Fashion Style Research Articles

A Study on the Aesthetic Characteristics of Hetaira Beauty Style Expressed in Greek Pottery

This study studied the aesthetic characteristics of Hetaira's costume and beauty style expressed in pottery paintings of the Greek era as the contents of Greek mythology were recently re-examined as the subject of humanities interest. In ancient Greece, the common name for prostitutes was Hetaira, and she was a religious prostitute who was at the top of the list of prostitutes in Greek society, enjoying the wealth of freedom and status more than any other woman. The aesthetic characteristics of the Hetaira beauty style of the Greek era were largely shown as An ornament beauty, An ostentatious sensuality and symbolic beauty of power. First, An ornament beauty was the makeup of a Greek Hetaira woman, who emphasized her eyes with thick and dark black eyebrows and black eyeliner. The Hetaira woman's face was white with white lead, her eyes were emphasized with eyeshadow using black cowl, and she applied orange short yarn to her cheeks and mouth to put on intense color makeup. Hetara dyed her hair in all sorts of colors, decorated her hair with hairpieces, wore thin cloth ribbons and chest bands, and sprayed perfume made with special prescriptions. Second, ostentatious sensual beauty was applied to various sexual zones of the feminine body and the whole body, such as the nipple and buttocks, which can stimulate men's sexual pleasure, and Hetair's outfit was in the form of a full-body keyton or revealing the upper body. The hair was as voluminous as possible, and the method of dispersing the tarae on the forehead was used to make it look as sensual as possible. Curled hair with thick waves was naturally curled up and expressed sensibly using a signon shape and long hair. Third, the symbolic beauty of power is that ancient Greece's ‘privilege fashion’ was ‘nature’, a power that only men could have, but Hetaira had equal power with men in the symposium with nakedness. The hairstyle seems to have been able to wear a veil or a laurel crown, which is exclusively for men. In the form of a wig, he preferred a curling style with no forehead exposed, and it was found that he produced blade hair. Hetaira's style, represented in Greek pottery paintings, had hair, makeup, and fashion styles that represented the Greek era, possessed greater power and wealth than ordinary women in the Greek era, and was found to have the privilege of wearing heavy makeup, light hair colors and hair decorations that were not allowed by ordinary women. Therefore, it was found that it was very meaningful to study Hetaira's beauty style in studying the beauty culture of the Greek era.

PERENCANAAN CREATIVE FASHION CENTER DENGAN PENDEKATAN ARSITEKTUR ART DECO DI KOTA SAMARINDA

The Creative Fashion Center is a place for fashion workshops, makeup workshops, bazaars and catwalks with an emphasis on the art deco architectural style. Fashion is a familiar term in everyday life. We often identify fashion with clothes or clothes, when in fact what is said fashion is everything that is trending in society. Consumers can be regarded as the main driving force of the fashion industry. Because apart from being a buyer, they are also the ones who determine and choose the style to become a fashion trend. The architectural approach of this building is art deco. Art deco architecture was a popular design movement from 1920 to 1939, which influenced the decorative arts of architecture. This architectural style is suitable for the Creative Fashion Center building because art deco represents charm, elegance and luxury. And in my opinion, art deco style can represent the elegance and luxury of the pop art fashion style favored by young people.

Influence of Music Industry on Fashion in Uganda

Purpose: The study sought to analyze influence of music industry on fashion in Uganda
 Materials and Methodology: The study adopted a desktop methodology. Desk research refers to secondary data or that which can be collected without fieldwork. Desk research is basically involved in collecting data from existing resources hence it is often considered a low cost technique as compared to field research, as the main cost is involved in executive’s time, telephone charges and directories. Thus, the study relied on already published studies, reports and statistics. This secondary data was easily accessed through the online journals and library.
 Findings: The results show that artists used expensive apparels to attract increased attention and following particularly online fan base. The style of fashion was determined by market demands. More than 30% of the online fans feel that the fashion used by artists and dancers is more revealing to arouse emotions and attachment to particular songs and artists. Music has long been known to influence fashion trends throughout the world. From music genres that emerged in different decades, musicians who have changed the way people dress and songs that capture a specific style or mood, music and fashion is undeniably intertwined. 
 Unique Contribution to Theory, Practices and Policies: The Roland Barthes theory and Music theory may be used to anchor future studies in the fashion sector. The study results will also benefit other stakeholders such as the policy makers as well as researchers and scholars from different parts of the world. The top management of fashion industries in the country will also use the study findings to improve music performance in all their activities and programs. The study recommends that the adoption of effective fashion development policies in the fashion industry will help to improve efficiency in their major operations and activities.

