ABSTRACT The Anthropocene epoch, characterised by human-induced ecological crisis and precarious future, calls for a paradigm shift in our popular narratives to re-evaluate our relationship with the earth (Gaia). Transcending conventional logocentric narratives, the paper aims to theorise eco-dystopias by dissecting the recurrent trope of entanglement prevalent in eco-dystopian graphic narratives, envisaging how it provides an apocalyptic counter-spectacle of nature. The paper focuses on two graphic narratives, Nausicaa of the Valley of the Wind (1995) by Hayao Miyazaki and The Snake and the Lotus (2018) by Appupen, to investigate their passionate plea to subvert instrumentalisation of nature and hierarchisation of humans over other species, towards garnering an ontological humility. By highlighting the agential understanding of nature, the narratives show how the porous and corporeal existence of human subjectivity smoothly permeates into the more-than-human world, thereby fostering a more (w)holistic understanding of our interconnectedness amongst various actants of Gaia. Furthermore, the paper showcases how eco-dystopias can best be captured in the framework of visual-verbal narratology and underscores the dialectical relationship between present and future (dystopias), word and picture (graphic narratives), and literature and environment (ecocriticism).