Film Images Research Articles

Research on Changes in the Female Image in Chinese Crime Films from 2013 to 2023

Crime film is an indispensable branch and an important part of the film genre. In the past decade, the female image in Chinese crime films has changed and achieved obvious breakthroughs. The single portrayal of female characters in crime movies has changed, and strong, independent, and even vicious female characters are created while the stereotype of "weak" is discarded. In addition, as an essential existence, these female characters assume the role of driving the plot forward and reversing its direction. This paper analyze the portrayal of female images in Chinese crime films shot or released in 2013 to 2023, and on the basis of analysis, explores and discovers the mode of transformation of females roles, shortcomings and future direction. Adopting the case studies and theoretical analysis, this paper analyzes different female characters in the movie, and discusses the type of contemporary female roles and the social meanings and connotations they imply. Moreover, it uses the comparative argumentation and historical analysis to compare female roles at home and abroad and different years, so as to achieve a revelation of the future female characterization in film.

Multi-layer shearing induced high orientation of graphene oxide sheets towards high-performance macrostructures

The orientation of graphene nanosheets in microstructures is directly related to the mechanical properties and thermal conductivity of graphene-based macrostructures. However, efficient and scalable modulation of the orientation of 2D graphene nanosheets remains challenging. Herein, a simple and effective approach was proposed by introducing a multi-layer shearing field in thick graphene oxide (GO) gel coatings to improve the total orientation of GO films. Hydrodynamic simulations were performed via the lattice-Boltzmann method to reveal the microscale mechanism of the flow profile in improving the orientation of GO nanosheets. The result was experimentally verified by fast Fourier transform (FFT) of the cross-section scanning electron microscope (SEM) images of freeze-dried GO films and wide-angle X-ray scattering (WAXS) patterns of 16 various samples under different shearing line distances, velocities, and GO concentrations. The obtained GO films exhibit high orientation (Herman's orientation factor ƒ = 0.922), high strength (419.2 MPa), and high modulus (26.2 GPa), respectively, which are 1.06, 5.57, and 3.49 times higher compared to GO films prepared through the frequently used doctor blade method. The good orientation of GO is remained and further improved to the ultra-high orientation (ƒ = 0.968) after being graphitized at 3150 °C and roll pressing, and the oriented thick graphene films achieved the highest thermal conductivity (1629 W m−1 K−1 for 86 μm and 1593 W m−1 K−1 for 110 μm) compared to other graphene films mentioned in the literature as having a similar thickness. The multi-layered shearing strategy represents a facile technology for assembling two-dimensional (2D) nanoscale building blocks into a macroscopic structure with good orientation and high performance.

Deleuze’s zeroness and Peirce’s pure zero regarding the expansion of semiotics’ categorial frame

Abstract Deleuze (1925–1995), in the early 1980s, adopts Peirce’s (1839–1914) semiotics in order to classify the signs that the images of the cinema display. Aiming at insufflating the Peircean principles with the movement that animates the images of cinema, he provides Peirce’s triadic logic with a new category – Zeroness – which stands for the semiotic movement of cinematic images. Deleuze’s new category has impacts on the main domains of Peirce’s philosophy. Accordingly, our inquiry will focus on the irradiation of Zeroness over the (a) system of categories, the (b) Peircean phenomenology (phaneroscopy), the (c) generative categorial role, the (d) semiotic effectiveness, the (e) doctrine of continuity, and the (f) logic of relatives. This article will show that for Deleuze nearly like more recent Peircean scholarship: (a) zeroth state holds a categorial status, (b) some phenomenon instantiates zeroth state, (c) zeroth state plays a generative role regarding Peirce's categories, (d) zeroth state as a phenomenological category is semiotically effective, (e) zeroth state and the doctrine of continuity, and (f) zeroth state is a “medad.” In order to assess these topics, we recover Deleuze’s advances on Peirce’s philosophy and confront them with the Peircean studies on the zeroth state. Finally, we will see that Deleuze, far from being a Peircean scholar, developed the importance of the zeroth state for Peirce’s semiotics in advance to the subsequent Peircean scholarship. Reciprocally, most of Deleuzian scholars understimate the importance of Peirce for Deleuze’s semiotics.

