Authentic Form Research Articles

Deep Learning-Based Biometric Finger Vein Authentication System for Enhanced Security

Biometrics, which uses human physiological characteristics, is a method for protecting personal information. Recently, finger vein authentication has become one of the most popular biometric techniques. This method offers high security and accuracy, making it a reliable form of biometric authentication. The system compares a person's vascular structure in their finger to previously collected data. Finger vein authentication works by identifying vein patterns beneath the skin's surface. The proposed system aims to enhance user authentication security by leveraging the uniqueness of finger vein patterns. The finger vein image is obtained from a database, and preprocessing is done using a Gaussian median filter in both spatial and frequency domains to remove noise. Image segmentation is performed through a line tracking method, which enhances image contrast. For feature extraction, the system utilizes Convolutional Neural Networks (CNN), and these features are matched with the stored finger vein database. A deep learning approach is then applied to classify users as genuine or imposters. In real-time, a scanner captures the finger vein image, which is sent to an Arduino board for storage and subsequently processed in MATLAB for classification. The result is transmitted through a GSM module as an alert or message, and the information is also stored in an IoT system for future reference. A GSM module is integrated with the user for communication. The proposed system achieves an accuracy of 96%, making it highly beneficial for security applications like access control, identity verification, banking, and financial transactions.

Utilizing erythrosine B absorption spectrum shifts for quantitative determination of octreotide and bromocriptine in their pure forms and pharmaceutical formulations. Evaluation of the method greenness

In the present study, two drugs for treating acromegaly are investigated which are either synthetic growth hormone inhibiting hormone (GHIH) or dopamine receptor agonist. Octreotide (OCT) and bromocriptine (BCT) were quantified with a quick, simple, and sensitive spectrophotometric approach in their authentic forms and commercial dosage forms. This approach was based upon formation of ion pair complex between erythrosine B and investigated drugs in an aqueous buffered solution. For OCT determination the higher sensitivity was obtained using ΔA at 525 nm. On the other hand, BCT was estimated using the absorbance at 556 nm. Under optimal conditions for the reaction, construction of calibration curves were performed within concentration range of 0.4–4 µg ml−1 for OCT and 1–9 µg ml−1 for BCT with with low detection limits (0.094 and 0.235 µg ml−1) and low quantitation limits (0.29 and 0.71 µg ml−1) for OCT and BCT respectively. The developed approach was assessed for linearity, accuracy, precision, limits of detection, and limits of quantitation in compliance with ICH validation recommendations. The suggested approaches demonstrated good linearity, as evidenced by determination coefficients (r2) of 0.999 with a slope 0.14 for OCT and 0.9989 with a slope 0.06 for BCT. Additionally, the environmental friendliness of the investigated method was assessed with some of the recent green analytical chemistry metrics.

British consumer perspectives on terroir in cheese

PurposeThis paper reports on a project looking at consumer perceptions of terroir in the UK, using cheese as a stimulus for the data collection.Design/methodology/approachData collection was based on a consumer survey using a discrete choice experiment which included a number of cues to, and stories about, terroir. Analysis of preferences produced three latent classes with varying attitudes towards terroir cues for cheese. There was also an open-ended question giving rise to a qualitative analysis of respondents understanding of the work “terroir”.FindingsWhen faced with the terroir cues most used some positively to make their choices. A PDO label and stories about the production region and method and business structure all generally offered positive utility.Originality/valueTerroir is a widely used term in the marketing of (especially) wine, particularly in Europe, offering a form of authenticity and has been very important in policies to sustain the economies of otherwise declining rural areas. It has been adopted by producers in the English-speaking world but is less widely recognised, by consumers. The significance of this study is that it is the first large-scale survey of British consumer perceptions around a key tool for rural businesses – terroir – and one of the first around a non-wine product, and it explores the stories which resonate most effectively with consumers.

About Some Problems of Terminology Usage and Its Interpretation in Roman Legal Texts

The article is devoted to the study and teaching of Latin legal terminology at the Faculty of Law of Sofia University. It is presented in an appropriate didactic form in its authentic form in the writings of the Roman jurists and in their interpretation, but also in view of its historical development and use in modern legal terminology.

