Field Of Aesthetics Research Articles

Evolution of the ontology of ancient Chinese music

The subject of the study is the ontological ideas of ancient Chinese music in the context of the formation of philosophical schools of Ancient China, which make it possible to identify a number of philosophical categories that underlie traditional chinese music and outline different approaches to its understanding and interpretation. Most Chinese researchers in the field of musical aesthetics focus on the art of music, rare to pay attention to the philosophical origins of the categories of music that past thinkers wrote about when analyzing laws of existence of the universe. Restoring and rethinking these values in the context of the philosophical and cultural analysis of ancient Chinese music is key to this work, which allows us to gain an understanding of the specifics of ancient Chinese culture and its musical heritage. The novelty of the work lies in carrying out the correlation of genesis of the musical ontology of Ancient China with the dynamics of the formation of the philosophical schools of Confucianism, Taoism and Buddhism, their rise or fall depending on the historical and cultural situation. Musical philosophy in China has not yet become an independent discipline, so the presented work makes a significant contribution to the field of musical ontology. During the study, the authors revealed three main aspects which are basic for the ontology of ancient Chinese music: The nature of music has its source three categories: Tao, air and sound, existing both in a natural state in nature and embodied in musical structure and instruments; Sound and rhythm being the essence to any musical work, organize the sounding space in accordance with the cosmic order; The metaphysical nature of music is justified by the basic principles of Taoist philosophy and number theory.

A Review of Classroom Teachers' Perceptions of Art and Aesthetic Field Competency with Respect to Different Variables in Their Classroom Practices

A Review of Classroom Teachers' Perceptions of Art and Aesthetic Field Competency with Respect to Different Variables in Their Classroom Practices

Extended platelet-rich fibrin.

Platelet-rich fibrin (PRF) has been characterized as a regenerative biomaterial that is fully resorbed within a typical 2-3 week period. Very recently, however, a novel heating process was shown to extend the working properties of PRP/PRF from a standard 2-3 week period toward a duration of 4-6 months. Numerous clinicians have now utilized this extended-PRF (e-PRF) membrane as a substitute for collagen barrier membranes in various clinical applications, such as guided tissue/bone regeneration. This review article summarizes the scientific work to date on this novel technology, including its current and future applications in periodontology, implant dentistry, orthopedics and facial aesthetics. A systematic review was conducted investigating key terms including "Bio-Heat," "albumin gel," "albumin-PRF," "Alb-PRF," "extended-PRF," "e-PRF," "activated plasma albumin gel," and "APAG" by searching databases such as MEDLINE, EMBASE and PubMed. Findings from preclinical studies demonstrate that following a simple 10-min heating process, the transformation of the liquid plasma albumin layer into a gel-like injectable albumin gel extends the resorption properties to at least 4 months according to ISO standard 10 993 (subcutaneous animal model). Several clinical studies have now demonstrated the use of e-PRF membranes as a replacement for collagen membranes in GTR/GBR procedures, closing lateral windows in sinus grafting procedures, for extraction site management, and as a stable biological membrane during recession coverage procedures. Furthermore, Alb-PRF may also be injected as a regenerative biological filler that lasts extended periods with advantages in joint injections, osteoarthritis and in the field of facial aesthetics. This article highlights the marked improvement in the stability and degradation properties of the novel Alb-PRF/e-PRF technology with its widespread future potential use as a potential replacement for collagen membranes with indications including extraction site management, GBR procedures, lateral sinus window closure, recession coverage among others, and further highlights its use as a biological regenerative filler for joint injections and facial aesthetics. It is hoped that this review will pioneer future opportunities and research development in the field, leading to further progression toward more natural and less costly biomaterials for use in medicine and dentistry.

Do repetitive botulinum neurotoxin injections induce muscle fibrosis? Sonographic observation of the masseter muscle.

