artistic practices of Nasa We’sx women and children, emphasizing their originality in the context of the "Cero a Siempre" policy and early childhood programs in the municipality of Planadas.

Analisis Unsur Intrinsik Pada Film “Mencuri Raden Saleh”

Literary works are creative expressions that focus on the human experience and life, utilizing language as a means of communication. Furthermore, literature is the outcome of human creativity conveyed via the use of writing and language as a means of communication. Literature is essentially a form of artistic expression by humans that use language as a medium to convey experiences, thoughts, feelings, and ideas. Common literary works encountered in daily life include short tales, poems, novels, films, and dramas. The aim of this research is to identify the inherent components contained in the film "Mencuri Raden Saleh". The approach used in this research is to conduct an analytical investigation of a literary work, followed by collecting verifiable evidence. In this analysis, researchers explore the inherent components contained in films, such as topic, characters/characterization, plot, setting, point of view, language style, and message.

"Fuck tha Police": "Conscious" hip-hop increases Black people's group-based anger and collective action intentions.

Historically, hip-hop has highlighted racial injustices experienced by Black people in a White supremacist power structure, as well as promote Black empowerment and activism. Across two experiments, we examined the influence of listening to hip-hop on Black Americans' collective action intentions. We also explored whether the effect of listening to conscious hip-hop on collective action intentions was mediated by group-based anger and/or collective efficacy using the dual-pathway model of collection action (Experiment 2). In Experiment 1, Black Americans (n = 122) between the ages of 18- and 34 (Mage = 27.71) were randomly assigned to listen to conscious rap, nonconscious rap, or no music, and afterward they completed a collective action intention measure. In Experiment 2, Black Americans (n = 150; Mage = 26.52) were randomly assigned to listen to conscious rap or nonconscious rap and afterward completed group-based anger, collective efficacy, and collective action intention measures. We found that listening to conscious hip-hop (but not nonconscious hip-hop) increased Black people's intentions to engage in collective action (Experiment 1). In Experiment 2, we found that group-based anger, but not collective efficacy, fully mediated the relationship between listening to conscious hip-hop music and collective action. Exposure to some forms of artistic expression may influence emotion focused pathways of dealing with collective disadvantage among groups who are historically disadvantaged. (PsycInfo Database Record (c) 2024 APA, all rights reserved).

Realization of Urban Perception Art: Painting Expressions of Internet of Things Technologies in Urban Environments

INTRODUCTION: With the continuous progress of urbanization, people's perceptions and experiences of the urban environment are increasingly concerned. Traditional forms of artistic expression can no longer fully meet people's needs for urban perception. Therefore, it is especially important to explore new possibilities of urban perception art with the help of modern technology, especially intelligent technology.OBJECTIVES: The main purpose of this study is to explore the feasibility and effectiveness of utilizing advanced technology for urban perception art expression. Through an in-depth understanding of the urban environment and the perceptual needs of urban residents, as well as existing technological means, artistic expressions that can present urban perceptions more intuitively and vividly are developed.METHODS: This study adopts a combination of field research and art practice. Through urban observation and questionnaire surveys, the subjective experience and needs of urban residents for urban perception were collected. Then, using digital painting and video technology, combined with the principles of perception psychology, urban perception works with artistic and technological senses were designed.RESULTS: A series of urban perception artworks were designed in this study, covering all aspects of urban life, including architectural landscapes, transportation scenes, and humanistic customs. These works enable viewers to perceive the urban environment in a more intuitive and immersive way through digital painting and video technology, as well as real-time data and perceptual feedback.CONCLUSION: By exploring new ways of artistic expression of urban perception, this study provides urban residents with a richer and deeper experience of urban perception. The application of digital painting and video technology, as well as the interaction and feedback with urban residents, opens up new possibilities for the development of urban perceptual art.

Analysis of the Integration Strategies of Traditional Culture in Vocal Music Teaching in Colleges and Universities

With the development of the times, vocal music teaching in universities is constantly reforming and innovating. Traditional music culture, as a treasure of Chinese culture, has a profound historical heritage and unique forms of artistic expression. It is not only the crystallization of the wisdom of predecessors, but also an important way of cultural inheritance and value expression. Traditional music culture contains rich emotions and connotations, which can convey people's insights into life, nature, and society, and has unique aesthetic value and artistic charm. However, in some universities' vocal music teaching, traditional Chinese music culture teaching has gradually been marginalized. Many vocal music teaching generally focuses on technical training and learning Western music, neglecting in-depth research and inheritance of traditional Chinese music culture. This has led to students' insufficient understanding and appreciation ability of traditional Chinese music, and they cannot truly experience the unique charm and emotional expression of Chinese music. Therefore, in vocal music teaching in universities, it is necessary to strengthen the teaching of traditional Chinese music culture.