The Politics of Film Aesthetics: Filmososphy, Post-Theory, and Rancière

The question of aesthetics in film-theoretical discourse today is split between, on the one hand, a film-phenomenological or “filmosophical” approach that values the putatively immanent relation between film and the mind and, on the other, the naturalizing epistemology of post-theory, which reduces the question of film aesthetics to one of poetics. What unites these otherwise disparate projects is the consideration of aesthetics divorced from the question of politics; in both cases, the social or political significance of the film–spectator relationship has been summarily purged. In this article, I will offer an alternative account of film aesthetics that draws on Jacques Rancière’s theory concerning the mutually determining relationship between aesthetics and politics. In particular, I will consider the relevance of Rancière’s thesis concerning what he calls the distribution of sensible to current accounts, as well as taking up his novel consideration of aesthetic distance and the “emancipated” spectator. With respect to film phenomenology, I will examine how its film-theoretical program rests on the flawed concept of a de-politicized spectator enchained by the film image. With respect to post-theory, I will examine how its appropriation from cognitive science of the rational agent model of meaning making inappropriately limits the political potential of film aesthetics.

Chiral nematic nanocomposites with pitch gradient elaborated by filtration and ultraviolet curing of cellulose nanocrystal suspensions

An innovative method combining frontal filtration with ultraviolet (UV) curing has been implemented to design cellulosic nanocomposite films with controlled anisotropic textures from nanometric to micrometric length scales. Namely, an aqueous suspension containing poly (ethylene glycol) diacrylate polymer (PEGDA) as a photocurable polymer and cellulose nanocrystals (CNCs) at a 70/30 mass ratio was processed by frontal filtration, followed by in-situ UV-curing in a dedicated cell. This procedure allowed designing nanocomposite films with highly oriented and densely-packed CNCs, homogeneously distributed in a PEGDA matrix over a thickness of ca. 500 μm. The nanocomposite films were investigated with small-angle X-ray scattering (SAXS), by raster-scanning along their height with a 25 μm vertically-collimated X-ray beam. The CNCs exhibited a high degree of orientation, with their director aligned parallel to the membrane surface, combined with an increase in the degree of alignment as concentration increased towards the membrane surface. Scanning electron microscopy images of fractured films showed the presence of regularly spaced bands lying perpendicular to the applied transmembrane pressure, highlighting the presence of a chiral nematic (cholesteric) organization of the CNCs with a pitch gradient that increased from the membrane surface to the bulk.

Scanning ex situ solid-state magnetic resonance imaging on polymeric films using a static magnetic field gradient by an electromagnet.

A new technique for ex situ solid-state nuclear magnetic resonance imaging of polymeric films has been developed. This method uses the static magnetic field gradient generated by a water-cooled copper electromagnet. The imaging process involves scanning the sample in the plane of the film under a static magnetic field gradient. Two-dimensional (2D) 19F MRI measurements are attempted, where the fast Fourier transform (FFT) spectra of the second half of a Hahn echo peak is used for the depth (X-axis) direction, and the sample film is mechanically moved for the Y-axis, which is in-plane with respect to the film surface and normal to the inter-magnetic-pole line (Z-axis). The sample is a poly(tetrafluoroethylene) [PTFE] film with carved stripes on its surface. Furthermore, three-dimensional (3D) measurements of the film surface and thickness orientations were also performed for an analogous PTFE film. For 2D profiling on the film surface, 2D sample-moving was used. For depth profiling, FFT spectrum analysis was undertaken for each voxel situated at a specific (Y, Z) coordinate within the film. As a result, a 3D image of the sample and its corresponding geometry were obtained, although the scanning area was restricted to a part of the sample. Finally, numerical simulations of the spatial distribution of the static magnetic field were performed to confirm the validity of the present method.