Bollywood self-fashioning: Indian popular culture and representations of girlhood in 1970s Indian cinema

This article investigates how Bollywood cinema represented girlhood experiences in India in the early 1970s. It argues that the films during this time focused on representing girls who displayed a variety of new fashion styles and attitudes, some of which were borrowed from western cultures. This was a sign that there was a new way of representing girls which broke with the submissive, dull and melancholic sari-wearing Indian female stereotype entrapped within domestic settings. The immediate result of this was the emergence of new style leaders and popular icons in Indian popular cinema. This study uses Stephen Greenblatt’s concept of self-fashioning and Guy Mankowski’s idea of self-design to examine how Indian girlhood was renegotiated in the 1970s as an individual-centric idea with more agency and power. Here, self-fashioning refers to the way girls adopt new elements of fashion, styles and attitudes to distinguish their identity from earlier archetypal modes of representation in film and culture. It specifically analyses the emergence of Jaya Bhaduri in Guddi (1971) and Dimple Kapadia in Bobby (1973) as case studies to understand the transformation of girlhood representations in early 1970s Bollywood that opened a new space for girls to redefine their selfhood through the assimilation of consumerism, western culture and fashion styles.

AI 추천시스템 기반 패션 구독 서비스 특성과 사용 의도와의 관계에 관한 연구

The AI-recommended system-based fashion subscription services are becoming a shopping model that provides new shopping methods through convergence with deep learning AI technology to meet consumers" personalization, fashion styling, and shopping needs. However, previous studies related to the fashion business mainly focused on developing AI recommendation systems or studying AI application cases, but there is a limit to understanding the behavioral patterns of fashion consumers. Therefore, it is meaningful to analyze consumers" purchasing intention to use these new technology-based subscription services. This study attempted to identify the main causal variables that affect the intention to use the fashion subscription service. The proposed research model and hypothesis were verified through a Partial Least Squares Structural Equation Modeling based on a survey of 430 consumers. It examined the relationship between these factors affecting the intention to use through perceived value based on the value-based adoption model. This research found that service convenience has a major influence on perceived usefulness in relation to benefits, and recency on perceived enjoyment. On the contrary, it was found that special preferential benefits for privacy concern and recency for subscription costs had the greatest positive and negative effects, respectively. In the case of AI-recommended system-based fashion subscription services, this study also suggested it is important to provide customers with a convenient, easy-to-use system and up-to-date products. It is also theoretically meaningful to apply the value-based acceptance model in the relationship between he characteristics of AI recommendation-based subscription services and intention to use.

LDA 토픽모델링을 활용한 패션에 나타난 과시적 현상 연구

As the economy and ideology develop, the way people express themselves is also changing significantly. Fashion is used as a tool to express the needs of the wearer by reflecting all aspects of politics, economy, society, and culture of the era, and as a fashion, it shows off a specific class to which it belongs when distinguishing itself from others. This paper aims to identify the flaunting phenomena and characteristics of modern fashion by quantitatively exploring the changes and actual conditions of fashion flaunting with the development of the times through the big data research method. In order to achieve the research purpose, this study was conducted by reviewing previous studies and analyzing LDA topic modeling. Through the LDA topic modeling analysis, it showed off its fashion characteristics such as 'showoff and competence on social media platforms', 'Chanel's leading influence on fashion', 'star's leading role in fashion style', 'Korean luxury consumption', 'extreme growth of Asian fashion consumption and new expression'. In terms of the implications of the results, first, the way and place of modern social fashion flaunting have changed from offline to online. Second, luxury brands and stars lead the trend of showing off fashion consumption. Third, Asia has become the center of luxury goods consumption and fashion show-off. Fourth, not pursuing trends is becoming a new fashion show. Fifth, In the study of flaunting phenomena in fashion, it was confirmed that big data analysis can be used as a supplementary means for qualitative analysis, and the objectivity of the analysis results can be secured. It is expected that it can be used as useful empirical data for researching the trend of consumer's show-off psychology and show-off fashion in the future.