In the esthetic field, the masseter muscle is commonly targeted by botulinum neurotoxin for facial contouring. However, multiple botulinum neurotoxin injections have been reported to cause muscle fibrosis. Ultrasonography can be useful for clinical consideration in such cases. This study presents nine cases of masseteric fibrosis caused by repeated botulinum neurotoxin injections with ultrasonographic analysis of full and partial masseteric fibrosis. Repetitive botulinum neurotoxin injections resulted in reduced masseter muscle volume, which frequently appeared hyperechoic on ultrasonography. The hyperechoic region was mostly located in the deep and posterior portions; however, in some cases, it was observed throughout the muscle, including the superficial, deep, or both areas. The fibrotic masseter muscles appear hyperechoic, and ultrasonography is necessary to analyze the degree and location of fibrosis. Predictions can be made for cases in which botulinum neurotoxin injections may have less of an effect after ultrasonography. Because muscle fibrosis can be localized, it is necessary to confirm the degree and location of fibrosis before determining the effective area of injection. In clinical practice, muscle fibrosis may be visible in a specific area where blind injections are administered.

About the Need for a More Adequate Way to Get an Understanding of the Experiencing of Aesthetic Items.

We live in times when neuroscientific methods have become standard methods that many researchers can easily use. While this offers excellent opportunities to understand brain activities linked with aesthetic processing, we face the problem of using sophisticated techniques without a proper and valid theoretical foundation of aesthetics. A further problem arises from sophisticated methods often demanding strict constraints in presenting and experiencing aesthetic stimuli. However, when experiencing aesthetic items, contextual factors matter, e.g., social and situational affordances are essential in triggering a true and deep "Kunsterlebnis" (Experience of Art). Additionally, in Art, it is often not the artwork as an object that matters but the close relationship with and the processing of the artwork. However, art is only one facet of the whole aesthetic domain, beside, e.g., design, architecture, everyday aesthetics, dance, literature, music, and opera. In the present paper, I propose a dynamic and holistic aesthetic perspective that includes the respective context, situation, cognitive and affective traits and state of the beholder, ongoing processes of understanding, Zeitgeist, and other cultural factors, which can be applied to different aesthetic domains. When ignoring such temporal and dynamic factors, we will not understand the qualia of aesthetic processing. These considerations might help researchers in the field of aesthetics to better understand the experiencing of aesthetic items of all kinds-if we ignore these factors, we are missing the essence of experiencing aesthetic items, especially artworks. We aim to sensitize and inform readers about these ideas to inspire a deeper understanding of experiencing aesthetic items and the advancement of a theoretical framework addressing the experiencing of aesthetics from different domains.

Науккаринен О. Современная эстетика: перспективы на время, пространство и содержание

In recent years, aesthetics has evolved into a rich and diverse discipline, including ethical, social, religious, environmental and cultural issues. As international communication increases due to more frequent congresses and electronic communication, the various traditions of aesthetics have combined with its historically interdisciplinary nature, which makes aesthetics the center of diverse and numerous interests. And raises the question of what is modern aesthetics? The answer to this question is often simply formulated, but not carefully developed, even if the current nature and scope of this discipline is far from obvious. In order to explore how one can understand both the concept and the field of modern aesthetics, the author of the article suggests considering three topics in this regard: time, space and the content of aesthetics, i.e. questions about when, where and what kind of modern aesthetics appears. According to the author, on this basis it is possible to construct a conceptual space.

Giving patients more choice: exploring the use of energy-based devices in medical aesthetics

Michelle McLean, an Advanced Nurse Practitioner, delves into the increasing use of energy-based devices and provides insight into the efficacy of radiofrequency (RF) in the field of medical aesthetics

The Upscaling of the Early Cinema Image through Artificial Intelligence. A New Aesthetics between Continuity and Dissent in Image Theory

An active community of users is manipulating the image of early cinema using Machine Learning-based software. This practice, encompassed in the field of Artificial Intelligence, has transformed the materiality of these images, generating a mutated image as a result. Through a qualitative research design, based on a hermeneutic approach, this research aims to delimit the nature of this new image by observing it from the theoretical parameters that have shaped the specificity of the original filmic image. Starting from three historical concerns of film image theory, we have studied the interferences that this mutated image produces in the field of aesthetics, in its signifying relationship with reality and in its own ontology. Surprisingly, the new mutation presents a meagre break with the theoretical tradition of the cinematic image, oscillating between a slight dissidence and a marked continuity of its postulates.

Effect of a portable light emitting diode device on wound healing in a rat model.

