SINCE I BEGAN teaching Shakespearean drama nearly a decade ago, I have tried a number of different approaches-with varying degrees of success. It was clear from the very start that the key was to discover an adequate substitute for the live performance. But what? As the semesters passed and my noble experiments with theater trips, cinema adaptations, and video tapes brought more logistical and financial frustrations than I could bear, it became increasingly more apparent that the next best thing was the quality recording. At first, I used recordings in a manner familiar to most instructors. I carefully chose a few key passages or scenes (sometimes even an entire act or two) for playing in class, and followed these selections with analysis and discussion. This worked reasonably well, but consumed considerable chunks of class time. I decided to modify my approach. Instead of taking precious class time to play the records, I scheduled evening record listening sessions (RLS). Happily, this approach proved to be so successful, and popular with students, that I have been using the RLS format (with periodic modifications and refinements) for the past seven years. Although I have used it only in a college-level Types of Shakespearean Drama course, I am confident that with minor modifications it can be used with similar good effect in the secondary level Shakespeare unit or course, and in all types of drama courses on both levels. The following is a brief description of the RLS teaching approach. During the first class period I announce that Monday evening record listening sessions have been scheduled for the duration of the semester. I explain that these sessions are not mandatory, but I do urge all students to at least give them a try. For students with scheduling problems, the recordings are placed on reserve in the Media Services Center. I take a great deal of care in choosing (and scheduling well in advance) the room in which the sessions will be held. Since the average recording runs from two to three hours, students should feel comfortable and relaxed in their listening environment. Mv students' favorite setting, and mine as well, has been the Honors Lounge, a quiet and pleasant room which is carpeted and filled with comfortable couches and easy chairs. The students are required to do a certain amount of preparation prior to each
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