The institution of slavery engineered racialized gendered capitalism that locks Black women in multiple social identity-labeled boxes on the sociocultural and economic hierarchy. Acts of cultural invasion have produced controlling images and oppressive narratives to maintain the status quo of white male wealth and power. Critical race theory scholars have offered counter-storytelling as a theorizing method to study the impact of intersectional oppression on Black women and to develop strategies for resistance and healing for those who are at the margins of society. This manuscript weaves the voices of Black feminists with a creative arts methodology to explore resistance and healing practice rooted in lived experience and provides a case example of counter-storytelling in a predominantly white academic space. For future directions, there is a need for guidelines on how to navigate the use of counter-storytelling to safely engage and protect the Black woman’s humanity and not be a tool for public displays of Black pain or for trauma voyeurism.