Light-emitting diode (LED) lights produce a variety of wavelengths that have demonstrable efficacy in therapeutic and aesthetic fields. However, a repetitive treatment regimen is required to produce treatment outcomes, which has created a need for portable LED devices. In this study, we aimed to develop a portable therapeutic LED device and investigate its healing effect on excisional wounds in a rat model. The 35 × 35 mm-sized LED device was used on a total of 30 rats with full-thickness wounds that were divided into two groups depending on radiation intensity (11.1 and 22.2 mW/cm2 group). LED irradiation was performed every 24 h for 30 min, over 14 days, in direct contact with the wound. Percentage wound closure was measured by photographic quantification and was assessed histologically using haematoxylin and eosin (H&E) and Masson's Trichrome staining, and immunohistochemistry for Vascular endothelial growth factor (VEGF) and CD31. Percentage wound closure was significantly higher in 22.2 mW/cm2 irradiated wounds than that in the control wounds on days 7 and 10. The area of collagen deposition was remarkably larger in 22.2 mW/cm2 irradiated wounds than that in the control, with more horizontally organized fibres. CD31 immunostaining confirmed a significant increase in the number of microvessels in 22.2 mW/cm2 irradiated wounds than that in the control wounds, although there was no difference in VEGF immunostaining. Our novel portable LED device accelerates wound healing in a rat model, raising the possibility that portable LED devices can combine convenience with accessibility to play an innovative role in wound dressing.

Role of Robotics in Neuromodulator and Filler Injections of Face.

In recent years, robots have been increasingly used in various fields of medicine, including surgery, dentistry, and ophthalmology. One of the newest and most promising applications of robotic technology in medicine is in the field of facial aesthetics, particularly in the injection of facial fillers and neuromodulators. While facial injections have traditionally been performed manually by trained physicians and nurses, the introduction of robots has the potential to revolutionize the field, offering a range of potential benefits, including increased precision, accuracy, and consistency of results. However, the significant disadvantages of robots are high cost, lack of flexibility and personal touch, limited experience, and risk of injury due to malfunction.

소수의 특성을 활용한 시각적 패턴에 관한 연구

Just as the exact value of the golden ratio is calculated by the quadratic formula, the fields of aesthetics and mathematics have existed in association with each other since ancient times. Most of the concepts of numbers are quantitative, but there are also many unpredictable sequences such as π, e, and prime numbers. Since the work of visualizing such an irregular sequence also includes unpredictable expectations, a completely new pattern form can be experienced through the visualization of irregular data. This study presented a prime pattern that visually expresses the progress of a prime number by minimizing unnecessary data in expressing a prime sequence. The prime pattern has the advantage of intuitively knowing the characteristics of prime numbers that do not have more than two consecutive prime numbers ending in the same number. And it provides patterns that can be applied to various design fields through overlapping or transformation.

Estetica e significazione. Sul rapporto fra linguaggio ed esperienza sensibile

Is language an evolutionarily independent faculty from other cognitive capacities? In recent years two opposing views have clashed: the innatist view, of which linguist and philosopher Noam Chomsky is the main exponent, which answers in the affirmative; the constructivist-empiricist one according to which, on the other hand, language is but the ultimate evolution-complication of non-linguistic capabilities already present in non-human animals.
 This paper presents and comments on the position of the scientist and philosopher Giorgio Prodi (1928-1987) who avoids this contraposition by thematising an original aesthetic area that would be at the origin of both animal and then human cognition as well as properly human language. Unlike the constructivist view, however, for Prodi such an original aesthetic field can only ground language because it is co-extensive with the original space of biosemiosis.
 Lastly, the theme of co-evolution is analysed, the only evolutionary mechanism capable, according to Prodi, to account for both the similarities and differences of human language compared to the forms of communication of non-human animals and plants.

Multimodal artistic metaphors: Research on a corpus of Sardinian art.

The study aims to define an artistic metaphor and highlight the multimodal properties of metaphors in artistic environments. In this research, an artistic metaphor has a relevant aesthetic purpose and it conveys beauty. Interpreting a metaphor in Sardinian art requires time for contemplation, however the cognitive effort of understanding the meaning of an artistic metaphor is rewarded by the delight of those who contemplate it. This metaphor has some characteristics in common with a visual metaphor but differs from other types of images that have been more extensively analyzed in the literature: it is difficult to establish a specific directionality, and consequently, it is not easy to recognize the target and source domains; the way it is expressed makes its interpretation and classification problematic at times. A proposal is presented in the paper to describe artistic metaphors according to universal macro-categories, inspired by the knowledge of Aristotelian and Kantian categories and by studies in the field of aesthetics: (1) time, (2) space, (3) decontextualization of stereotypes, and (4) fusion of forms. These categories are applied to a corpus of artworks by important artists in Sardinia to show that the visual, tactile, and auditory components of the pictures can boost an effective comprehension of figurative meaning. Results suggest that the multimodality of Sardinian artistic metaphors orients the observer toward original possibilities of learning and stimulates knowledge of the "submerged" wealth of symbols and archetypes that characterize insularity.

