Creative Design Research Articles

Research on Modern Women's Clothing Creative Design Based on Rust Dyeing

Research on Modern Women's Clothing Creative Design Based on Rust Dyeing

The Analysis of Aesthetic Preferences for Cultural and Creative Design Trends Under Artificial Intelligence

The Analysis of Aesthetic Preferences for Cultural and Creative Design Trends Under Artificial Intelligence

A framework for remotely enabled co-design with young people: its development and application with neurodiverse children and their caregivers.

This paper describes an innovative Framework for Remotely Enabled Co-Design with Young people (FREDY), which details an adaptable four-stage process for generating design concepts with children and other key stakeholders in a naturalistic and inclusive way. Recommendations from existing patient engagement and design methodologies were combined to provide research teams with procedures to capture and analyse end-user requirements rapidly. Resulting insights were applied through iterative design cycles to achieve accelerated and user-driven innovation. Applying this framework with neurodiverse children within the context of healthcare, shows how creative design methods can give rise to new opportunities for co-creating across diverse geographies, abilities, and backgrounds as well as strengthen co-designer approval of the co-design process and resulting product. We summarise key learnings and principles for fostering trust and sustaining participation with remote activities, and facilitating stakeholder design input through continuous collaboration, as well as highlight the potential benefits and challenges of utilising FREDY with neurotypical populations.

Research on Huayao Embroidery Cultural and Creative Design Based on Emotional Design

Research on Huayao Embroidery Cultural and Creative Design Based on Emotional Design

Teaching research on non-heritage cultural and creative design based on regional elements

Teaching research on non-heritage cultural and creative design based on regional elements

Creative designs workshop with generative artificial intelligence was held

Creative designs workshop with generative artificial intelligence was held

Case Study on the Application of New Technologies for Construction Waste Management in a Historic Building in Jalisco, Mexico

This article presents a comprehensive examination of a case study conducted at the “Catedral de Santa María de la Asunción” in Jalisco, Mexico. The focus is on innovative strategies for the management of construction waste in historic buildings. In this context, the scope of the research, the purpose of exploring new methodologies, the existing gap in waste management practices, the implications of implementing advanced technologies, and the need to adopt sustainable approaches in the preservation of architectural heritage are discussed. The analysis examines the deterioration and degradation of construction materials, emphasizing the significance of advanced methodologies in waste management to mitigate these effects. A comprehensive two‐ and three‐dimensional study has been carried out using Revit, a state‐of‐the‐art technology, to improve precision and accuracy in quantifying waste. The intervention parameters are quantified and classified according to the codification of the European Waste List (LER), thus facilitating the implementation of efficient waste management practices and closing the identified gap in current practices. Subsequently, the sorted materials are integrated into the toolkit, which allows for the assessment of pollution levels and the assessment of the feasibility of reusing construction and demolition waste (CDW). This toolkit offers practical solutions for sustainable waste management. The recovery process, which encompasses recycling, recycling, or landfilling, ensures a nuanced and sustainable approach to CDW management within the study area. This approach has positive implications for the conservation of historical heritage and the reduction of environmental impact. The necessity for the design and implementation of innovative sustainable construction strategies becomes evident, and each project benefits from the use of advanced design and modeling software, such as Revit and its toolkit. These indispensable tools facilitate effective sorting based on LER coding, thereby streamlining waste management practices and helping to bridge the gap between current practices and sustainable best practices. Furthermore, the study concludes that materials from demolished architectural heritage can be reused in the creative design of new sustainable buildings, underscoring the importance of adopting integrated approaches to heritage conservation and sustainable urban development. This is consistent with contemporary ethical frameworks that emphasize conservation and sustainability, advocating for the reduction of resource consumption and demolition waste. This approach effectively balances the production of materials, consumption during construction and restoration, and the utilization of essential natural resources for both historic and new buildings, driving a positive transformation in the construction industry toward environmental sustainability and cultural heritage conservation.

Artistic Aesthetics and Ideological Integration in Landscape Gardening: Cultivating Creative Design and Aesthetic Literacy

Artistic Aesthetics and Ideological Integration in Landscape Gardening: Cultivating Creative Design and Aesthetic Literacy

Research on Campus Cultural and Creative Design Based on Narrative Situational Context

Research on Campus Cultural and Creative Design Based on Narrative Situational Context

Research on AIGC-driven Innovation Path and Smart Creative Workflow Optimization in Design Field

Abstract AIGC has attracted much attention in the application of art and design professional fields and has gradually become an important auxiliary tool for art and design professionals creation. This paper utilizes AIGC as a starting point for design creativity and develops a text-guided image generation model based on AIGC, which employs a semantically consistent generative adversarial network. We compare different model indexes across different datasets to evaluate the image generation effect of the constructed model. Subsequently, we summarize and optimize the intelligent, creative workflow. Based on this workflow and the image generation model, we generate a series of images as an example of a cosmetic package. We then analyze the audience’s acceptance of these intelligently generated images through a questionnaire survey, thereby exploring the impact of AIGC-driven design and innovation. The GAN-SC model outperforms the comparison algorithms in various datasets, achieving an IS value higher than AttnGAN and DFGAN by 17.7% and 2.7%, respectively, and reducing the FID metrics by 29.43% and 19.6%, respectively. The acceptance rate of the AIGC-based design solution surpasses that of the traditional solution by 4.9%, and it excels across all design dimensions, showcasing the effectiveness of AIGC-driven design innovation.

