ABSTRACT Late 19th-century Singapore is considered the centre for the printing and distribution of Muslim-Malay lithographed texts in the Malay archipelago. In 1890, the island’s print output was approximately six million pages, with many of these printed from lithography. Thus informed, our recent readings of Singapore’s role in regional histories of the printed book tend to locate its prominence along contemporary, national lines – this is anachronistic. The island, historically, was neither nation nor state, but a British colonial settlement. Singapore’s advantageous geographical position certainly established it as a prominent site for book production and distribution. However, the existing corpus of lithographed publications, printed at multiple localities, indicate a broader range of regional locations involved in Muslim printing. These texts, from mushaf to syair, often feature printed defects and paratextual marks on their pages. Informed by approaches from analytical bibliography and printing history, the materiality of these marks and defects can be ‘read’ to identify specific print production techniques. These, in turn, suggest printing methods that were common in British and Dutch territories, and beyond – an indication of the mobility of techniques, materials, and practitioners within the lithographic trade, and the collaborative nature of print enterprises in the Malay world. By discussing these printed marks, this article will (a) re-situate and revise our understanding of interactions and practices within the Muslim-Malay lithographic printing trade; and (b) posit the notion that late 19th-century Singapore is not the locus, but one of several sites of significance within a regional ‘constellation’ of printing activity.
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