“Aesthetic existentialism” of M. K. Mamardashvili: History as an authentic form of existence

“Aesthetic existentialism” of M. K. Mamardashvili: History as an authentic form of existence

A Sense of Stalinism

This article compares visitor experiences at the Gulag History Museum in Moscow and the NKVD Prison Museum in Tomsk, Siberia. The museums differ in the production of authenticity in the museum experience. The Moscow museum has no direct relationship to a site of memory and therefore utilizes constructed forms of authenticity. In contrast, the Tomsk museum makes use of objective authenticity given its location in an original prison building. The museums share a stated mission to produce a cosmopolitan mode of remembering based on universal values and empathy for victims with a preventive mission for the sake of the future. The article examines original data from visitor focus groups to understand the emotional impact of these museums. The Moscow museum manufactures the atmosphere of the Gulag through interactive sensory stimulation. We found that this can meet resistance from visitors who sense that their emotions are being manipulated. We found that the Tomsk museum directly elicits strong emotional responses but responses could also include dark tourist titillation. In conclusion, we consider how these findings speak to debates around the tension between cosmopolitan, antagonistic, and agonistic modes of remembering.

Authenticity in Transcribing

This research explores the concept of authenticity in transcription. It is applied to Béla Bartók's Six Dances in Bulgarian Rhythm, movements one, two and five. By prioritising different aspects, the overall look of the transcription is shaped. Examples of these aspects are the sonic possibilities of the chosen or original instrumentation, the general style of the composer and the piece, one's own musical context, the technical abilities of the players... All these aspects could be considered as a form of authenticity. The first chapter elaborates on the concept and discusses methods of transcription. The second chapter analyses the history of the classical guitar, including its transcriptions. The guitar's search for a place in the classical mainstream has encouraged guitarists throughout the centuries to write transcriptions. Throughout history, the concept of authenticity in these transcriptions has changed. The final chapter discusses the entire process of transcribing, from the intentions behind selecting the piece to the obstacles and dilemmas that arose during the process. It shows that the transcribing part is as important as the individual practice and rehearsals. They alternate and influence each other. The Six Dances in Bulgarian Rhythm were of great importance to Bartók. Today they are not as popular as his Six Romanian Folk Dances but given their historical context they deserve to be heard more in today's classical music scene. Finally, it becomes clear that the abstract musical idea of the composer should be kept clear from the beginning to the end of the transcription process.

FILOSOFI RIDEO ERGO SUM: MEMAKNAI MANUSIA SEBAGAI MAKHLUK YANG TERTAWA (HOMO RIDENS)

The phrase rideo ergo sum or I laugh because I exist is a philosophy that has a very deep meaning. This is because only humans are able to laugh or are referred to as homo ridens while animals cannot. Although there are animal sounds that resemble laughter, they are not a form of laughter like in humans. Laughter is not a form of meaningless expression. Many things can be obtained by interpreting humans as homo ridens. This research uses library research method with Miles and Huberman analysis pattern. The results in this study are 1). Laughter is a form of authenticity from humans, humans need humor and laughter as an expression of the happiness they experience, humans are unique because humans are able to laugh (homo ridens) as their characteristic. 2). Laughter has a philosophy, because laughing is a form of freedom of expression, and laughter is a form of reality of human freedom. 3). Various things are obtained by humans as homo ridens, especially in the health, so that laughing yoga is a form of actualization of the homo ridens.

The shift to authenticity: a framework for analysis of political truth claims

Abstract It is often claimed that political disinformation is more abundant than ever, that populists are particularly prone to lying, and that we live in an era of post-truth or epistemic relativism. Contrary to these views, we interpret this historical trend as a shift from objective to authentic forms of political truth claims. We develop a diagnostic framework that captures different types of political truth claims and their distinct elements. This framework enables interrogation and understanding of the current state of epistemic contestation and change. The rise of both populist and deliberative approaches to democracy, which we use as key examples, are indicators of a gradual shift towards a greater importance of authenticity in the public sphere. We nuance this proposition by distinguishing between different forms of authenticity employed by populist and deliberative politics: communicative authenticity in deliberative politics and original and personal authenticity in populist politics.

