At the introductory level, the demonstration and analysis of sound beating is usuallylimited to the superposition of two purely sinusoidal waves with equal amplitudes and verysimilar frequencies. Under such conditions, an observer hears the periodic variation of theloudness of a sound with an unchanging timbre. On the other hand, when complex waveswith very similar frequencies are superimposed, each harmonic beats with a frequencyproportional to the frequency of the harmonic. Consequently, the resulting soundexhibits a subtle variation of timbre with time. This article extends the normalintroductory discussion of beating and explains why electronic phase shifters, devicesfamiliar to many musicians, can produce the sound of beating complex waves.