Surfacing the occulted Islam in Imtiaz Ali’s Jab Harry Met Sejal: Or, some small joys of data hunting in big AI today

This is a methodological article consisting of two parts – the first part, demonstrates the methodologies of online research done towards annotating the multiple European locations in the Bollywood film Jab Harry Met Sejal (JHMS) made in 2017, followed by a second part that provides a commentary on the ideological subtext of the film gleaned from the online research work done. The presentation of online work consists of matching material available on the web – film location websites, imdb.com, images, maps and texts in the main with the imagery presented in the film. This seeks to emphasize the remarkable possibilities of using basic online research to analyse film content to a degree of considerable density and complexity, a development that improves day by day. Indeed, the ‘surface’ reading of locations as imagery when matched with other online resources such as Wikipedia entries on various aspects of film imagery allow for a very rich interpretation of the underlying ideational and ideological intention of films.

Dosimetric Systems in Pre-Treatment QA for Stereotactic Treatments: Correlation Agreements and Target Volume Dependency.

This study comprehensively investigated pre-treatment quality assurance (QA) for 100 cancer patients undergoing stereotactic treatments (SRS/SRT) using various detectors. The study conducted QA for SRS/SRT treatments planned with a 6MV SRS beam at a dose rate of 1,000 MU/min, utilizing Eclipse v13.6 Treatment Planning System (TPS). Point dose measurements employed 0.01cm3 and 0.13cm3 cylindrical ionization chambers, while planar dose verification utilized Gafchromic EBT-XD Film and Portal Imager (aS1000). Plans were categorized by target volume, and a thorough analysis compared point dose agreements, planar dose gamma pass rates, and their correlations with chamber volume mean dose, detector type, and point dose agreement. Additionally, the consistency between different ionization chambers was assessed. Point dose agreement generally improved with increasing target volume, except for volumes over 10cm3 with 0.01cm3 chambers, showing a contrary trend. Significant differences (p<0.05) were observed between TPS and measured doses for both chambers. Gamma pass rate improved with increasing target volume in EBT XD and aS1000 analyses, except for the >10cm3 group in EBT XD. EBT XD demonstrated better agreement with TPS for target volumes up to 10cm3 compared to aS1000, with a statistically significant difference (p<0.05) between the detectors. Strong correlations were found between chamber point dose and chamber volume mean dose agreement, as well as between the two gamma criteria analyses of the same detector type in the planar dose correlation analysis. However, weak correlations were discovered for other analyses. This study found weak correlation between different detector types in pre-treatment QA for point dose and planar dose evaluation. However, within a specific detector type, strong correlation was observed for different point dose evaluation methods and gamma criteria. This highlights the importance of cautious interpretation of QA results, particularly for SRS QA, due to the lack of correlation between detector types.

Deposition and Optical Characterization of Sputter Deposited p-Type Delafossite CuGaO2 Thin Films Using Cu2O and Ga2O3 Targets.

CuGaO2 thin films were deposited using the RF magnetron sputtering technique using Cu2O and Ga2O3 targets. The films were deposited at room temperature onto a quartz slide. The sputtering power of Cu2O remained constant at 50 W, while the sputtering power of Ga2O3 was systematically varied from 150 W to 200 W. The films were subsequently subjected to annealing at temperatures of 850 °C and 900 °C in a nitrogen atmosphere for a duration of 5 h. XRD analysis on films deposited with a Ga2O3 sputtering power of 175 W annealed at 900 °C revealed the development of nearly single-phase delafossite CuGaO2 thin films. SEM images of films annealed at 900 °C showed an increasing trend in grain size with a change in sputtering power level. Optical studies performed on the film revealed a transmission of 84.97% and indicated a band gap of approximately 3.27 eV. The film exhibited a refractive index of 2.5 within the wavelength range of 300 to 450 nm.

Examining Tear Film Dynamics Using the Novel Tear Film Imager.