POLITICS THROUGH FASHION: JOKOWI, SEMIOTICS, AND THE AGE OF SOCIAL MEDIA

This study explores the complexity of Jokowi’s political fashion as a visual marker of status, identity, and political power, along with the digital technology advancement. The purpose of this article is to analysed details about Jokowi’s political power through fashion, which is related to five specific moments during the 2019 political campaign until his current leadership. The authors classified two typologies of clothing, including white and black shades of casual clothes and Indonesia’s traditional clothes. Roland Barthes’s semiotics theory and methods helps us to interpret series of symbols on Jokowi’s clothing. This is a qualitative research with document analysis procedure, including electronic material contain text and images (Jokowi’s Instagram archives) related to the main issue. Research shown that clothing wasn’t just an everyday business for Jokowi, but it is also tools that brands his personal identity. Public attention is often stolen when he incorporates local elements in his fashion style. The value of diversity (Kebhinnekaan) in Jokowi’s traditional clothing appearance couldn’t be separated with his identity as a president, as political figure, as Jokowi.

Global TV Formats Queer Contemporary China

Global TV Formats Queer Contemporary China1 Jamie J. Zhao (bio) TV formats are sets of transferable ideas, principles, and procedures to produce and remake television programs.2 They "are designed to 'travel well' across national boundaries" and are adaptable to various domestic markets.3 While the transnational exchange of TV formats was considered "an Anglophone development,"4 the rapid integration of television production, circulation, and consumption into a global trade system since the 1990s has created many popular global TV formats that have become profitable media franchises and been widely (re)made in different parts of world.5 A case in point is the Dutch reality television franchise Big Brother (Veronica, 1999–) that has been adapted in more than sixty regions worldwide as of August 2021.6 Since the late 1990s, the television industry of the People's Republic of China has also started to creatively appropriate standardized global media and cultural formulas to produce content compatible with local political-ideological [End Page 183] projects. Toward the end of the first decade of the twenty-first century, a few highly popular TV formats originally developed in Euro-America, such as Idol and Survivor, were employed as efficient catalysts of the party-state's strategic goals of media marketization and cultural globalization.7 Global TV formats have thus played an indispensable role in the economic, cultural, and social-political transformations of contemporary Chinese media landscapes.8 In the meantime, gender and sexual television images that subvert local heteronormative ideals have proliferated in entertainment TV shows made, distributed, and consumed in contemporary China. Most of these productions are variety or reality TV shows adapted from global TV formats. Notable beneficiaries of these productions include numerous tomboyish (meaning young, masculine) female singers who have risen to stardom in Idol-style reality singing competitions and effeminate, beautiful male stars who have enjoyed wide popularity for their appearances in the trans-Asian idol group training programs.9 In both cases, the nonbinary personae of these celebrities and their television performances are socioculturally legitimized in the Chinese context. These adapted Chinese shows do not present the stars' nonconforming images as visual signs for more politically sensitive and censorable lesbian, gay, bisexual, transgender, and queer (LGBTQ) identities and sexualities.10 Rather, the shows subtly depoliticize and explain their gender-nonconformity as expressions of Chinese-specific individualism, feminism, cosmopolitanism, or fashion styles that synthesize characteristics of local and global public and pop cultures.11 Such dissociation and depoliticization also result from these television stars' frequent cultural references to premodern and modern Chinese gender norms and paradigms, their incorporation of inter-Asian and cosmopolitan gender aesthetics, and their promotion of official ideologies. Existing scholarship has considered local adaptations of global TV formats as "gendered and gendering" venues that both circulate and reconfigure various patriarchal elements transnationally.12 For example, dating show formats, such as The Bachelor (ABC, 2002–), often feature a highly hetero-centric [End Page 184] setting and mobilize "culturally specific gender tropes" to reproduce and promote various forms of misogyny and hegemonic male masculinity in their local adaptations.13 Yet I take a different approach, conceptualizing certain global TV formats, such as those featuring intensive homosocial bonding and settings (e.g., the reality singing competitions shows with an all-female cast) or those promoting heteropatriarchal ideals (e.g., heterosexual matchmaking shows), as inherently queer-enacting, queer-structured, and queer-scripted. These queer-inflected formats and their localization speak volumes about the coexistence and mutual implications of queer and heterosexual sentiments in normative Chinese societies. Specifically, I employ a queering lens to analyze the formats of and dramatic moments in several popular reality shows in contemporary China. I pay particular attention to the long-running popular dating show Feicheng wurao (If You Are the One, JSTV, 2010–) and unfold the ways in which heterocentric TV formats might queer and be queered despite predominantly heteronormative media and public discourses. I see queer as a critical, analytical practice to interrogate "nonnormative ways of being, doing, desiring, and imagining in and cross various forms of traditionally defined boundaries."14 My discussion explores the queer-enabling potential and queered adaptations of global TV formats and unravels the nonnormative meanings and connotations...

