THE TEXTS PUBLISHED in my Miscellaneous Babylonian Inscriptions are most of them extremely difficult, especially in their present fragmentary condition. I have read Dr. Peters' comments on them with much interest and am grateful to him for his attempt to elucidate their meaning from the knowledge gained by his experience in Babylonia. His observations in most instances commend themselves. It is a question whether he has not at times over-worked the liturgical idea. While I have that feeling in reading his notes, I am not prepared to say that he has. The object of the present note is to discuss Dr. Peters' suggestion that text No. 1 is a hymn or liturgy in part in praise of a king of Kesh, who had rebuilt the temple at Nippur. This possibility, though it occurred to me when editing the text, was not seriously entertained, because so little is known historically of Kesh, that such a consideration seemed to land us in an historical mist. The suggestion is, however, worthy of more serious consideration than was then given it. If it should turn out to point to an historical fact, it might open a new vista in Babylonian history. The ideogram employed in our text for Kesh is Brinnow, No. 10859 (= CT 11.49, 32 ab). The question is, does this ideogram designate a city that was later designated by another ideogram, or does it refer to a city never designated by another ideogram? If the latter alternative is true, then Kesh disappeared at the dawn of written history and we know practically nothi'ng about it. If the former is true, then it is possible that something of its later history is known, or at least ascertainable. Clay (Empire of the Amorites, p. 104) identifies Kesh with Opis. He does this on the authority of Thureau-Dangin, who in SAK, pp. 20, 21, read the ideogram UUU-Kesh. Later in his work, however, (p. 225 note d) Thureau-Dangin recognized UTJU as referring to Opis. Clay's identification is accordingly erroneous. Kesh is designated by quite a different ideogram. If Kesh were the same as Opis,
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