Development Of Film Industry Research Articles

Research on the Global Development of Film Industry and New Media Industry in the All Media Era

Research on the Global Development of Film Industry and New Media Industry in the All Media Era

Sociological Research on the Impact of the Covid-19 Pandemic on Student Preparation and the Development of Film Discourse

This article aims to assess the impact of the pandemic on the education and film industry, specifically focusing on the formation of film discussion. The study examines the peculiarities of the educational process and cinema development trends during the pandemic and quarantine restrictions. The research methodology involves information systematization based on survey results. The study reveals that the majority of respondents perceive the pandemic as having a negative impact on education development, highlighting various challenges associated with distance learning. Additionally, a significant portion of respondents express concerns about the adverse effects of the pandemic on the film industry. The research identifies key development issues in education and the film industry. It suggests that digital advancements offer new opportunities for education development, while considering the changing worldview of the population due to the impact of mass diseases. In terms of film industry development, the study emphasizes the importance of considering economic and resource costs, as well as the need for digitalization during the pandemic. The findings highlight the need for strategic measures to address the challenges faced by the education and film industry during the pandemic. The study underscores the importance of leveraging digital tools and platforms for education and film production. It calls for a comprehensive approach that takes into account the evolving needs and preferences of the population, as well as the economic and resource considerations in the film industry. The research provides insights for policymakers, educators, and filmmakers to navigate the current landscape and make informed decisions to promote sustainable development and growth in these sectors.

Spatial and Temporal Characteristics and Influencing Factors of G20 Box Office Revenues: A Film Geography Perspective

The geography of film is an interdisciplinary field of geography and communication. Understanding the spatial and temporal characteristics of the global box office scale represented by the G20 is important for expanding the research scope of film geography focusing on “space” and promoting the development of film industries around the world. This paper studies the spatial and temporal characteristics and influencing factors of G20 box office revenues 2003–2019 using the Theil coefficient, spatial analysis, and a panel vector auto-regressive model. According to the research: (1) the distribution of the top box office revenues within the G20 is obvious; the scale differences among these countries are gradually decreasing and the scale differences between China and the United States are the most significant; (2) the box office differences of the G20 are gradually decreasing; the Asian movie market represented by China and South Korea is developing rapidly; (3) from the perspective of the transfer of movie box office scale types within a Markov Chain, the number of countries in type II and III is the largest and the transfer among different types is mainly to high-level types; and (4) the factors influencing the box office of G20 movies are the number of screens, per capita gross national income, the working-age population, and GDP, respectively.

Research on the Impact Value of Big Data Technology on the Development of Film Industry

As an intellectual-intensive industry, film and television creation is a key link in the film industry. The integration of film and television creation and big data can establish a user preference model, directly attack the marketing focus and occupy the commanding heights of profit. Today's film and television productions all use big data to avoid risks. Why is the film market going down instead? This paper discusses the impact of big data application on the value of the film industry at the moment when the big data infrastructure and technology are not yet fully formed.

대전 영상산업 특성화의 방향성에 관한 연구

The purpose of this study is to identify the direction of the Daejeon film industry. In particular, the specialization of the Daejeon film industry is setting a major direction with the convergence of Studio Cube and the VFX (Visual Effects) Cluster. The combination of the revitalization of the existing Studio Cube and the ongoing VFX Cluster is an important factor in the development of the Daejeon film industry. It is necessary to build a film industry convergence content cluster that connects Studio Cube. The film industry, encompassing films, broadcasting, and content, has maintained clusters from an early age. Clusters within a certain area maximize synergy in production and distribution, such as through sharing know-how, sharing equipment, and joint marketing, and also enable the exchange of professional manpower and knowledge. The Daejeon film industry cannot achieve such goals with a production and support system alone. These can be achieved through the active movement of various film culture and the active participation of local governments. Along with the development of the film industry, a policy to spread film culture to the public is necessary.

