Divan Poetry Research Articles

Travel to Time: Clock an clock Types in Divan Poetry

Travel to Time: Clock an clock Types in Divan Poetry

A Few Notes About Sheikh Gâlib’s Nabi Criticism and Literary Approach to Divan Poetry

A Few Notes About Sheikh Gâlib’s Nabi Criticism and Literary Approach to Divan Poetry

Aşk Mesnevilerinde Şimdiki Zaman Algısı

Time, when looked at in the limits of esthetics, is a matter that needs the help of philosophy. Every behavior belongs to time, is a point that affects all determinants about the text. Time has been the most important fact of religion with the creating action of God. Besides, in divan poetry and especially in mesnevis time is used in different ways. The relationship of time with reality, used with the event, place, and personality, is in different dimensions. Because of that, every mention about time, makes us to mention about reality at the same time. So, time in mesnevis is used sometimes above the objective perception, and is sometimes far away from reality. Generally poets trend to the emphasis of non-real time by leaving the objective time in their mesnevis. The heroes limited in the time period of the present time or the“ moment” go to different dimensions in time, so move away from the real time, that’s reality. When the emphasis to the present tense perception can be observed more in love mesnevi “Husn u Ashk” , we wanted to compare the other love mesnevis by taking “Yusuf u Zulayha” and “Layla and Macnun”. So we trend to these texts to get ideas about the changes of reality perception. Our goal is not only to get the statistical results of words belongs to time, is to understand that present tense perception causes to verbs or verbs add to qualities to time.

Relationship Between Humour and Hyperbole with Examples from Divan Poetry

Relationship Between Humour and Hyperbole with Examples from Divan Poetry

Narration by Samping in Divan Poetry

Narration by Samping in Divan Poetry

The Beloved In Divan Poetry

The Beloved In Divan Poetry

Lover's Location İn Front Of The Beloved İn The 14th Century Divan Poetry

Lover's Location İn Front Of The Beloved İn The 14th Century Divan Poetry

The Allegorical Lover and Beloved of Divan Poetry: Gül ü Bülbül

Written by one of the 16th century poets, Kara Fazli, Gul u Bulbul is a sufistic and an allegorical masnawi which has different reading layers. At first sight, the poet seems to tell a metaphorical love story of Bulbul and Gul, the lover and the beloved. Yet, at the end of the text, he informs the reader about the sufistic conceptions which were represented by the lover and the beloved, and the rest of the components of the masnawi. Concurrently, the seasonal circle and the revival of the spring are narrated coherently with the nature of the allegory and in parallel with the names of the heroes.  Dr. betulnizam@gmail.com Divan Siirinin Alegorik... 463 Turkish Studies International Periodical For the Languages, Literature and History of Turkish or Turkic Volume 5/3 Summer 2010 Lastly, the allegorical structure of the masnawi is interrupted occasionaly which is also noteworthy to focus on.

Depending On The Verses Of Şeyh Galip “Take Good Care Of Yourself, For You Are The Core Of The Universe” From The Definition To Quality About The Human

As it was yesterday, it is also the same today: the societies and especially the administrations have been being assessed with respect to the value that they attribute to the human. The Ottoman poetry has brought up unique artists, not only representing the society that they were born to, but also a common value of the whole mankind. Among those, the leading figure is Seyh Galip (1757-1799) who closed th edoor of the divan(a council) poetry with his magnificient poem. Our purpose in this work is, depending on the verses of him “Take good care of yourself, for you are the core of the universe, You are the pupil of the eye of the cosmos” which is representing an Islamic thought, from the definition to quality, putting forward a general view about the human being.

Shades Of Black In Baki’s Divan

The essence of divan poetry (classical Ottoman poetry) is language. The divan poet chose words carefully, gave importance to words of color, and expressed his emotions, dreams and thoughts in a bright and colorful way by imbuing colors with a symbolical meaning. In the aesthetics of divan poetry one of the most commonly used colors by the divan poet is black. The divan poet made large use of the black color and its associations in his descriptions of nature and humanity. This study handles Baki’s Divan in terms of the use of the black color and aims to explore its major characteristics.  Doc. Dr., Mustafa Kemal Universitesi, Eski Turk Edebiyati Ana Bilim Dali, hgufta@gmail.com Bâki Divani'nda Siyah Renkli Unsurlar 1315 Turkish Studies International Periodical For the Languages, Literature and History of Turkish or Turkic Volume 4/8 Fall 2009

What Is The Role Of Dictionaries For Misunderstanding Divan Poetry?

What Is The Role Of Dictionaries For Misunderstanding Divan Poetry?

Verse Petitions In Divan Poetry

Verse Petitions In Divan Poetry