702 Book Reviews TECHNOLOGY AND CULTURE Triborough Bridge at 125th Street, requiring unique examples of innovative highway technology. The last chapter, on drastic changes in port commerce and associated building projects, is too breezy a survey to give us the in-depth study this unprecedented state of affairs demands. The historical passages on waterfront planning together constitute a useful contribution to urban history, but questions must be raised about the case-study method itself. First of all, what was the principle of selection underlaying these five cases? Are they representative cases, and, if so, in what way? The survey of shoreline structures directly related to shipping is limited to the six Chelsea piers. Omitted entirely are the highly specialized carfloat terminals and the thirty-four ferry terminals that once ringed the island, most of them constructed by the New Jersey railroads. As for parks, there are by my count eleven in addition to Riverside, all differing by virtue of size, genesis, func tion, and topography. On the matter of subsidized housing, Vladek Homes was prelude to an extensive program of public housing spon sored by the Federal Housing Authority. And may we not ask why there should not have been some attention to bridges? There are twenty springing from Manhattan, of which fourteen cross the Har lem River, and their abutments, piers, anchorages, accessways, and lift-bridge towers form massive and prominent features of the water front. The first city of the United States, the only world city of the Western Hemisphere, one of the three greatest harbor cities of the world deserves much more than this introductory volume offers. Carl W. Condit Dr. Condit is professor emeritus of history, art history, and urban affairs at North western University. The Colossus of Roads: Myth and Symbol along the American Highway. By Karal Ann Marling. Minneapolis: University of Minnesota Press, 1984. Pp. xii+140; illustrations, notes, indexes. $27.50 (cloth); $12.95 (paper). Karal Ann Marling’s brief essay examines “an American penchant for commemorating our lost frontiers with gigantic statuary—anon ymous, vernacular sculpture for the most part” (p. xii), with special reference to such monumental landmarks of Minnesota as the Paul Bunyan groups of Bemidji and Brainerd. Those towns’ businessmen built on “legends” coined by an ad man in the teens to make something of nothing—to create distinctive places in the vast expanse of midwestern space. Marling’s narrative ranges widely from her Bunyans, whose origins she traces far beyond the Midwest. The impulse to erect oversized figures as boundary markers is an old one, stretching back at least to the ancient Colossus of Rhodes to which her title alludes. But heroic TECHNOLOGY AND CULTURE Book Reviews 703 figures acquired new meanings in the New World, Marling argues. Although Renaissance colossi alluded nostalgically to the boundary between past and present, American examples—which are still being erected—are distinctive as efforts to master space, to create a human culture equal to the natural environment of the New World. Thus, the urge to create monumental figures has been strongest at the fringes of American society, where the human/natural discrepancy has seemed most- poignant. The Minnesota Bunyans and their kin are equally products of the automobile. Marling repeats now-familiar arguments about automo bile scale and high-speed legibility, and she reminds us as well of the importance of tourism. The automobile tourist’s yen for far-hung wonders was satisfied by businessmen willing to manufacture curi osities that could draw tourist dollars to stagnating small-town econ omies. The kitsch aesthetic gave the highway colossi their form, but profit and place were their heads and their hearts. The Colossus of Roads is a smart book, full of shrewd insights, but it is not a very good one. The analysis is unequal to the intriguing subject matter. Marling has little to tell us about individual colossi or about roadside architecture in general that is not readily available from plaques or brochures distributed at the sites. And she cannot come to grips with the materiality of the objects. At one point she confides that postcard images and newspaper photographs are “almost as in triguing” as the real things (p. 3...