Louis Pasteur, a child of the Jura, a man for the world.

How did Louis Pasteur, born in a small town in the Jura-Dole, still little known to the world today, become a man of global recognition and fame? The answer to this question is guided by two pivotal considerations. First is Pasteur's relationship to the representation of reality. This relationship was seeded and steadily developed since his juvenile years through practicing different forms of artistic expression, the most famous of which were subtle pastels portraying Pasteur's parents and neighbors. This genuine attraction towards art gradually became «scientificized» at the same time, when new means of reproducing the reality were invented, such as photography. The second consideration, critical to understand the phenomenon of Pasteur's celebrity, is a strong linkage of his research with nature-based agricultural production. Here again, deeply rooted in his youth and home environment, permeated with the taste of wine and the smell of tanned leather, Pasteur's interests necessitated the processes of communication, not only at the scientific level, but also on a daily life basis, with numerous «social actors» at play (ferments, silkworms etc.). Throughout his work, Pasteur had to provide himself with the means to set up these interdisciplinarity and communication. The final result was the Pasteur Institute, or rather the Pasteur Institutes and the global Pasteur network.

Growing change at the intersection of art and agroecology

Agroecology in the U.S., as commonly insti­tutionalized, remains firmly rooted in its techno-scientific approaches centered on quanti­tative biophysical data and natural science research methodologies that flatten the richness of its rela­tionality, land-based practices, and social move­ments. The crucial role of art and popu­lar forms of artistic expression are often undervalued within the walls of academia and higher-education institu­tions, while elsewhere, it embodies the steady pulse of anti-colonial resistance and the daily pursuit of life-affirming practices. . . .

Technological Art: History of the Concept and Its Interpretation

The article examines the interdisciplinary nature of technological art, which involves the interaction of art, science, and technology. It discusses the impact of rapid technological development on the socio-cultural landscape of the world, as well as the modification of our perception of the surrounding environment. The main focus is on the history of the concept of “technological art”, which encompasses the evolution of the interplay between art and technology from mechanical through digital media to virtual and augmented reality technologies. Various interpretations of this concept are considered, particularly in the works of Frank Popper, who highlights the shift in aesthetics in the digital age, Paul Virilio’s critical view of technologies through their destructive impact on society, and Edward A. Shanken, who sees new perspectives for creativity in technological art. Jill Fantauzza notes a certain tension between technological art and traditional art, while Ellen Perlman speaks of two different directions in the functioning of technological art — the first aimed at integrating cutting-edge technologies as a form of artistic expression with the actualization of philosophical ideas, and the second direction aimed at inclusive engagement of a broad audience, presenting technological innovations with an entertainment or educational purpose. The author concludes that technological art should be viewed not only as a category of art that uses technological tools but as a broader reflection of the process of integrating the latest achievements into artistic processes, affecting the socio-cultural landscape. By combining aesthetic, conceptual, and technological dimensions, technological art fosters the emergence of new forms of art, expanding the arsenal of artists with new methods.

The Movement Design of Dolls in the Western Region in the Exhibition Art Life and Stage

Stage art is a combination of stage music, stage art, literature and other art forms, and it is a form of artistic expression that resonates with the audience by conveying certain ideas. With the widespread use of digital economy in many fields of life and the transformation of society, the border between stage art and life is gradually blurred, and the art form has become multi-dimensional and diversified, and everyone is in the art, enjoying the charm of art itself. Where, the design of the movement of dolls on stage has a more important role, this paper on the exhibition of art life and stage art, and combined with the actual case study to illustrate the effectiveness of this paper on the design of the movement of dolls. The experimental results show that the western region ancient style puppet action design method in this paper has a significant effect on improving the performance ability of the art stage, and brings a variety of inspiration to the puppet action design.