Application of augmented reality technology in visual design of cultural product packaging

Abstract Integrating intelligent terminal devices into product packaging to amplify brand influence represents a significant trend in contemporary packaging design research. This study introduces an augmented reality (AR) cultural product packaging design model predicated on the principles of AR packaging visual information interactivity and content interaction. This model facilitates a precise comprehension of shifts in user preferences for cultural product packaging. It primarily employs computer vision technology for AR tracking and registration, ensuring accurate overlay of virtual objects onto real-world spaces. Within the scope of this model, user experience metrics—ease of use, interactivity, and satisfaction—were quantitatively assessed, yielding scores of 14.523, 13.49, and 13.918, respectively, with variance values spanning from 0.031 to 0.1418. Notably, users rated the packaging design creativity of cultural product A, which utilizes this model, highest at 6.66. This demonstrates that the AR cultural product packaging design model delivers a stable and impactful user experience. Consequently, this research provides a robust and productive framework for advancing intelligent and interactive product packaging designs.

Socio-cognitive Impact of Artifact Replacement

What happens when an artifact gets replaced by another artifact in a practice? In what respects, this artifact replacement impacts users, tasks and practice? This paper discusses socio-cognitive impact of artifact replacement in Indian native craft practice, Amritsar carpet-weaving which used a code-based design representation (talim) till few decades ago which it inherited from its historical cousin Kashmiri carpet-weaving. However, this DR got replaced with a graph-based DR called naksha around India's partition in 1947. The cognitive impact of this replaced artifact on users in information retrieval, team communication and coordination, and social impact in terms of design creativity of industry is reported. The paper emphasizes including historical analysis of artifact-evolution over time and their impact on user-interaction while analysing artifacts so that one may go beyond giving static snapshots of their current profiles and associations.

Editorial II. Design education in China

China’s design education stems from education in craft and fine art. The beginning of China’s design education can be associated with artist Li Ruiqing, who was a scholar of the Imperial Academy. During the late Qing Dynasty, in 1906, he established the subject of ‘Crafts and Pictures’ at the Nanjing Educator School, which is now Southeast University. During the next 100 years, China’s design education passed through four stages: a focus on patterns and crafts, crafts and ornament, ornament and design, and creative design. The Japanese model of design, which is reflected in the first three stages and can be traced back to the Bauhaus design education system, had as its purpose ‘to educate the Craftsman-Artist’ (Chapkova & Zhang, 2019; Bredendieck, 1962, p. 15). Therefore, art and ornament have long been considered important parts of design, and the history of China’s design education represents the development history of fine art institutes to a certain degree (Wu, 2001).

Peran Desain dalam Pertunjukan Tumirah (Sang Mucikari) di Prodi Pendidikan Sendratasik Universitas Palangka Raya

The role of design, as a visual art that most people think there is a dividing line between the art of motion and sound, will certainly be a new picture in understanding the interrelated relationship in the success of a performance. This is the background related to the research on the role of good design in a performance focused on the "Tumirah (Sang Mucikari)" performance performed at the University of Palangka Raya's Drama, Dance, and Music Education Study Program, with the aim of describing and analyzing the problems of the form and the creativity of the stage and the property used. The theory of two-dimensional and three-dimensional designs underlies the role of design in performance. The method used in this research is interpretative qualitative with case study studies. The results show that the role of design in the form of line, field, color, and space elements is inseparable from a performance. Design creativity that reduces some of its elements into imaginary elements and visualizes elements whose representation weight is high is a determining factor in explaining to the audience to be carried away in the atmosphere told in the performance story.

