The foundation of Indian theatre is rooted in the ancient folk theatre. The paper aims to explore the Indian ethics and values depicted in the selected saangs, a form of Haryanvi folklore, of Baaje Bhagat which consciously or unconsciously guides the spectators to follow the ethical and moral code of conduct. Since their inception, saangs have emerged as a strong and powerful medium of communal expression. Their narratives encapsulate the fundamentals of human expression – love, morality, courage and the persistent struggle between the good and the evil. Despite the various modern adaptations to saangs and Folk theatre, the underpinnings of expressionist reality remain unchanged. Humans are characterized by their capacity of thought and reasoning. Through the application of the Indian doctrine of purusharthas on the selected Saangs, one learns how these great people have understood, connected and navigated themselves in the times of crisis, challenges and complexities of life within a community, thus, directing people to the path of ethical conduct. Ergo, saangs play an intriguing role in shaping our identity as a human being, individually and collectively, since antiquity to the contemporary times.
Read full abstract