Io98 Reviews Wien! (Vienna: Bohlau, I994)). Rose's publication contains a superb bibliography of primary and secondary literature, including what must be themost comprehensive list to date of Louis Huart's and Albert Smith's publications-a key to further re search into thenineteenth-century culture of entertainment and instruction. UNIVERSITY OF EXETER MARTINA LAUSTER Modes of Faith: Secular Surrogates for Lost Religious Belief. By THEODORE ZIOL KOWSKI. Chicago and London: University ofChicago Press. 2007. xii + 283 pp. $35. ISBN 978-o-226-98363-9. This book consists largely of a series of skilfully summarized descriptions of several European works, mainly fictionand poetry, ofwriters living in the last decades of the nineteenth century and the early decades of the twentieth.The selection of authors and the literaryworks theyproduced is based on what Theodore Ziolkowski identi fiesas a common theme, 'The crisis of faith that shook Europe in the decades before and afterWorld War i and the responses that crisis elicited as individuals sought surrogates to fillthe spiritual emptiness in theirminds and souls' (p. x). He identifies five 'modes of faith' as surrogates for religion-'art forart's sake, the flight to India, socialism, myth, and utopian vision' (p. xi). The author avoids any systematic, persuasive philosophical reflectionon thehistori cal or ideological conditions in which the loss of faithexperienced by these individuals was embedded. He has focused primarily on thewriters as individuals, and the impact theymade on those around them, usually members of the same privileged literate elite,while glimpses of thewider historical conditions of existence enter only to that degree without which the creative genius of these fascinating, passionate, and often highly disturbed men (they aremainly men) would be comprehensible. These wider contexts are of course there in the narrative, for the experiences and cultural practices of these novelists and poets would be unintelligible without them. The wider social and intellectual history necessarily gets referred to as part of the recounting of thebiographical details, and in the summaries of thecontents and forms of fiction,poetry, autobiography, travelwriting, and aesthetic philosophizing. As one review succeeds another, summarizing thechildhoods, themarital problems, thepsy chological torments, the conversions and retractions, the fantasies, the trials, tribula tions, and pilgrimages of the subjects who form the objects of the author's smooth prose, much is said inpassing about the erosion of thegrip ofCatholic faithand tra ditional Church practice and authority, the development of capitalism, atheism and science, themassive shiftsof power exemplified by colonialism or Communism-in short theprocesses that tormented and confused the sensibilities of these individuals who sought theirvarious 'surrogates'. But the substance of thebook lies in the authors themselves, and presumably Ziol kowski at least hopes to encourage us to read them, a valid aim itself.But the reason for publishing must depend in part on the added lightwhich he intends to shed by bringing them intomutual proximity, not only in terms of their shared historical epoch, but also on thegrounds that theyexemplify themeanings of his key organizing categories-common loss of faith in religion, and thediscoveries and inventions of,or conversions to, surrogate faithsor secular analogies to religion. But what do all these words mean? A major problem with thispotentially fascinating and instructive book is that the author does not critically reflecton his key terms, all ofwhich are historically con tested. The reader can infer that by 'religion' he is generally referring toChristian faith,particularly Catholicism, though religion isattributed to thepre-Christian Ro mans and the highly questionable notion of a 'primal religious sense' finds itsway MLR, I03.4, 2008 I099 into the text (p. 3). By 'surrogate' he means a secular alternative to religion, though again themeaning of 'secular' seems to be taken forgranted as well; nor is itclear if this termmeans the same thing as 'profane', as in the chapter called 'Theologians of theProfane'. Thus many of the so-called secular alternatives such as socialism or aestheticism either look like religion or actually are religion. For example, one of the chapters is called 'The Religion ofArt'. On the other hand, much of the discussion about the attractions of socialism, national socialism, and Communism isconducted in terms of 'quasi-religion' (p. i I9), 'a substitute for religion' (p. i I9) or 'political...