Bulbul Sharma Eating Women, Telling Tales Zubaan Ranging from humorous to touching to sometimes grisly, each of the nine vignettes presented in Eating Women, Telling Tales explore the complex reality of women’s everyday lives in India. When a group of women come together and exchange tales from their personal experiences, what emerges is a subtle commentary on the social hierarchy of village life and a glimpse into the intricate role of food in human relationships. Eduardo Sacheri Papers in the Wind Mara Faye Lethem, tr. Other Press Set within the culture of professional soccer, Papers in the Wind follows the story of three close companions taking on the responsibility of caring for the young daughter of their deceased friend. Despite the tragic loss and the odds against them, they rally with humor, love, and remarkable resourcefulness. Nota Bene hell of the Holocaust in one poem, while others locate her in a dreamscape that bears little resemblance to conventional hells or heavens. This is a hallmark of Medbh McGuckian’s style: she is at home in the fluid language of symbols, some archetypal, some drawn from Irish folklore, and some private. Although this death is the volume ’s focal point, the speaker wends her way through times past, present , and future. We can read this as an act of honor, though she refuses to see her mother in idyllic terms and does not flinch from the view of her suffering. The presence of death can have its own beauty, and the eponymous poem of The High Caul Cap offers us an image of a time in love with endings. Yet the poet herself is also in love with time, perhaps obsessed with it here. Temporal markers placing actions before or after, first or last, singly or all at once, abound in the volume. Perhaps she feels unable to keep up with time’s passage; perhaps there is almost too much to gather in a single valediction, one that begins with the speaker “wearing her belatedness.” One certainly cannot fault McGuckian for not saying enough in these dense, sometimes puzzling poems with their many layers. If anything , one wishes at times for breathing room, perhaps a slightly thinner and clearer air. At times, reading the poems makes us feel as if plunged into an element that we cannot quite master. This is not to suggest that the content of the poems is overly dark—it is not—or that the poet ever scants the concrete weight of her subjects: there is “nothing more earthly” than the departed. There is also nothing more complex, given that a single person contains a treasure trove of experiences and elicits a corresponding wealth of imagined scenarios in the lyricist. McGuckian typically uses elaborate, complex images and situates her characters in situations both oneiric and, sometimes , straightforward. She stitches her images closely together, creating a rich, almost baroque tapestry of loss and difficult love, even as ultimately “there is no peace: / no function for the heart to serve / the dear, the best-known face.” Magdalena Kay University of Victoria, B.C. Carter Revard. From the Extinct Volcano, a Bird of Paradise. Brian K. Hudson, ed. Norman, Oklahoma. Mongrel Empire Press. 2014. isbn 9780985133788 The author’s note at the beginning of From the Extinct Volcano, a Bird of Paradise—a new collection of poetry from Oklahoma writer and Osage poet Carter Revard—brings together multiple genres of writing into a single collection of poetry. For example, Revard sees his work as poetry that September–October 2014 • 89 reviews is composed of history, science, personal narrative, and song. The collection could be seen as a compilation of songs that serve as a greatest hits album. Many of the poems in the volume appear in earlier collections of Revard’s work. More compellingly, however, this volume of poetry represents a lyrical echo. The strongest moments in the collection are those of borrowing and repetition wherein Revard uses words and rhythms from the past to create contemporary art. Revard’s poems “Driving in Oklahoma” and “A Song That We Still Sing” ask readers to consider how ordinary drives and ceremonial practices might be tied together. Both contain elements of...