REPRESENTASI BUDAYA POPULER PADA FENOMENA “CITAYAM FASHION WEEK” DI INDONESIA

Citayam Fashion Week as the form of street culture becomes a viral event not only in Indonesia but also in the other countries. The concept of popular culture presented in the event was very interesting to analyze. This research is a cultural studies with qualitative approach. The data is taken by internet access in the social media google and instagram. By Hall’s representation theory, this research wants to find how the popular culture is represented in the Citayam Fashion Week. The results of this study show that “fashion week”, “street style”, and “harajuku style” as the form of popular culture becomes the concepts that is represented in this event. It becomes the space of youth related to the freedom of expression and creativity of their fashion style.

Wabi-sabi Style: the Collision of the East and West, the Combination of the Fashion and the Nature

In the past fifty years, Japanese fashion as one of the most prosperous Asian fashions has become a legend in the world fashion field through its special oriental design that breaks the fashion aesthetics with the West as the mainstream in the past. In recent years, wabi-sabi style has become a new fashion trend. As sustainable fashion is advocated by more and more people, the ecological concept wabi-sabi aesthetic holds also accords with the eco-fashion tendency. This paper aims to study the wabi-sabi style in the fashion field, which includes its power to collide with the fashion world dominated by the West, and its ecological function. First of all, this paper compares the aesthetic, religious, and women's fashion history of the wabi-sabi style and the western style. Then, it investigates the fashion collision between the East and the West in terms of design concepts and analyzes the inspiration for the wabi-sabi fashion style. What is more, this paper also integrates the wabi-sabi style and eco-fashion to analyze its positive impact on the environment. Ultimately, this study suggests that although the wabi-sabi style has a minimal influence in the fashion field, it will have a promising future for its sustainability and the comfort it renders to the secular life. The result helps to promote the wabi-sabi style, making more people know about this style and think deeply about their attitude to their lives, and grabbing more attention to wabi-sabi fashion for its environmentally friendly function.

Character Education in Ranup Lampuan Dance: A Critical Study of Non-Verbal Communication

The Ranup Lampuan dance was created by Yuslizar in Banda Aceh in 1959. Yuslizar’s Ranup Lampuan dance is danced to honor and welcome guests officially. In the show, seven female dancers wear traditional clothes and dance with gentle movements while carrying a puan and betel as a sign of respect. This dance is full of meanings and values that reflect the uniqueness of the culture and customs of the Acehnese in honoring guests. This study will look at the meaning of non-verbal messages contained in the Ranup Lampuan dance through the choreography of the movements and clothing used. This research was conducted on the younger generation of dancers, musicians and dance fashion stylists of Ranup Lampuan. This research uses descriptive qualitative research with a phenomenological approach. The results show that the non-verbal message of the Ranup Lampuan dance movement, which is danced regularly, uniformly, gentle, and graceful with a beautiful smile throughout the performance, has a non-verbal meaning that implies “rumeh muka” which means friendly in welcoming guests, and implies cohesiveness and cooperation, as well as Islamic values related to procedures for honoring guests in every activity of Acehnese life. Non-verbal messages through the clothes worn can be seen from the choice of colors, uniformity of clothing, selection of dance accessories, and clothing equipment used in the Ranup Lampuan dance reflecting courage, cohesiveness, beauty, neatness, attractiveness and diversity and Islamic values in Acehnese.