РЕГІОНАЛЬНІ АСПЕКТИ РОЗВИТКУ КІНЕМАТОГРАФІЧНОГО ТУРИЗМУ

The specifics of the formation of an innovative direction of cultural and cognitive tourism, namely, cinematic, taking into account the renaissance of the cinema cult, especially among young people, is considered. It is justified that cinematic tourism becomes a powerful motivator of international tourism, because a modern person aspires not only to restore physical health, but to physical-emotional unloading due to new impressions associated with the feelings that were carved into memory while watch-ing one’s favorite movies. Based on the generalized world experience, it is shown how the development of this type of tourismcontributes to the intensification of tourist sphere of the country and creates positive synergetic effects for the revitalization of economy of certain regions that have tourist facilities –film locations. The peculiarity of cinematic tourism, which consists of a clear objectivity, since it is about a regionally defined destination associated with the filming of a particular movie, is empha-sized. Tourists that choose this type of vocation fall into the aura of regional specifics; this opens up the opportunity to promote the image of the region, development of the tourism infrastructure. It is proved that cinema tourism, under the conditions of its scientific based organization, can become a kind of a driver of economy of a separate region.Issues of the formation of the domestic film industry in close connection with the development of the relevant direction of tourism are considered. Regionally defined forms of individual destinations of the domestic film industry, which can be-come a kind of tourist “magnets” for domestic and foreign visitors are systematized.Prospects for the film industry development in Chernihiv region are revealed, the list of well-known films and serials that were shot on the territory of the region in different periods of time is presented. It is shown that these places can become the objects of film tours under the conditions of bringing them into proper state, ensuring a proper advertising company and coordination of logistic schemes of routes. The need to coordinate the interests of government officials, tourism and cine-matographic business and territorial communities, as well as priority tasks to be solved for the intensification of the regional film industry of Ukraine, is stressed

Application of Self-made Rapid Membrane Testing Machine in Detection of Pure Water Permeability of Ultrafiltration Membrane

Ultrafiltration membrane detection plays an important role in many industries due to its superior performance. But Chinese testing film industry development is more chaotic, testing indicators are not uniform. We designed a rapid membrane detection machine to detect the key properties of nanofiltration membrane or ultrafiltration membrane, such as water flux, desalination rate. This paper proposed a rapid detection of the water transmittance of ultrafiltration membrane under different pressure. It is found that the rapid membrane detection integrated machine can quickly detect the membrane related indexes, especially the key performance indexes such as desalination rate and water transmittance, and the detection efficiency can be more than doubled.

Cinema tourism as an innovative direction of tourism development in Ukraine

Cinema tourism as one of the specialized types of cultural and cognitive tourism is an innovative area where meeting cultural needs is the main goal. Cinema tourism can be represented by various qualifications and types of cultural and cognitive tourism (by duration, directions, purpose, way of travel, duration of stay, organizational forms etc.). The characteristics of the forms of cinema tourism with examples have been given. The classification of the destinations of cinema tourism has been indicated. The subject of the study is the film industry development in Ukraine, which directly affects the creation of destinations, that are one of the factors of the film tourism development, in the country. The purpose of the article is to analyze the film tourism development in the world and, in particular, in Ukraine. The main objectives of the study are: to analyze geographic aspects of the film tourism development in Ukraine; to quantify the availability of movies made in the territory of cities and regions of Ukraine as well as destinations, locations that were used in filming; to determine the prospects of the film tourism development in Ukraine. The research methods are: empirical and statistical analysis of actual data; analytical and comparative research method which means study of the current state of film tourism resources for film tourism in Ukraine; complex method which is a full description of the research object; generalizations about the current state of film tourism in Ukraine. The following results have been obtained: it has been determined that film tourism, as one of the specialized types of cultural and educational tourism, is an innovative approach, according to which meeting the cultural needs of tourists is the main goal. The cinema tourism influence on the economic growth of a number of countries has been analyzed, and Ukraine too. In recent years, the high increase in the number of moviegoers offers marketers a cinema product as one of the alternative means of promotion. Sites, studios, hotels, houses and especially places where movies have been or are being filmed become a tourist attraction. Today, the role of the cinema industry and tourism is constantly increasing, which allows many countries to effectively improve their economies and give international tourism strategic importance for stimulating employment. Conclusions: the preconditions for the development of cinema tourism in the world are, first and foremost, natural geographical features, socio-economic, historical and cultural tourist resources, which have become filming objects. Films give the opportunity of full usage of natural resources, that’s why cinema tourism satisfies these needs. Cinema tourism is quite difficult to be organized, because its object can be both a separate telephone booth and the landscape of the whole country. Literary works, which might be called an “ally”, have a significant influence on the development of cinema tourism as well because of a great number of movies based on books. This factor plays an important role in the development and popularization of cinema tourism.

Deconstruction of Audiovisual Works and the Re-Construction of its Translation

Rapid as the development of film industry in our country is, audiovisual translation plays an increasingly important role as a bridge of communication between the Chinese audiences and English films. However, the history of audiovisual translation in China is not as long as that in the West and the domestic researches on audiovisual translation, especially the theoretical researches, are not remarkable. Until today, the systematic theory of audiovisual translation has not been constructed. Therefore, the author intends to make a study on audiovisual translation from the perspective of adaptation theory to find out the five aspects that subtitle translator should focus on and the specific elements which the translator should adapt to.

