Click to increase image sizeClick to decrease image size Notes 1Names that occur in the volume include Alexander Lauder, the author of “The Lovers Case” (1717), John Harvey, the author of “To / Sir Richard Steele / A Poem,” and William Preston (c. 1680–1752), probably the author, among other works, of On the Death of the Reverend Mr Patrick Wotherspoon, Minister of the West-Kirk; a poem (1732). It is likely that Lauder was Sir Alexander Lauder of Fountainhill, fourth baronet (November 6, 1698–May 17, 1730), and that he was the center of a club that was linked to the writing activities of the Edinburgh-based Athenian Society. Lauder, at times writing under the pseudonym of “Adonis,” engaged in verse exchanges with Orestes, alias Joseph Compton, as in “A Poem addrest to my very ingenius Friend Mr Compton, 1719.” Lauder also contributed “On our Saviours coming to ye World” and “To my Ingenius Friend Mr Lawson on his Translation of Horaces Odes, 1715” to the volume. Harvey (fl. 1702–29) was a popular Edinburgh author in the early decades of the century and produced elegies such as To the Memory of the Right Honourable, late Earl of Kintore (1719), A Collection of Miscellany Poems and Letters (1726), and a life of Robert Bruce (1729). The manuscript album contains a production by Harvey, “To/Sir Richard Steele/A Poem.” This poem probably antedates Harvey's “To the Much Honoured Sir Richard Steele. A Poem,” published in A Collection of Miscellany Poems and Letters. 2Rhetorical and oratorical training in both Humanity and Theology at Edinburgh, stressing the production of paraphrases of religious texts and sermons, accounts for the large number of elegies printed singly and included in collections that were published in the first half of the eighteenth century in Scotland. The Scottish ecclesiastical tradition with its teaching emphasis on composition contrasted with the burgeoning literary scene of London where rigid Church practice was less prominent and a wider variety of poetry and genres could be deployed than in Edinburgh. The hitherto unrecognized importance of Scottish elegiac verse for the development of (English) graveyard poetry should, therefore, be seen as rooted in the different contexts of the Church's influence on its ministers and students at the College of Edinburgh. Thomas Parnell and Edward Young, highly appreciated as poets in early eighteenth-century Scotland, used elegy in a way that was conducive to the Church's ideological favoring of didactic over dramatic writing. 3 In all Conditions hearty, and sincere, Pow'rful in Preaching, and intense in Prayer: Graceful without, and Orthodox within, A good Companion, and a sound Divine! All Autumn's Ripeness, in his Spring was found, And blooming Youth, with hoary Wisdom, crown'd. He show'd Religion does not damp the Mind, And make its Vot'rys wretch'd and unrefin'd: That Clergy too, fine Gentlemen may be, And Grace, with Breeding, cannot disagree. (12) 4See National Archives of Scotland, GD 1815325: Letter from Mitchell to Sir John Clerk, 1722.