쉬저우(徐州) 지엔즈(剪紙) 문양(紋樣)의 문화 창작물 제품 디자인 적용에 관한 연구

In the context of integration of culture and tourism, the effective application of folk art in cultural creative products is of great significance to the development of local cultural industry. Xuzhou paper-cutting is the only world-class intangible cultural heritage project in the northern Jiangsu region of China. Its high humanistic value and artistic characteristics are widely used in modern art design. The application of cultural and creative products relative to paper-cutting in Xuzhou mainly focuses on two-dimensional decorative and ornamental products, which is short of diversity in form and not practical. In addition, it doesn’t meet the aesthetic needs of living of modern people. This article studies paper-cut works by Wang Guiying and proposes principles for the design of cultural and creative products relative to paper-cutting by analyzing the typical “goose” pattern in Wang’s paper cutting handcrafts. By exploring the application value of Xuzhou paper-cutting in cultural and creative product design and demonstrating the feasibility of the design principles via visiting experts, this article hopes to provide some reference for the modern inheritance and innovative development of paper-cutting culture.

창의성과 윤리성을 표상하는 패션 텍스타일 디자인의 현대적 창작원리 연구

This study aims to examine principles of artistic creation through Aristotelian poetics and to derive the creative principles of modern design through a discussion of creative and ethical design activities contemporary fashion-textile designers and students must engage in. The activities have the same potential as poetics’ aim of providing the public with ‘spectacles’ and arousing their feelings. Analyzing contemporary fashion design processes and poetics led to the following results: research on imitation, reproduction, appropriation, and borrowing, which happen in digital space, should be utilized considering the appropriate market level. For a creative collection, researching and investing in traditional and innovative technologies is necessary. A designer must research expressive techniques by borrowing and appropriating the descriptive principles of art to derive ideas that go beyond universally recognized and static structural forms. While these design techniques aid a designer, it’s important to creatively experiment within the design process to avoid compromises that weaken a designer’s innovative ideas and original identity. This study suggests that in order to obtain good design results in the closely interconnected fashion and textile world, it is necessary to trust the creator's design thinking and expression and have the patience to constantly experiment, which is a way to represent creativity and ethics.

Audience-oriented Aesthetic and Creative Research on Animated Films Based on Visual Communication Design

Abstract Animation movie conveys the connotation of animation to the audience through visual symbols, and the audience-oriented animation movie improves the aesthetic ability and diversifies the creative design. This paper starts with the analysis of visual communication design technology in animated films, analyzes the principle of visual communication design of animated images, and realizes the production of animated films by using multi-visual 3D animation modeling and texture rendering technology. The Sobel edge operator is introduced to optimize the image edge data of animated movies, so as to improve the image quality of animated movies. The development trend of visual communication design is discussed, and the aesthetic characteristics of visual communication design for animated films and the mutual influence between them are analyzed. In order to explore the aesthetic expression and creative design methods of animated films, quantitative analysis of data was conducted using current animated film works. The results show that the bit code rate in the full intra-frame coding mode of optimized production of animated images using visual communication technology is −1.87%, the highest quality factor is around 0.95, and the variation of smoothness is kept between 80% and 90%. Audience-oriented visual communication design of animated films should be based on the utility of information conveyance and rhythmic rhyme design and prompt the creative design of animated films through association, whimsy, metaphor, style and other ways.

Применение аддитивных технологий в процессе обучения инженерной графике

The article discusses the prospect of using additive technologies in the process of teaching engineering graphics. An overview of 3D printers, new opportunities in the educational process, as well as new professions related to 3D printing is given. The experience of conducting drawing lessons with the active use of 3D technologies in the educational process at school is described. According to this experience, the hypothesis is confirmed that additive technologies increase interest in the discipline, improve academic performance and understanding of the subject, develop creative abilities and design thinking.

Development of a costume with decor elements ornaized with ethno prints

The article discusses the process of artistic and compositional creation of a print and the method of its printing in order to obtain material in the national color. The work discusses the features of the Kazakh national ornament and the possibility of using stylized elements in modern costume design. The practical significance of the work is that original design concepts for ornamented prints are created based on the application of scientific methods of costume design with the possibility of expanding the wardrobe. The presented decorative items – «basque» in ethnic style are a stylish element of the costume, distinguished by their coloristic design and creative design solution.

Peningkatan kualitas pengusaha ultra mikro melalui pelatihan Canva di Kabupaten Ngawi

Design creativity plays a vital role in the success of ultra-micro businesses. One of them is success in creating a design that suits the business and attracts buyers' interest. One example of a tool for creating designs is using the Canva application. The problem encountered by ultra-micro entrepreneurs in the Ngawi area is that they need to gain skills to provide product information for their business. Therefore, training and assistance are needed to use the Canva application to develop their business. The objectives of this service activity are: (1) increasing the graphic design skills of ultra-micro business actors in the success of their business and (2) increasing consumer interest with the availability of business identities through attractive designs. The methods used in carrying out this activity are initial observation, delivery of material, and practical implementation of Canva. The result of this activity was the implementation of training on using the Canva application with 10 participants who could take part in the training until the end of the event. The participants learned about using the Canva application to improve the quality of ultramicro entrepreneurs and the design skills of business actors.