In this study, for the first time, an appeal is made to the topic of the way to transform a buffoon’s persona formed in the traveling troupes of English comedians (Englische Komödianten) — Pickelhäring (Pickelhering). After the forced migration of English troupes to the mainland and ‘settlement’ in Germany, it was the jester who helped to find ways for actors and audiences who spoke different languages to communicate. This is how Pickelhäring transformed from a verbal into a non-verbal character, acquiring the meaning of a theatrical mask. Over time, the character’s verbality returned, marking the return to his original image, but with the advancement of theatre troupes to the East, the newfound verbality was again discarded, relegating the character back to the status of a mask. Pickelhäring’s persona became so popular that he was one of the characters in the first performances in the theatre at the court of Aleksei Mikhailovich. Such radical metamorphoses contributed to the character’s fairly rapid and successful establishment on various national stages. It was his adaptability by changing his own essence that ensured his incredible success and public admiration throughout the 17th century. This article also gives the names of the most famous performers of this role among all troupes of English comedians (Englische Komödianten) in the German-speaking lands.