WILLIAM KUSKIN, Symbolic Caxton: Literary Culture and Print Capitalism. Notre Dame, IN: University of Notre Dame Press, 2008. Pp. xxvi, 390. ISBN: 978-0-268-03317-0. $40. William Kuskin's book, Symbolic Caxton, concentrates on Caxton's role in the production of cultural capital and the printer's response to the dominant ideologies at work in the fifteenth century. It expands many of the themes found in the earlier collection of essays Kuskin edited, Caxton's Trace (published in 2006 by the University of Notre Dame Press). In Symbolic Caxton, Kuskin aims to focus critical attention on the history of texts and the symbolic and material profit made possible by the fifteenth-century print trade. For Kuskin, terms such as capitalism or print culture are too 'monolithic' to represent the intricacies of early print production, which are better illustrated through an historical model that 'seeks out relationships within an ongoing reproduction cycle' (18). In support of this historical model, Kuskin frames the incunable period as 'part of an enduring culture of the vernacular book' rather than 'the beginning of a linear movement toward print culture' (18). Kuskin focuses on the production of Caxton's printshop from the middle of the 1470s to the early 1490s, a concise period of time that he reads as a continuation of ideas and cultures rather than a break between the ideologies of the medieval and early modern periods. Symbolic Caxton is ambitious in its scope and Kuskin arranges the book into three comprehensive sections that attempt to examine all aspects of Caxton's book production. The three sections focus on print marketplace ('Capital and Literary Form'), ideas of authorship ('Authorship and the Chaucerian Inheritance'), and the formation of a reading public in England ('Print and Social Organization'). Everything from the wool trade in which Caxton began his career as a mercer, to the demand for the printer's books by bibliophiles in the nineteenth and twentieth centuries, is addressed. In each of these sections, Kuskin discusses a wide array of topics while addressing the issues of periodicity by consistently emphasizing the need to reevaluate the idea of radical breaks between historical periods. The topics covered show how ambitious Kuskin is in his approach. Along with periodicity, he covers a variety of important subjects from the difficulties of the mechanical reproduction of books to the sophistication fifteenth-century buyers and sellers of books in England brought to their trade. In the first section, Kuskin organizes his discussion around Caxton's influence on the process of book production. He argues that Caxton did little to innovate the production of books, but rather that he capitalized on already existing trends within the profession. …
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