The purpose of this study was to examine Tear Film Imager (TFI, AdOM, Israel) generated parameters across controls and dry eye (DE) subgroups and examine the changes in TFI parameters with contact lens (CL) placement. The retrospective study (n = 48) was conducted at the Miami Veterans Hospital. Symptoms were assessed through validated questionnaires and signs of tear function by tear break-up time and Schirmer scores. Participants were grouped as 1) healthy, 2) evaporative, 3) aqueous deficient, and 4) mixed DE based on tear function. Seventeen individuals had a baseline scan and a repeat scan following CL placement. Descriptives were compared across groups and over time. The median age was 27 years, 74% self-identified as White, 45% as male, and 51% as Hispanic. Subjects in the aqueous deficiency category had lower muco-aqueous layer thickness (MALT) (2672 vs. 3084 nm) but higher lipid layer thickness (47.5 vs. 38.3 nm), lipid break-up time (4.4 vs. 2 seconds), and interblink interval (13.9 vs. 5.4 seconds) compared with the evaporative group. Subjects in the evaporative group had the highest MALT values (3084 vs. 2988, 2672, 3053 nm) compared with healthy, aqueous-deficient, and mixed groups. Symptoms were not significantly correlated with TFI parameters. CL placement significantly decreased MALT values (2869 → 2175 nm, P = 0.001). The TFI provides unique information regarding the dynamic function of the tear film not captured by clinical examination. TFI generated metrics demonstrate a thinner aqueous layer in individuals with aqueous deficiency but highlight a thicker aqueous layer in those with evaporative DE.

Abstract 4867: Longitudinal latent class analysis to further understand trajectory of density over time and risk of breast cancer

Abstract Background: It is clinically important to refine strategies to manage women with dense breasts as they represent approximately 50% of all women screened. Change in breast density is related to risk of breast cancer.1 We also must understand this change in density over time in women with dense and non-dense breasts. While population level data have been reported to estimate decrease in density with age, this has largely used digitized film images.2 Expanding use of digital mammography and repeated screening generates a large library of images for each woman, offering the potential to use more of the image data. Methods: We use longitudinal latent class analysis to cluster women and estimate their change in density over time. To evaluate the groups of women with different patterns of change in density we fit latent class models to our previously published data.1 This includes 289 pathology confirmed cases of breast cancer and 658 controls among women followed from November 3, 2008 to October 31, 2020. Results: Among women with dense breasts, there are 107 who developed breast cancer during follow-up and 267 control women who remained free from breast cancer. In the women without dense breasts, 173 cases and 383 controls were evaluated and showed similar age and BMI within the controls as seen in women with dense breasts. Prevalence of family history and history of benign breast biopsy did not differ between the two groups. We observe this latent class and trajectory of density phenomenal separately for dense and non-dense groups in our data. We show that the data define 2 classes, those who have decrease in density over time and those who have increase over time. The odds ratio (OR) for cancer comparing decline vs. incline is 4.9 in women with dense breasts (BI-RADS C, D) and 6.17 on women with non-dense breasts (BI-RADS A, B). Discussion: To refine our understanding of patterns of change in breast density over time in relation to breast cancer risk we fit latent class models. Longitudinal change matters as reflected in the 2-class model. This is independent of starting density and confirms that a one-time measure of density is not enough to define level of risk for subsequent breast cancer. Further work is needed to better define the drivers and inhibitors of decline in breast density over time given this change over time as women age is a universal phenomenon.2 1. Jiang S, Bennett DL, Rosner BA, Colditz GA. Longitudinal Analysis of Change in Mammographic Density in Each Breast and Its Association With Breast Cancer Risk. JAMA Oncol 2023;9(6):808-814. (In English). DOI: 10.1001/jamaoncol.2023.0434. 2. Burton A, Maskarinec G, Perez-Gomez B, et al. Mammographic density and ageing: A collaborative pooled analysis of cross-sectional data from 22 countries worldwide. PLoS Med 2017;14(6):e1002335. DOI: 10.1371/journal.pmed.1002335. Citation Format: Graham A. Colditz, Debbie L. Bennett, Shu Jiang. Longitudinal latent class analysis to further understand trajectory of density over time and risk of breast cancer [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2024; Part 1 (Regular Abstracts); 2024 Apr 5-10; San Diego, CA. Philadelphia (PA): AACR; Cancer Res 2024;84(6_Suppl):Abstract nr 4867.