Dizajn i razvoj platnenih pantalona upotrebom održive prirodne boje

The production of textiles is the second most polluting industry worldwide. Non-biodegradable petroleum-based dyes, toxic compounds to fix colors on textiles, and the release of large quantities of these colorants and complicated agents into the neighboring environment are the key causes of this issue. On the other hand, natural dyes are chemicals prevalent in nature and with eco-friendly properties. These dyes are recyclable and biodegradable. Due to their sustainability, they decompose readily in the soil after final usage. Again, canvas fabric is a durable, heavy-duty fabric used for tents, sails, bags, and industry. The use of canvas fabric in fashionable clothing is limited. This study aims to produce fashionable canvas trousers using sustainable garment dyeing. For environmental sustainability, we use natural turmeric dye extracted from turmeric rhizomes. We use tie-dyeing and over-dyeing techniques for garment dyeing. After dyeing and washing the canvas trousers, tests such as colorfastness to rubbing, wash, perspiration, and water (hot and cold) have been done. Both samples showed moderate to good test results. This study's main objective is to determine whether canvas fabrics can be used in fashionable styles in a sustainable approach.

The Transformation of Second-Hand Clothes Shopping as Popular Sustainable Lifestyle in Social Media Era

People's forced habit changes as a result of the epidemic have created a possibility for long-term human progress. The use of second-hand clothing, also known as "cimol," "awul-awul," "burjer," "babebo," and other terms, as well as other controversial local cultures, really promote sustainable living in Indonesia. However, because of their connection to poverty, these were traditionally avoided. For Gen Z, used clothing has been socially constructed as a new reality in large part thanks to social media. In order to understand how Gen Z's awareness and consideration of used clothing affects their purchase choices, this study combines qualitative and quantitative methodologies. Before purchasing used clothing, Gen Z considers sustainability, fashion style, pricing, and sanitation. Social media influencers externalize the qualities of used clothing, therefore it's crucial to express them symbolically to appeal to Gen Z's wants. Without lecturing Gen Z on what to do, but rather by presenting their own personal experiences and viewpoints, this study offers as a lesson on how to deconstruct an unpopular local culture and socially reconstruct it into a popular culture that encourages a harmonious interaction between humans and nature.

COutfitGAN: Learning to Synthesize Compatible Outfits Supervised by Silhouette Masks and Fashion Styles

How to recommend outfits has gained considerable attention in both academia and industry in recent years. Many studies have been carried out regarding fashion compatibility learning, to determine whether the fashion items in an outfit are compatible or not. These methods mainly focus on evaluating the compatibility of existing outfits and rarely consider applying such knowledge to ‘design’ new fashion items. We propose the new task of generating complementary and compatible fashion items based on an arbitrary number of given fashion items. In particular, given some fashion items that can make up an outfit, the aim of this paper is to synthesize photo-realistic images of other, complementary, fashion items that are compatible with the given ones. To achieve this, we propose an outfit generation framework, referred to as COutfitGAN, which includes a pyramid style extractor, an outfit generator, a UNet-based real/fake discriminator, and a collocation discriminator. To train and evaluate this framework, we collected a large-scale fashion outfit dataset with over 200K outfits and 800K fashion items from the Internet. Extensive experiments show that COutfitGAN outperforms other baselines in terms of similarity, authenticity, and compatibility measurements.

"The Effect of the Stability of the Cloth Factor on the Air Permeability Property of Simple Fabrics of Different Densities"

The textile structure is considered the designer's tool that enables him to show the beauty of the material, yarns and colors to keep the continuity of development in the textile industry to cope with the latest international fashion styles. The study of fabric structure aims to extract

