Reviewed by: Aluminum Upcycled: Sustainable Design in Historical Perspective by Carl A. Zimring Finn Arne Jørgensen (bio) Aluminum Upcycled: Sustainable Design in Historical Perspective By Carl A. Zimring. Baltimore: Johns Hopkins University Press, 2019. Pp. 198. In recent years, recycling has lost some of its sustainability luster, as scholars and activists alike have criticized it for being insufficient for, or even harmful to, actual transformative environmental initiatives. Carl A. Zimring, environmental historian and professor at Pratt Institute, has been a key scholar of recycling history for more than a decade. In Aluminum Upcycled, he tackles a particular form of recycling called upcycling, a process in which materials gain more value through recycling, rather than less. While most materials degrade through recycling, other transformations can take place through upcycling. Aluminum Upcycled speaks to both scholars and practitioners, and is particularly valuable to students of design. Zimring explores upcycling as a concept in design, building on work in industrial ecology and circular economy. He traces the transition of upcycling from an artisanal practice to its adoption in major corporations such as Ford, Patagonia, and Adidas. The book has two sections, each containing three chapters, all of which focus on aluminum. The first section provides a historical overview of recycling as a phenomenon and the origins of the aluminum industry. Zimring efficiently builds on a large body of scholarship that demonstrates how aluminum has moved from scarcity to abundance. He delves particularly deep into the World War II history of aluminum, when it became a critical material for lightweight airplanes. The massive amounts of energy required for aluminum smelting required equally massive energy production facilities. After the war, production capacity shifted to civilian uses of aluminum. Finally, Zimring explores the place of aluminum in modern industrial systems, highlighting the tensions between economic and environmental justifications for recycling. The second section provides readers with in-depth case studies of how [End Page 1291] aluminum has been upcycled through artistic, craft-based, and industrial practice. Zimring clearly builds on his experience as a teacher at an institute specialized in training designers and architects. One chapter is dedicated to transportation, particularly airplanes, bicycles, and cars. Here we are in familiar terrain for historians of technology. A second chapter focuses on furniture, using Hermann Miller Inc. and Eames chairs as centerpieces. Design historians should find much of interest here. The final chapter treads new ground by looking at the history of aluminum guitars. This chapter contributes significantly to our understanding of the limits of the circular economy. Aluminum guitars that become collectors' objects are more than their material components—they take on meaning and value that sometimes bring them out of the circular economy. While Zimring provides us with many valuable insights into the concept of upcycling, the book does not clarify the role of branding and consumption in this process. Much of the increase in value Zimring describes could also be the result of branding. Because his case studies are primarily higher-end products, the value in upcycling may be artificially inflated because of brand recognition rather than material choices. While branding can be central to upcycling aluminum products, the same mechanisms can also make less sustainable products equally valuable. Aluminum Upcycled demonstrates well how the issue of environmentally friendly design is not a simple one. The book illustrates the challenge of going from recyclable to actually recycled. The sorting, dismantling, and processing of materials is often not considered at the design stage, which limits the effectiveness of recycling. Upcycling won't solve these issues unless the underlying problems with modern industrial society are addressed. The history of technology has paid ample attention to waste over the years. Zimring builds on these traditions, while directing our attention to the importance of design and designers in building sustainable products and technologies. Design is the nexus where products and technologies meet the waste stream, controlling upstream and downstream relationships. Aluminum Upcycled demonstrates the merit of blending history of technology, environmental history, and design history in sorting out the complex designed relationships between materials, values, and society in the modern world. Zimring has written a remarkably accessible book that is well worth reading. Finn Arne Jørgensen Finn...