“THE MYSTERIOUS AUTHOR” FROM SPASSKY: A LETTER FROM I. S. TURGENEV TO P. V. ANNENKOV DATED OCTOBER 14, 1853

In the article, the letter of I. S. Turgenev to P. V. Annenkov dated October 14, 1853, which structurally comprises a “physiological essay” about a “little man” and an Easter poem allegedly written by this “little man,” and in fact — by a “mysterious author,” is analyzed. The letter is considered as a letter-work that has already overcome the narrow framework of the epistolary genre during the writer’s life and has become a discussed text. In Turgenev studies, however, the question of the biographical author of the Easter poem remains the main issue in examining the letter: today, in the reader’s space, the poem de facto functions as a work of both Turgenev and Lermontov. The “prosaic” part of the letter about the painter-poet is considered by researchers to be preparatory material for a subsequent work. Meanwhile, the letter is a “cryptographic text,” and as a whole conceals a hidden “Pushkin code,” which is “read” thanks to numerous hints contained both in the letter itself, in its “prosaic” and poetic parts, and in the friendly correspondence between Turgenev and Annenkov. A comparative analysis of the two texts of the Easter poem prepared by the Turgenev academic group, one of which is in a letter dated October 14, 1853, and the other, in the Dubia section, revealed numerous discrepancies in these texts, as well as their significant deviation from the original text published in the Literary Gazette in 1840. In academic texts, all sacred words — the Glory of God, the Son of God — are graphically eliminated. Such eradication of religious and aesthetic feeling, “concealed” in the graphic “decapitation” of the names of Christ, again actualizes the issue of the need to publish the creative heritage of Russian classics in an authentic form.

About Alexey Khomyakov’s Views on Church Painting

The article is devoted to the views on church painting of one of the Slavophile leaders A.S. Khomyakov. In 1845, Alexander Ivanov, an artist working in Rome, influenced by the “Slavophile” atmosphere of meetings with F.V. Chizhov, N.M. Yazykov and N.V. Gogol, attempted to use an icon as a model for the image of the Resurrection of Christ for the Moscow Cathedral of Christ the Saviour (for the first time in the history of the Russian academic school). It is doubtful that Khomyakov could have unreservedly welcomed this endeavor by Ivanov. Although he believed that for Russia’s return to nationality it would be sufficient only to revive the old in consciousness and life, he did not at all understand this return as a revival of the authentic forms of Old Russian art or as a stylization of these forms. Khomyakov’s negative attitude to stylizations is evidenced by his sharp criticism of the eclecticism of Bavarian art. In Russia, he believed, the link with tradition had long been severed and therefore Old Russian art could not serve as a basis for a modern art school. Not in Ivanov’s traditional icon-oriented sketch of the Resurrection of Christ, but in his painting The Appearance of the Messiah, Khomyakov recognized, even before he saw it with his own eyes, evidence of the beginning of the revival of truly Russian life and Russian thought. In his opinion, the artist sought in the painting to eliminate personal artistic manner, to become a kind of transparent medium through which the holy image would be imprinted on the canvas. The German Nazarene artists tried to capture the Christian phenomenon in the artistic contemplation of the spirit, but they could only teach it, they themselves were incapable of it. Ivanov, a graduate of the Imperial Academy of Arts, who had perfectly mastered the craft of an artist, was at the same time, according to Khomyakov, a pupil of icon painters, who created a great work of church wall painting. The history of the Russian art school of the second half of the 19th — early 20th century fully confirmed the validity of this assessment of the painting The Apparition of the Messiah. It laid the foundation for the God-seeking direction of Russian painting, on which Russian art blossomed in the work of I.N. Kramskoi, V.M. Vasnetsov, M.V. Nesterov, N.N. Ge, as well as atheists — V.D. Polenov and V.V. Vereshchagin. Although not all the works of this trend were honored to be accepted into the bosom of the Orthodox Church, most of them allow us to be deservedly proud of the Russian art school.

Beyond Borders: Towards a Theology of ‘Synodality’

Pope Francis’ call to pave the way for a synodal Church is revolutionary. While ‘synodality’ has long been a promising Church trajectory, it disrupts and challenges the current status quo in local churches. Moreover, the process of ‘synodality’ is transformative and enriching as it fosters greater engagement of the people at the peripheries of the Church’s life and mission.
 People in the margins are often perceived as passive participants in the life of the Church and, as it were, on the receiving end. However, the Church’s plans, thrusts, and decisions, whether on a personal level or socio-political and economic affairs, have always involved active and influential parish members and organizations. The ‘influential’ constitutes the majority’s voice in church ministries, activities, and projects. On the other hand, the voices of the underprivileged carry, if any, little weight in the discussion.
 This paper critically examined avenues for dialogue initiated by the local churches for the synod, allowing the marginalized to sit at the discussion table. It scrutinized a ‘synodal’ Church as it unveiled the mental structures that create categories of marginalization. In the hope of appropriating ‘synodality’ into authentic forms of encounter, solidarity, and dialogue, Koselleck’s ‘space of experience’ and ‘horizon of expectation’ brought into light female narratives in the ‘synodal’ discourse, enabling the process of becoming a ‘synodal’ Church, a desired horizon of the future.