ОЦЕНКА ЭМОЦИОНАЛЬНОЙ НАГРУЗКИ ПАЦИЕНТОВ В ПОСЛЕОПЕРАЦИОННОМ ПЕРИОДЕ

The contour of modern research on improving the quality of medical care is the study of the 
 problem of the patient's mood in the post-operative period by the method of sociological research using ques tionnaires and the use of potentiating questionnaires for determining satisfaction in order to implement a prac tical-oriented approach to increasing the effectiveness of medical care. The authors in the article reveal the 
 experience gained in the field of aesthetics of determining the emotional background in an open form by the 
 method of functional questionnaire of patients after surgery. The studies were carried out at the bases of the 
 surgical departments, the Lucher color diagnostics and the Lemur-Tesier-Fillion PSM-25 scale were tested as 
 tools. As a result of the studies, the psychophysiological state was assessed, which reflects a stable and stable 
 emotional background during the convalescence period. postoperative patients, which is the key to motivation 
 for recovery

From representation to power: the Bilderverbot reconsidered

ABSTRACT When considered in the field of aesthetics, the Bilderverbot (biblical ban on pictures) is received with a variety of attitudes ranging between the extremes of Kant’s praise and Hegel’s criticism. Despite being at odds with each other, Kant’s and Hegel’s interpretations suffer from the same theoretical flaw: both assume that the pictures the Bible talks about are representations related to their objects by way of reference. This assumption is proven wrong in the pars destruens of this essay, in which it will be argued that using the notion of ‘representation’ as a key to the reading of the Bilderverbot is a misconception that leads to an anachronistic and partial view of the matter. The concept of ‘gaze,’ elaborated by Régis Debray and other scholars of visual studies, is introduced in the pars construens of this essay to show that the biblical prohibition is actually aimed at a different kind of pictures, to wit at presentifications, which, instead of referring to their objects in a representational way, are rather thought to embody and dominate them. In conclusion, through Nietzsche’s insights into the reasons behind religious cults, the point is finally made that the notion of ‘power’ surpasses that of ‘representation’ in capturing and accounting for the authentic meaning of the Bilderverbot.

Autologous Lipo-Dermal Advancement Flap for Inframammary Fold Reconstruction: A Technical Note for Prevention and Management of Caudal Breast Implant Migration

Inferior breast implant displacement, also known as caudal migration, or bottoming-out, is a known complication of breast augmentation. This leads to a loss of upper pole fullness, a more superiorly located nipple-areolar complex, and an unnatural appearance. Avoiding these complaints has been a longstanding challenge in the field of aesthetics and this technical note suggests a novel solution. This technical note describes the process of preoperative assessment, careful markings, and the use of an autologous lipo-dermal advancement flap that has been designed, mobilized, and rotated to be internally fixated to costal margins and the relevant deep fascial structures at the proposed inframammary fold level. This technique creates a robust partitioning hammock-like structure that stabilizes the breast implant and prevents future caudal displacement. The described technique may be implemented as an independent solution, or as an adjunct to other modalities like biological meshes in revision breast surgery.

“Quite Artificial, Awkward, and Unnecessarily Neologistic”: Early Phenomenology and Psychology Arguing About the Fundamentals of Aesthetics

ABSTRACTAs phenomenology rose to prominence at the beginning of the 20th century, several aestheticians tried to establish the Husserlian method of “phenomenological reduction” in the field of aesthetics. These ventures were met with resistance from psychological aesthetics, which was the predominant form of aesthetics in the German-speaking world at the time. This paper examines, first, practical attempts to apply the method of “phenomenological reduction” in aesthetics. Using Waldemar Conrad and Moritz Geiger as examples, I try to trace what aestheticians actually did when they applied this method in their investigations. Secondly, I reconstruct the four central objections with which psychological aesthetics reacted to such attempts. I have identified four central counterarguments in the work of Johannes Volkelt and Oswald Külpe, who were among the most eminent critics of phenomenological aesthetics: the transcendental argument, the susceptibility-to-errors argument, the constructivism argument, and the non-normativity argument. Finally, I also discuss the refusal of psychological aesthetics to acknowledge that a genuine phenomenological method even existed and the consequences of this refusal.

