ABSTRACT Edward Abbey’s literature, particularly his popular novel The Monkey Wrench Gang (1975), marks a turning point in American environmental(ist) writing, particularly because of its radical approach to environmental protection. However, Abbey’s so-called ecosabotage was often problematic and limiting in its failure to extend beyond a white, ableist, and cis-heteronormative perspective. Laguna Pueblo Indian writer Leslie Marmon Silko provides a useful corrective to this in her 1991 novel Almanac of the Dead. Similar to Abbey’s works, Silko’s Almanac laments the modification and, in many cases, destruction of the rivers of the American West. Yet Silko, unlike Abbey, brings to her protest novel an invaluable intersectional perspective, asserting that the most significant environmental protests of the future will arise when marginalized, global, Indigenous communities come together in the name of environmental justice. My conclusion turns to international environmental activists – for example, Chinese journalist Dai Qing and Indian writer Arundhati Roy – who are resisting the damming of their nations’ rivers. Like Silko, these writers offer much-needed glimmers of hope as they show us that the only way to cope with increasing environmental precarity is to work together beyond antiquated borders and binaries.
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