Demystifying Shibboleth: Adapting to Web Browser Privacy Changes

University of Dayton Libraries added Shibboleth as an additional form of authentication for its licensed e-resources beginning in summer 2023. A major impetus for pursuing Shibboleth are the upcoming web browser changes that will obfuscate users’ IP addresses, set to occur in later 2023 and 2024 and something which will likely disrupt on-campus IP range access via EZproxy. Implementation of Shibboleth for an initial round of fifty-five e-resource platforms was relatively quick as a result of the University of Dayton’s participation in the InCommon Federation of U.S. higher education institutions, also known as an “authentication federation.” Methods for achieving the implementation involved entering Shibboleth entities within vendors’ admin portals or working with the vendor representatives via email. Contrary to our previous understanding of Shibboleth, this implementation did not require extensive work on our end with our central IT office and typically required us to provide only a handful of entities directly to the vendor (all of which are anonymous entities). This article aims to share our workflow and lessons learned in the hope that other InCommon member institutions can follow suit.

Ukukhonza as an ethic-oriented ontology to ensure harmonious existence among AmaZulu

The production of knowledge should be premised on the inclusion of all epistemologies to provide possibilities to build a more just world. However, knowledge production, as we have it today, is premised on Western epistemology which is used to distil other knowledges before they could be accepted as legitimate. This approach stifles possibilities to find different ways of knowing that could contribute to imagining the world anew. There is a need, therefore, to unthink the West such that we find other ways to understand the world. The article helps in unthinking the West to allow an authentic understanding of the indigenous people of South Africa. I argue that the ontology of AmaZulu – one of the indigenous groups in South Africa – is an ethic-orientated ontology that is expressed through the concept of ukukhonza – a process where one surrenders their identity in order to belong to the group (this can also refer to worship). In ukukhonza, the surrendering of one’s identity is to ensure harmonious living centred on a common identity that is unified by the principles of ubuntu. Drawing on the nuances of ukukhonza, this article argues that the ontology of AmaZulu is centred on respecting life in its different forms because it is believed that everything is interconnected. This understanding of life provides a different conceptualisation of God which anchors the religion that is practised everyday such that doing good is inescapable. This is an ethic-oriented ontology which when brought forth in its authentic form can address the many ills of modern society.Contribution: This is the conceptual article that contributes to rethinking religion from an African perspective to provide a possibility of an ethic-centred society that can inform the new ways of being in the world.

Analysis of multi-factor authentication solutions

This article analyzes open-source multi-factor authentication (MFA) solutions. Research on adapting the MFA solution is given, this research will help businesses to provide security in the implementation of remote work. This article discusses 5 open-source MFA solutions, functionality, advantages and disadvantages. For Small and Medium-sized Businesses (SMBs), using a multi-factor authentication (MFA) solution is an important element of security. MFA is an authentication method that requires several forms of authentication before a user can access a system or application. For SMBs, using MFA helps protect their business from cyberattacks, including phishing, network traffic interception and password cracking. In addition, the use of MFA helps to comply with regulations such as GDPR and HIPAA, which require companies to ensure data security. In general, the use of MFA helps to protect important information and reduce the risks of security breaches, which can lead to financial losses, reputational problems and loss of customer confidence.

Animation in immersive environments: expanding theories of authenticity in educational, historical, and political contexts

This paper examines and discusses potential factors that may trigger authenticity in animated immersive environments. Our discussion draws upon three forms of authenticity, categorized as objective, constructive or symbolic, and existential authenticity. To explore these ideas, we present three case studies drawn from the authors’ own research deploying immersive media in different contexts (educational, historical, and political). The aim is to interrogate how authenticity is conceived and constructed on three levels – authenticity of narrative, authenticity of environment, and authenticity of action – during the design and production process. We start by defining the concept of authenticity with reference to previous work within the fields of journalism and tourism, and then explore its specification in animated virtual reality through the case study discussion. One important conclusion from our analysis is that authenticity markers are needed to enable users to verify the information presented and trust the educational content.

