One of the earliest indications of Iranian navigation during the Achaemenid period is a relief found in the audience hall of Cyrus the Great in Pasargadae, bearing the appellation “God of Water and Sea.” The primary focus of this article is to investigate whether navigation and maritime activities during the reign of Cyrus the Great were influenced by and expanded upon Phoenician techniques and Mesopotamian regions. Prior studies have generally taken a historical and overarching approach to this subject. Since complete trust cannot be placed in historical references and texts, and given the existence of certain deficiencies and even contradictions in the writings of ancient historians such as Herodotus, Xenophon, and others, this research aims to shed new light on the obscure aspects of navigation and seafaring during this era, relying on archaeological findings such as the clay tablets, relief, and a reexamination of previous literary and historical texts. This article employs an analytical-descriptive methodology and a library-based approach. Among the archaeological findings from this period, a total of two reliefs in Pasargadae and two clay tablets are subject to investigation and research. The examination of the artifacts and findings from Pasargadae demonstrates that the Achaemenids indirectly came under the influence of Phoenician art and Mesopotamian regions concerning navigation. Furthermore, in the pursuit of maritime development, trade, and shipping, they were directly influenced by the Phoenicians. With the acquisition of maritime power, they successfully annexed many neighboring lands to their powerful empire.
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