Fashion clothing matching by global-local feature optimization

目的 由于现有时尚服饰搭配方法缺乏服饰图像局部细节的有效特征表示，难以对不同服饰间的局部兼容性进行建模，限制了服饰兼容性学习的完备性，导致时尚服饰搭配的准确率较低。因此，提出一种全局—局部特征优化的时尚服饰搭配方法。方法 首先，利用不同卷积网络提取时尚服饰的图像和文本特征作为全局特征，同时在卷积网络基础上构建局部特征提取网络，提取时尚服饰图像的局部特征；然后，基于图网络和自注意力机制构建全局—局部兼容性学习模块，通过学习不同时尚服饰全局特征间和局部特征间的交互关系，并定义不同时尚服饰的权重，进行服饰全局和局部兼容性建模；最后，构建服饰搭配优化模型，通过融合套装中所有服饰的全局和局部兼容性优化服饰搭配，并计算搭配得分，输出正确的服饰搭配结果。结果 在公开数据集Polyvore上将本文方法与其他方法进行对比。实验结果表明，利用局部特征提取网络提取的时尚服饰图像局部特征能有效地表示服饰局部信息；构建的全局—局部兼容性学习模块对时尚服饰的全局兼容性和局部兼容性进行了完整建模；构建的时尚服饰搭配优化模型实现了全局和局部兼容性的优化组合，使时尚服饰搭配准确率（fill in the blank，FITB）提高至86.89%。结论 本文提出的全局—局部特征优化的时尚服饰搭配方法，能够有效提高时尚服饰搭配的准确率，较好地满足日常时尚搭配的需求。;Objective Fashion clothing matching has been developing for clothing-relevant fashion research nowadays. Fashion clothing matching studies are required to learn the complex matching relationship（i. e. ，fashion compatibility） among different fashion items in an representation-based outfit. Fashion items have rich partial designs and matching relationships among partial designs. To analyze their global compatibility learning，most of the existing researches are concerned of items’global features（visual and textual features）. But，local feature extraction is often ignored for local compatibility，which causes lower performance and accuracy of fashion style matching. Therefore，we develop a fashion style matching method in terms of global-local feature optimization and it is aimed to extract the local features of fashion images for local information representing，construct the local compatibility of fashion items，and improve the global and local compatibility-incorporated accuracy of fashion style matching. Method First，we use two different convolutional neural networks（CNNs）to extract the global features of fashion items separately on the basis of the input fashion images and texts. To extract CNN-based local features of fashion images，a multiple branches-related local feature extraction network is designed. A branch of the local feature extraction network is composed of 1）a convolution layer，2）a batch normalization （BN）layer，and 3）a rectified linear unit（ReLU）activation function. A branch can be used to extract a local feature in the fashion image，and different branches can be used to extract different local features of the fashion image. Second，a global-local compatibility learning module is constructed in terms of graph neural network（GNN）and self-attention mechanism（SAM），which can model both of the global and local compatibility. GNN is used to model interactions among global features and local features separately. The SAM-based weight information of different fashion items is defined and integrated into the modeling，and the item’s global and local compatibility are obtained both. Finally，a fashion clothing matching optimization model is built up to gain optimized matching results. The learned outfit global and local compatibility can be used to integrate all fashion items’global compatibility and local compatibility separately in an outfit. To optimize matching results，the trade-off parameters are then defined to adjust the impact of the outfit global compatibility and local compatibility on fashion style matching. At the same time，the matching score is calculated as well. Different matching schemes have different matching scores，and the optimized fashion style matching result is generated according to the highest score. Result The proposed method is validated on the public Polyvore dataset that includes fashion item images and textual descriptions. The details are presented as follows. The local features of fashion items extracted by our local feature extraction network can represent the fashion items’local information effectively without label-attributed supervision. Our global-local compatibility learning module can be used to learn the fashion item’s global compatibility and local compatibility at the same time，and the weights of different fashion items is involved，which can model the fashion global and local compatibility completely. The fill in the blank（FITB）accuracy ratio of fashion style matching is improved to 86. 89%. Conclusion A fashion clothing matching method is developed in terms of global local feature optimization. First，we construct a local feature extraction network to extract local features of fashion images while the global features of fashion items are extracted. Next，the self-attention mechanism is introduced to weight different fashion items after the global matching relationships and local matching relationships of fashion items with graph network are analyzed，which constructs the global and local compatibilities of fashion items completely. Finally，to obtain the global and local compatibilities of the outfit， our fashion clothing matching optimization model is used to fuse the item’s global compatibility and local compatibility each in an outfit. To optimize matching results，the effectiveness of the two kinds of compatibilities on fashion clothing matching with parameters is adjusted as well. The convergence speed of our method is still slow. The optimization model is only used to combine the global and local compatibility of the outfit linearly. In practice，the relationship between the global compatibility and local compatibility is more complex. To improve the accuracy of fashion clothing matching，future work can be focused on the convergence speed and the clothing matching optimization further.

