IntroductionOpportunities for adolescents to participate in extended journeys in remote and challenging environments are rare; as such, our remote 16-day canoe journey in Northern Canada's Yukon Territory afforded a unique opportunity to learn from two adolescent participants (Andrew, 13 years of age, and Stephanie, 15 years of age) about the nature/essence of their experiences in wild nature, and in particular, the use of pinhole photography as a medium to capture and support these experiences. The group members included a family of four comprised of two parent-researchers (co-authors Teresa Socha and Tom Potter), their two adolescent children (Stephanie and Andrew), and two other adults (including co-author Bob Jickling). A description of the river journey is published elsewhere (Potter, 2012).Research acknowledges that children and adolescents experience things differently than adults, even while participating in the same activity, and that gaining insight into their perspectives is valuable (Schanzel & Smith, 2011; Small, 2008). Young people know things that adults do not; they have different perspectives (Matthews, Limb, & Taylor, 1998). As such, researchers need more inclusive and participatory child- and adolescent-centred methodologies that reflect a shift to position participants as subjects of research activities rather than objects to be researched (Farrell, 2005; Schanzel & Smith, 2011). Participantgenerated visual methodologies, such as photo elicitation, are well documented (see Hughes, 2012). Guillemin and Drew (2010) describe these types of methodologies as enabling and empowering, ones that can foster a sense of participation for and give voice to young people and other groups whose perspectives have been often marginalized in research; it is an "... approach that takes seriously participants as knowers" (p. 178). Participant-generated visual methodologies give participants opportunities to produce images that "confer importance" (Sontag, 1990, p. 28) and enable them to express emotions and/ or experiences that are often difficult to express in words, at times resulting in a "positive consciousnessraising effect" (Guillemin & Drew, 2010, p. 178).Participant-generated photo elicitation has become a popular research strategy within qualitative research. Its application has been found particularly useful with young people in a wide range of disciplines, such as sociology and anthropology (Clark-Ibanez, 2007; Rasmussen, 2004; Samuels, 2007), education (Allen, 2011; Clark-Ibanez, 2004), healthrelated fields (Drew, Duncan, & Sawyer, 2010), and tourism (Schanzel, 2010; Schanzel & Smith, 2011), and serves to address gaps within conventional interview techniques. As tangible interview prompts to focus discussion, participant-generated photo elicitation interviews have shown the following benefits in that they can facilitate rapport and communication between participant and researcher, break down power dynamics or bridge the gap between participant and researcher, and enhance the production of rich data (Clark-Ibanez, 2004; Drew et al., 2010; Pain, 2012). However, the application of this method in research examining outdoor and/or adventure education, environmental education or nature-based experiences is less common, albeit some examples exist (see Heppner, 2009; Loeffler, 2004a, 2004b, 2005; Smith et al., 2010, 2012). These studies suggest that the participant-generated photo elicitation interview method, relying on modern style cameras, is well suited to the study of nature-based experiences. However, the benefits of using pinhole photography as a form of slow photography to facilitate the collection of participant-generated research data for conducting interviews with adolescents, are just emerging. In this paper, we develop methodological understandings of this technique, specifically in ways that are pertinent to outdoor and/or environmental education. This is significant, as generally, the outdoor field has done little to contribute to the advancement of understanding in research methods and methodologies (Dyment & Potter, 2015). …
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