Classification Method of 3D Pattern Film Images Using MLP Based on the Optimal Widths of Histogram

3D pattern film is a film that makes a 2D pattern appear 3D depending on the amount and angle of light. However, since the 3D pattern film image was developed recently, there is no established method for classifying and verifying defective products, and there is little research in this area, making it a necessary field of study. Additionally, 3D pattern film has blurred contours, making it difficult to detect the outlines and challenging to classify. Recently, many machine learning methods have been published for analyzing product quality. However, when there is a small amount of data and most images are similar, using deep learning can easily lead to overfitting. To overcome these limitations, this study proposes a method that uses an MLP (Multilayer Perceptron) model to classify 3D pattern films into genuine and defective products. This approach entails inputting the widths derived from specific points’ heights in the image histogram of the 3D pattern film into the MLP, and then classifying the product as ‘good’ or ‘bad’ using optimal hyper-parameters found through the random search method. Although the contours of the 3D pattern film are blurred, this study can detect the characteristics of ‘good’ and ‘bad’ by using the image histogram. Moreover, the proposed method has the advantage of reducing the likelihood of overfitting and achieving high accuracy, as it reflects the characteristics of a limited number of similar images and builds a simple model. In the experiment, the accuracy of the proposed method was 98.809%, demonstrating superior performance compared to other models.

Circularly Polarized Luminescence of Cholesteric Liquid Crystal Polymer Networks with a Europium(III) Complex as an Emitter.

A coordination complex, Eu(C12C12dbm)3(phen), with strong emission and a high quantum yield (QY ∼ 51.9%) was synthesized. The EuIII complex, as a fluorescent emitter, was embedded in cholesteric liquid crystal polymer networks (CLCNs). A series of free-standing EuIII-CLCN films were obtained, generating a typical sharp emission band corresponding to the EuIII complex. Tunable handedness of circularly polarized luminescence (CPL) with high |glum| values (up to 0.63) was observed. A series of CPL-active CLCN-coated PET films were also prepared (|glum| values up to 0.63), which can be used for large-area preparations. Moreover, by stacking an emitter-embedded PMMA layer and a CLCN layer, a composite system was built, and a large |glum| value (∼1.42) was achieved. Fluorescence patterns were prepared, and distinct images of CLCN films were recognized under both daylight and UV light. This work not only demonstrated that coordination compounds could be incorporated with CLCN films to prepare CPL-active materials with high |glum| values but also provided a new perspective for emissive CLCN materials used for anticounterfeiting and encryption.

Study of Urban Image in Chinese-American Films from the Perspective of the Other: A Case Study of The Farewell

Study of Urban Image in Chinese-American Films from the Perspective of the Other: A Case Study of The Farewell

Study of fractality nature in VO2 films and its influence on metal-insulator phase transition

The mechanisms underlying the origin of fractal shape of inclusions of a new phase in VO2 films during metal-insulator phase transition are discussed. The obtained results show that hysteresis of the temperature dependence of resistance R(T) significantly depends on the film morphology and texture. Moreover, some fractal features are observed. To determine the fractal dimension D of the structural elements of the studied films from their images, different fractal analysis approaches were preliminary compared and discussed. As a result of the film image treatments, the boundaries of the structural elements were found to have fractal dimensions of 1.3 to 1.5 or higher and to correlate with the shape of R(T). The fractal boundaries indicate the dominant role of elastic stress on the phase transition of films, which is confirmed by numerical modeling. Based on these results, an analytical model is proposed that relates the free energy of a film to the fractal dimension of its constituents. Depending on the ratio of the elastic and interface specific energies, the position of the free energy minimum F corresponds to a certain fractal dimensionality D. A small interface energy leads to a higher fractal dimension making the initial phase more stable. This conclusion explains well all the effects observed experimentally in VO2. The obtained results provide a better understanding of the influence of structure and morphology on other properties of the studied films.

Visualization of Recrystallization Induced by Ultraviolet Degradation of a Polypropylene Film Using Raman Imaging.

Raman images were constructed for polypropylene (PP) films before and after ultraviolet (UV) irradiation (100 mW, 248-436 nm) for 10 h using several intensity ratios of Raman bands that are sensitive to crystallization of PP. In the images of PP films before the irradiation the intensity ratios are nearly uniform for the films but for those of the PP films after the irradiation, the ratios become large with a mottled pattern, indicating that recrystallization occurs in the PP films upon the irradiation of the UV light. The UV-irradiated PP films show worm-like shaped structures in few micrometer order representing the recrystallization of PP. The temperature gradient of PP is low (273 K), and thus, it is very likely that due to UV energy and polymer fragmentation, PP molecules become more mobile and some parts of molecular chains in amorphous parts of PP molecules lead to their rearrangement and recrystallization. In this study, we demonstrate that Raman imaging clearly detects subtle changes in the crystallinity with a micrometer order structure which morphological images cannot observe.