Electronic perfume/electronic aromatherapy system

An electronic perfume system is proposed that provides controlled separation of the aroma component from the carrier. It is shown that such a system allows pairing with jewelry that meets the fashion style of the 2020s. In particular, the electronic perfume system can be embedded in a semi-precious stone necklace made in the specified style. A specific electronic circuit is proposed that provides control of the system under consideration. Its distinctive feature is control via the user’s smartphone. It is shown that there are prerequisites for import substitution of traditional perfumery products with such systems, and that they can be used as the basis for aromatherapy systems. The existing possibilities for obtaining a carrier of the aroma component for systems of the proposed type are discussed.

The Influence of the Fashion Style used by Influencers on the Appearance Style of Generation Z

Influencers who have many fans, so that it becomes the spotlight of generation Z to be an inspiration for the fashion style that is being used. This study aims to determine the influence of the fashion style used by influencers on the appearance style of generation Z. Generation Z is a generation that has very unique and different characters from previous generations. Meanwhile, an influencer is someone who has a lot of followers so that it gives potential for their fans to follow, starting from fashion style and lifestyle, and most of those who become fans of an influencer are generation Z. This research uses descriptive qualitative which shows the results that in expressing themselves, generation Z one of them is the fashion she wears. The development of fashion is very fast at the age of generation Z. They are more concerned with their physical appearance than everything "appearance is key", things that can beautify and beautify the appearance they will wear.

Pemahaman Nilai-Nilai Agama Dalam Perspektif Hijabers Di FKIP Universitas Jember

Olivia Agnesti Putri Bakriyan. 2021. Understanding of religious values ​​in the perspective of FKIP students, Jember State University Thesis. Postgraduate Islamic religious education study program at UIN KHAS Jember. Supervisor I. Dr. H. Mashudi, M. Pd, supervisor II. Dr. H. Ubaidillah, M. Ag.
 Keywords: understanding of religious values, hijabers
 Religion is a teaching that comes from God which contains the order and guidance of faith and worship as a way of life for humans to manage their relationship with God, relationships with fellow humans, and relationships with the universe. with all the consequences in it, believe in the heart, declare it verbally and realize it in action. UNEJ Jember is a campus that has been designated as the 14th ranked research institute in Indonesia and has A accreditation
 This study aims to describe the understanding of religious values ​​in the perspective of hijabers students at (Fkip Univesitas Jember) which has been focused on. the perspective of hijabers students at FKIP, State University of Jember? Third, how is the understanding of moral values ​​from the perspective of Hijabers students at FKIP, Jember State University?
 Research In this study using a qualitative approach, the type of case study research. Data collection techniques using participant observation, semi-structured interviews, documentation of research informants are FKIP UNEJ Jember students and lecturers of validity used in this study by triangulation of sources.
 The findings of this study indicate that (1) religion is the most important thing in human life because religion is a motivation for life and life and is a tool for self-development and control. Therefore, religion needs to be known, understood and practiced by humans so that it can become the basis of personality so that it can become a complete human being. (2) The results of this study indicate that most of the female students studying at UNEJ, especially at FKIP Jember, are already wearing the hijab, although many there are various variations of the hijab that students wear. There are also those that are in accordance with Islamic sharia. The hijab that is worn by sharia is a wide veil that covers the chest. And there are also some students who wear hijabs in contemporary fashion styles with pashmina hijabs and mix and match with culottes, following the OOTD hijab. present time

INSTAGRAM SOCIAL MEDIA ANALYSIS OF TEENAGER LIFESTYLE AT SMA BINTARA DEPOK

This study aims to find out how social media Instagram @anyageraldine affects the lifestyle of teenager at SMA Bintara Depok. Researchers use qualitative methods because they want to explore facts, symptoms, and events that influence social media on adolescent behavior in the field as it is in the context of space and time and the natural environment of teenager. The research instrument used was interviews with 5 informants who were taken using Cognitive Social Theory. The results of this study indicate that the informant prefers to follow the fashion style of anyageraldine which is fashionable rather than following her fullgar lifestyle. besides that the informant also wanted to be famous and successful like Anyageraldine. Instagram @anyageraldine not only posts full-length photos and videos, but there are also endorsed photos such as clothes, make-up, sneakers, and others. But the main thing is a positive lifestyle to be liked and followed by teenagers.