Механизмы государственной поддержки услуг киноиндустрии в Российской Федерации на основе международного опыта

In the conditions of globalization of the world economy intensive development was gained by the industry of services, in particular, film industry. Film industry is one of the most important sectors of the modern world market of services. At the same time, development of this industry in Russia is accompanied with influence of many negative factors connected with weak competitiveness of domestic movie products. The article presents the possibilities of the state support of the Russian cinema on the basis of the leading foreign countries' experience. A subject of this article is tendencies of state regulation of domestic film industry based on the leading developed countries in this sphere. The article purpose is the analysis and generalization of competitiveness increase problems of cinema in Russia on the basis of implementation of special, unique state support mechanisms. As a result there are revealed many problems of the domestic film industry development, in particular, imperfection of protection mechanisms of intellectual property rights, lack of promotion systems of Russian movies on the foreign markets, differentiation of regions on the development level of the cinema infrastructure. The solution of these problems is limited with weak involvement of foreign investors into development of the film industry, and also poor development of special mechanisms of subsidizing of moviemakers.

A Study on the Influential Factors of College Students’ Satisfaction with Movie-viewing

This paper takes the movies “Mermaid” and “The Man from Macau III” as comparative references and adopts the method of questionnaire survey of college students’ experiences and their satisfaction impact factors of these two films. Through SPSS analysis, it has been discovered that film product’s quality, reference factors and viewing environment have significant impacts on college students’ viewing satisfaction. Among them, the influence of film product’s quality on satisfaction is the most significant one; Satisfaction has a direct positive impact on the intention to recommend. It also has been discovered that the role between college students’ gender factors and the degree of viewing satisfaction is not significant. According to the research results, the marketing strategy implication of the film industry development and the corresponding cultural industry development has been pointed out in the end.

Concerns and constraints of Film-Making in North-East India

The focus of the study is to assess the issues and challenges of filmmaking in North-East India particularly in states of Assam and Manipur. Film-making in the region began amidst variety of odds, be it financial constraints or technological shortcomings. However, against such uninspiring background, artistic ambience and commercial prospect filmmakers in the region ventured to explore the novelty of this medium. This study examines the i) status of filmmaking in Assam and Manipur as they are the largest filmmaking producing states in the region and ii) the reasons why filmmaking has not prospered much as compared to other film producing states in the country. The region has the potentiality of emerging as an important entertainment powerhouse given the adequate resources, infrastructural support and proper outlets for distribution. While there are many deserving filmmakers, talented artists and a great reservoir that could be tapped, the pace of growth and development of film industry in the region is rather slow.

The Rise of Nollywood: Creators, Entrepreneurs, and Pirates

The rise of Nollywood illustrates the revolutionary potential of digital technologies in Africa. Nollywood, or the Nigerian video film industry, reflects technology leapfrogging that is increasingly prominent in Africa today. Such leapfrogging, however, may raise significant issues with respect to legal and other institutions. Film production had largely ceased in Nigeria by the end of the 1980s. Despite this absence, in the early 1990s, Nigeria started on a path that has led it to become the top producer of digital video films in the world. Nigeria is, however, an unlikely locale for the development of a major film industry. In addition to lacking fundamental infrastructures for the development of a film industry, Nigeria has not historically had robust intellectual property enforcement. As a result, Nollywood may be seen as a natural experiment for creativity in the relative absence of intellectual property. This Nollywood natural experiment reflects the actions of varied and at times overlapping roles, including creators, entrepreneurs, and pirates, all of whom have contributed to the growth of Nollywood and Nollywood distribution networks. The viral spread of Nollywood films has thus far been a key element of Nollywood successes. Nollywood films are watched, for example, throughout Africa and in African immigrant communities in Europe and the United States. The Nollywood example suggests the need for more nuanced understanding of the interaction between intellectual property and cultural production and greater recognition of potentially varied ways that intellectual property may influence the shape of cultural production. The unauthorized distribution of Nollywood films is part of wider patterns of increasing unauthorized dissemination of content in the digital era. Such unauthorized distribution has led to pervasive labeling of certain types of copying as piracy. Analyzing the rise of Nollywood can contribute to existing global intellectual property debates and highlight relevant business issues in contemporary contexts of cultural production. Further, consideration of Nollywood’s current growing pains suggests that, as Nollywood continues to grow, industry participants must separate the distinct yet interrelated problems arising from piracy from those emanating from Nollywood’s informality in doing business. This article suggests that in addition to intellectual property enforcement strategies to contain piracy, Nollywood participants must adopt business strategies that monetize piracy by extracting value from wide-reaching Nollywood distribution networks.

A Study of Busan Film Industry Development Feasibility - Relating to the National Balance Development

A Study of Busan Film Industry Development Feasibility - Relating to the National Balance Development