푸드트럭, 소셜미디어, 유동하는 쿠바 음식문화

This article examines ethnic and regional food culture in the United States, focusing on the Jon Favreau film Chef, and analyzes the intertextual impact of sharing food photos in social media spaces on the practice of food consumption and production in the real world. A summary and main research findings are as follows. First, in Chef, America’s diverse ethnic and regional food culture is portrayed through cinematic images of various ingredients and urban spaces along the main characters’ journey to Miami, New Orleans, Austin, and Los Angeles. Each city’s locality and food culture are complexly expressed through unique street scenes that preserve the local history and culture, famous restaurants that have become local attractions, colorful and lively food images, sounds generated during the cooking process, and cheerful background music. Second, this film can enhance understanding of the motivation for setting up and operating food trucks in the U.S. For the protagonist, Carl Casper, Cuban food and food trucks serve as symbols and infrastructure that guarantee his professional autonomy and creativity as a chef. By analyzing its storyline and dialogue, this article examines the ways, meanings, and repercussions of food culture representation in the media by those in the restaurant industry who prepare and sell food themselves, not by food consumers. To recapitulate, Chef is valuable as educational content in that it vividly introduces America’s diverse ethnic and regional food culture, farmers’ markets, and food truck culture. This article will contribute to a better understanding of how the prevalence of digital media can affect and socially reorganize food culture by examining the establishment and operation of food trucks in the U.S. through the film and the relationship between food truck businesses and social network services.

Digital Image and Perceptual Realism in Films - Forrest Gump and Encanto

Digital Image and Perceptual Realism in Films - Forrest Gump and Encanto

The Short-term Effects of Artificial Tears on the Tear Film Assessed by a Novel High-Resolution Tear Film Imager: A Pilot Study.

The purpose of this study was to investigate the effects of artificial tears (AT) on the sublayers of the tear film assessed by a novel tear film imaging (TFI) device. The mucoaqueous layer thickness (MALT) and lipid layer thickness (LLT) of 198 images from 11 healthy participants, 9 of whom had meibomian gland disease, were prospectively measured before and after exposure to 3 different AT preparations (Refresh Plus; Retaine [RTA]; Systane Complete PF [SYS]), using a novel nanometer resolution TFI device (AdOM, Israel). Participants were assessed at baseline and at 1, 5, 10, 30, and 60 minutes after instilling 1 drop of AT during 3 sessions on separate days. Repeated-measures analysis of variances were used for comparisons with P < 0.05 considered significant. For all ATs, the mean MALT was greatest 1 minute after drop instillation, with an increase of 67%, 55%, and 11% above the baseline for SYS, Refresh Plus, and RTA, respectively. The SYS formulation demonstrated the highest percentage increases in mean MALT and LLT at most postdrop time points. The MALT differences were significantly higher in the SYS than in the RTA ( P = 0.014). After 60 minutes, no AT group demonstrated statistically significant changes in MALT or LLT compared with baseline. We report, for the first time, the effects of AT on MALT and LLT using a high-resolution TFI. A substantial acute mean MALT increase occurs 1 minute after AT instillation with all agents tested, but there were clear differences in response and durability, suggesting the benefits of choosing specific AT according to the needs of each patient.

Glass as a means of forming a unique artistic image in fine art, cinema and architecture

The article discusses the basic physical properties of glass and its possibilities of use as a means of creating an image in the fine arts, cinema and architecture. The indispensability of glass as a material in various fields has been revealed, especially in those where visual perception plays a special role. In cinematography, glass allows you to create a special frame composition on the screen and enhance the narrative of the script. In fine arts and architecture, it is used to transform the atmosphere and properties of space, create unique images, and regulate the degree of closeness and openness of space. The importance of glass as a tool for creating the most daring and unusual ideas, which influenced the development of fine arts, architecture and cinema, is revealed.