This article examines the facial disfigurement caused by vitriolage or acid attacks, and unravels the aesthetics of the disfigured faces by exploring their visually signified materiality, which divulges alternative aesthetics, jarring the viewers into a state of abjection. It unfolds the commonalities between acid-attack survivors and disabled people, given the physical, psychological, and social consequences which led to the inclusion of women acid attack survivors into the category of disability in the RPWD Act 2016 in India. This research probes into three major critical interventions: first, it scrutinises the relation between vitriolage and structural violence; second, it studies its cause and effect through the close textual analysis of select texts, Priya’s Mirror (a graphic novel) and Chhapaak (a Bollywood movie); and third, it delves into the nuances of appearance impairment, and its isolating and disabling effects. Succinctly, this research uncovers the multiple aspects of acid violence in the Indian context by studying the select texts as a cultural archive and, through their respective visual narratives, attempts to inquire about the previously concealed or overlooked corporeality of women acid attack survivors.
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