Status and Countermeasures of Art Education in Primary and Secondary Schools in Ethnic Minority Areas

Fine art is a crucial discipline within the field of aesthetics, and fine art education serves as a significant component of aesthetic education. It holds great importance in providing a comprehensive education and fostering the holistic development and well-being of primary and secondary school students. The deficiency in fine art education within primary and secondary schools located in ethnic minority areas necessitates that teachers acknowledge these gaps, analyze their underlying causes, and explore effective measures to promote its development. Revitalizing fine art education is both the mission and responsibility of schools and teachers, as well as a shared aspiration of all sectors of society. In order to achieve this, teachers must enhance their ideological awareness, innovate institutional mechanisms, foster integration and collaboration, and prioritize and strengthen fine art education. Furthermore, it is essential to identify gaps, address deficiencies, increase investment in education, and expand access to high-quality resources. Leveraging the cultural characteristics of ethnic minorities, schools should develop curriculum that is tailored to their specific needs. Additionally, efforts should be made to enrich the teaching force and elevate teaching standards, including forging partnerships with local universities to enhance the professionalism of fine art teachers and strengthen the collective capacity.This study focuses on the current state of fine art education in primary and secondary schools within the Enshi Grand Canyon Scenic Area Administration in Enshi City, Tujia and Miao Autonomous Prefecture, Hubei Province. By utilizing interviews and documentary analysis, the author examines and dissects a primary and secondary school located in a remote town. The aim is to reflect upon and analyze the existing conditions and challenges of fine art education in primary and secondary schools within ethnic minority areas, explore novel ideas in fine art education, and propose measures for improvement and advancement.

Influence of Kant’s Aesthetics on the Aesthetics of Collingwood

R. G. Collingwood is supposed to be one of the most important Aesthetes of 20th Century. He was a multi-talented person having original ideas in the fields of Philosophical History (his most famous book is ‘Idea of History’), Aesthetics and Anthropology. He was a practitioner in the field of Archaeology and Music. His second most famous book is ‘Principles of Art.’ He is supposed to be an original philosopher of Art too. His Philosophy of Art has much to do and has much connections with the Aesthetics of Immanuel Kant. Kant was a multi-dimensional genius, presenting before the world very original and outstanding ideas about Metaphysics, Epistemology, Ethics and also Aesthetics. This article is an attempt to understand the influence of Kant’s Aesthetics on the Aesthetics of Collingwood and to present before the readers the great similarities between the Aesthetic ideas of these two philosophers. According to Kant, Aesthetics is the fourth most important function of human mind. Apart from pure reasoning, pragmatic thinking and moral concerns, Aesthetics is that aspect of human mind which deals with beauty. The problem with the Aesthetics of Kant or the Aesthetics of Collingwood is that both of the philosophers present Aesthetics as the divider and in the humble opinion of the writer of this article it is not divider but a connector – connector of moral, pragmatic and pure reason.

Folk Media and Social Development: A Study on Bhaona and Chhau Performing Arts

With a major share of the world’s population residing in developing countries and about 70% of it residing in rural areas, mass media always had a wide scope to participate in and enhance social development and welfare programs. However high rate of illiteracy, poverty and limited access to mass media, etc. have posed a big challenge for mass media to permeate through lower strata of the society. Numerous studies reveal that these media do not have the necessary influence in terms of inspiring change and development.However, folk media has demonstrated its superiority in forging ties and fostering affinities in the communities as evident from studies done across the globe.
 In this study we have aimed at studying the impact of two performing art styles- Bhaona and Chhau on social development. The ritualistic theatrical performances- Bhaona and Chhau, both having roots in Indian Mythology and folklore are integral part of the social construct of the Assamese and tribal communities of West Bengal and Odisha respectively. This study attempts to explore the cultural facets of the Bhaonaand Chhau through a variety of aesthetic fields. And further analyse how these folk media disciplines helped shape the societies in the past and how they may be preserved and applied to help a specific region grow in the future.