RHYTHMS OF LIBERATION: TRACING THE DANCE OF EMANCIPATION THROUGH HISTORY

The role of dance as a transformative medium for women’s emancipation, tracing its evolution from the Renaissance period to contemporary times. is a topic that necessitates a broad, multidisciplinary analysis. Dance is presented not only as a form of artistic expression but also as a powerful instrument for social change and gender equality. Through historical analysis, the study highlights how dance has facilitated women’s ability to express their identities, challenge patriarchal norms, and advocate for their rights across various epochs. The research underscores significant contributions by key figures and movements that have used dance as a platform for signalling shifts in societal attitudes towards women’s roles and freedoms. By drawing on the works of scholars such as Goldman (2010) on improvisational dance, Hahn (2013) on the role of creative arts in education and social change, Camp (2002) on dance as a form of resistance among enslaved women, and Åhäll (2016) on feminist security studies, the paper elucidates dance’s multifaceted impact on women’s liberation. From the sophisticated court dances of the Renaissance that reflected societal and cultural shifts to the expressive and boundary-pushing performances of the 19th and 20th centuries, dance emerged as a dynamic force in advocating for women’s emancipation. The conclusion reaffirms dance’s ongoing relevance as a medium through which contemporary women continue to explore their identities, challenge existing norms, and promote feminist values, thereby contributing to the broader discourse on gender equality and empowerment.

A Community-Based Participatory Approach in Applying the Sociocultural Resilience Model in U.S–Mexico Border Communities

Abstract: Background: Behavioral models play a key role in identifying pathways to better health and provide a foundation for health promotion interventions. However, behavioral models based in epidemiological research may be limited in relevance and utility in practice. Objectives: We describe a participatory approach within a community-based participatory research partnership for integrating epidemiological and community perspectives into the application of the sociocultural resilience model (SRM). The SRM posits that cultural processes have a symbiotic relationship with health-promoting social processes, which contribute to the health advantages among Mexicanorigin and other Latinx populations. Methods: Community action board members engaged with academic partners to interpret and apply the SRM to a community-clinical linkages intervention implemented in the context of three U.S.–Mexico border communities. In a two-day workshop, partners engaged in a series of iterative discussions to reach common definitions and measures for SRM constructs. Results: Partners described daily cultural processes as the food they eat, how they communicate, and a collectivist approach to getting things done. For intervention activities, the partners opted for intergenerational storytelling, sharing of food, and artistic forms of expression. Partners included measures of cultural nuances such as border identity and the complexities that often arise from navigating bicultural norms. Conclusions: Collaborative approaches within community-based participatory research partnerships can facilitate the adaptation and measurement of conceptual health behavior models in community practice.

The Combination of Chinese and Western Sculpture Art and the Future Direction

Sculpture art is the physical form of human emotion overflow. Sculpture is an important part of Chinese and Western culture. Whether ancient or modern, the creation of sculpture reflects the cultural spirit of the times. Due to the different cultural backgrounds, the themes of Chinese and Western sculpture art show great differences. The different cultures of China and the West determine that there are great differences between Chinese and Western sculpture art. With the development of economic globalisation, the collision and fusion of Chinese and Western cultures have prompted Chinese contemporary sculpture to present a combination of traditional and Western cultures. The performance of traditional and western culture in modern sculpture is analysed, and an effective way of combining Chinese and western culture is proposed from three aspects: theory and practice, connotation and function, and realism and realism. Sculpture art, as one of the important forms of artistic expression, is able to show the great differences between Chinese and Western cultures. The development of contemporary sculpture art, to recognize the significance of cultural integration and development, and to seek ways to effectively combine traditional Chinese culture with Western culture, so as to better promote the development of modern sculpture art.

Dancemania: Analyzing the Commercialization of Dance Crew Competitions

This research delves into the intricate landscape of commercialization within dance crew competitions, employing a focused examination of prominent television series, notably the widely recognized "Dancemania." As the dance competition model gains unprecedented popularity and financial success, there is a discernible risk that the core authenticity of this expressive art form may be compromised. Rather than adhering to artistic values, there is a growing concern that these competitions may veer towards catering primarily to mass entertainment tastes. To comprehensively unravel the increasing commercial influences and economic incentives shaping the competition format, this study employs a multifaceted approach. Interviews and surveys are conducted, drawing perspectives from dance professionals, competitors, and television producers intimately involved in the dance competition milieu. Through qualitative insights and firsthand accounts, the paper aims to shed light on the evolving dynamics propelled by commercial interests. Quantitative data analysis forms a critical component of this research, uncovering correlations that exist between success metrics and influential factors, such as viewership ratings, which may take precedence over the technical prowess of dance ability. The findings from this analysis serve as a catalyst for discussions surrounding potential policy and structural adjustments. The overarching objective is to realign the priorities of competitive dance with a renewed emphasis on artistic values, countering the prevailing trend of prioritizing commercial interests. This research signals the need for holistic interventions and shifts in the competition landscape to preserve the inherent artistic integrity of dance within a commercialized context.