MLR, ., Griffiths’s essay on Chaucer’s e House of Fame examines the function of different kinds of memory and their effectiveness in poetic creation, and sees the poem as a representation of the poet’s own mind and thought processes. Julia Bourke analyses meditations, emotional responses, and memory training induced by hand mnemonics (illustrated) and the meditative texts of Anselm, Aelred of Rievaulx, and Stephen of Sawley. Gustave Zamore traces the evolving use of synderesis in Bonaventura’s writings, from a moral-psychological sense that allows one to perceive right from wrong to a more mystical one which culminates in the mind’s union with God, and considers Saint Francis’s stigmata to be a supreme example of union through the suffering of Christ. Petrarch’s fictional ascent of Mount Ventoux is constantly beset by errant thoughts, representing his attachment to human desire and impeding his soul’s spiritual ascent towards God. Francesca Southerden analyses this and compares it with canzone of his Rerum vulgarium fragmenta. Philip Knox interprets Jean de Meun’s Rose as a kind of thought experiment developing to its comic limits Boethius’s philosophical notion of the natural desire for the good. Examining three different fabliaux, Gabrielle Lyons shows how the genre provides the opportunity to explore freely the exegetical methods normally used in biblical exegesis and suggests a range of interpretations of the moral lessons she finds in each poem. Examining the relationship between Alan de Lille’s De planctu Naturae and Ipomedon, Daniel Reeve sees the convoluted French poem as a response to the philosophical Latin text, and as a quest for pleasure rather than truth. Finally, Vincent Gillespie looks at medieval poetic theory and the differing effects on the individual of rhetoric, which works by persuasion, and poetry, which relies on imagination. Overall these densely argued essays present a stimulating review of the variety of thought experiments to be found in the Middle Ages. U B L C. B Medieval Narratives of Alexander the Great: Transnational Texts in England and France. By V B. Woodbridge: Brewer. . xi+ pp. £. ISBN ––––. is welcome monograph brings together two difficult subjects and uses each to understand the other in productive ways. e literary, historical, and textual traditions of the iconic Macedonian conqueror Alexander the Great are ferociously vast and complex, branching out from antiquity onwards and intersecting across Asia, Europe, and parts of Africa. Even offering a more local account, as Venetia Bridges does, of French, English, and Latin romance texts circulating in the medieval context of France and England is a challenge. In answering that challenge she gives a clear and authoritative picture of this branch of the Alexander tradition, situating it in relation to other key literary texts composed in France and England . Opposing national-linguistic anachronisms, the aim is to take a ‘more truly historicist’ approach (p. ) to the medieval literature of France and especially to that of England. is is a timely approach that chimes with the current scholarly Reviews focus on understanding texts, stories, and knowledge as phenomena moving across borders and that should be seen as European or global just as much as local. Bridges uses the context of ‘networks’ to understand the movement of texts and people and uses the term ‘transnational’ as a way into thinking about the relation between what might be called the ‘local’ and the ‘global’. e book does not lose itself in the long grass of theoretical considerations, though, but stays rooted in the history and study of specific texts. It offers readers a clear and most usable guide through the Alexander tradition as it particularly evolves in the British context, and the first chapter is particularly important in this regard: it clearly sets out the different textual traditions that feed into the Alexander literature composed in the twelh century and should be read by anyone working on this material as received in a francophone or Insular context. It contrasts in method with the more expansive four-volume work recently brought out by Catherine Gaullier-Bougassas (La Fascination pour Alexandre le Grand dans les littératures européennes (Xe–XVIe si...
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