“Hey, You There!”: Theorizing the Open Letter as Methodology in Academic Writing

From James Baldwin's (1962) “A Letter to My Nephew,” which laid bare the brutalities of being black in 1960s America, to Chanelle Miller’s published victim impact statement addressed to her assailant, which provided vocabulary and was kindle for #MeToo, examples abound demonstrating the ways in which the open letter continuously surfaces during pivotal historical junctures. Although the contextual significance of this format of authorship is widely used in scholarly disciplines ranging from education to history, the structural significance of the open letter as a methodologic approach to academic writing has yet to be theorized, leaving questions that merit attention: Why is the open letter so often used by marginalized groups? What are the literary and rhetorical effects of the enclosed addressed between sender and receiver? Finally, how does this format of writing create and affect the positionality and subjectivity of authors? By writing a letter addressed to Academia/School, this essay makes the case for the open letter as something to be studied but also a methodology and study in and of itself. By drawing on literary theory, cultural studies, and research on writing in academia, this essay suggests that the open letter is an important form of authorship and argues for revisiting the open letter as a legitimate form of scholarship as well as an authentic form of academic writing in education.

From Baking Competitions To Forced Repatriations: Patriotic Alternative And The Hybridity Of The Radical Right

Today, Patriotic Alternative is Britain’s largest and fastest growing radical right group. This article presents evidence in support of Patriotic Alternative being a highly original and innovative radical right group that is demarcated by its hybridity: one that brings together both authentic and inauthentic forms and ideologies of traditional nationalism. Having set out the research design, this article begins with an exploration of the origins, formation and leadership of Patriotic Alternative. From here, it does the same in relation to its ideology and activism. Next, Patriotic Alternative’s hybridity is considered in an attempt to better understand how, as a radical-right group, it combines authentic forms of traditional nationalism with newer, wholly contemporary – and thereby inauthentic – forms. Lastly, a number of conclusions are drawn about the potential future trajectory of Patriotic Alternative as also the British radical right and extreme right-wing more generally. Given Patriotic Alternative has been subjected to little if indeed any scholarly inquiry to date, this article makes a timely and much needed scholarly contribution.

Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse

ABSTRACT Since its launch in 2006, Twitter has been used as one of the primary media used for communication and intimacy between celebrities and their geographically dispersed fans. Within online environments, where the boundaries of diverse social contexts are fuzzy, and heterogeneous individuals are lumped together, it can be challenging for celebrities to forge authentic communication and build intimacy with their imagined audiences. Against this backdrop, this study seeks a nuanced understanding of performative intimacy in relation to the technological affordances that enable unique discursive practices that contribute to the development of the social ties between celebrities and fans. To this end, I examine the communicative practices deployed in a Korean hip-hop singer’s voice tweets to interact with his fans as a case study. The analysis reveals that different forms of authenticity – i.e. authenticity of voice, authenticity of performance and authenticity of effort – are involved in intimacy building through voice tweets. I argue that (re)constructing a context through discursive apparatuses may play a significant role as a performative practice that can provoke an illusionary sense of intimacy. I also argue that authenticity is contingent upon the audience’s perceptions, and authentic communication can be achieved through the interplay between celebrities and fans.

Architecture as a beauty of art and culture in Indonesia

Architecture is not only understood as the physical form of buildings, but also as a manifestation of community creativity in responding to cultural and historical values. Architecture is not only understood as the physical form of buildings, but also as a manifestation of community creativity in responding to cultural and historical values. This research uses a qualitative approach with descriptive methods. The research results show that architecture in Indonesia is not only a physical structure, but also a three-dimensional expression of human behavior which is reflected in its physical form. Architecture plays a central role in reflecting and shaping human daily life, becoming a visual narrative that represents identity and cultural values. The selection of traditional elements, the use of local materials, and the concept of sustainability are the keys to creating architecture that is not only aesthetic but also celebrates the richness of Indonesian art and culture. With the intelligent integration of these elements, architecture becomes an authentic form of artistic and cultural identity, creating spaces that combine practical function with the beauty and diversity of Indonesia's cultural heritage.