REVIEWS III As the most exhaustive English-language study of Pasternak and Tsvetaeva's relationship, The Same Solitude is an important work, particularly because of the analysis of the poets' correspondence after 1926 that has only recently been published. Ciepiela demonstrates that the 1926 riftwas not final and that the poets influenced each other well into the 1930s, despite the increasing differences in their creative trajectories. What may be uncom fortable for some isCiepiela's strictadherence to her psychoanalytic stance. Theses such as 'Rilke was uniquely, even perfectly suited to play the poet-mother for Tsvetaeva' (p. 190) or 'Tsvetaeva's ambivalent embrace of maternity leaves her, finally,unable to imagine herself as a poet but only as a woman without a lifeline' (p. 240)might be perceived as reductive. Yet even for those who do not share Ciepiela's methodological position, her investi gations of the poets' linguistic and formal parallels will be stimulating ? they are reminiscent of her earlier, more formalist approach to Tsvetaeva in particular. Newnham College U. B. C. Stock UniversityofCambridge Icin, Kornelija and Neskovic, Ratko (eds). Kharms-Avangard.Filiologicheskii fakul'tet Belgradskogo Universiteta, Belgrade, 2006. 503 pp. Notes. Illustrations. Price unknown. A subtitle (not featuring here on its title page, but on the final page) announces this sizeable volume as 'Materialy mezhdunarodnoi nauchnoi konferentsii "Daniil Kharms: avangard v deistvii iv otmiranii. K 100-letiiu so dnia rozhdeniia poeta'" (p. 503). The conference took place in Belgrade in December 2005 and the proceedings, at least as printed here (in a print-run of just 400 copies), amount to forty-fiveessays, including an 'Epilogue' (on 'Prayer', as 'the hero's final act in the work of Kharms') by the principal editor, togetherwith Milovoje Jovanovic, followed by a 'PS'. This final item (entitled 'bela krila', by Vladimir Medenica) appears in Serbian. The rest of thebook ispublished inRussian, with the exception of two articles inEnglish: 'kharms effect: progression through demise', by Branislav Jakovljevic; and 'harms and gogol, or the reality of the absurd', by Tanja Popovic. (Aswill already be apparent, this volume eschews the use of capitals in the titles of essays, and [for that matter too] in the names of its contributors, who [unlisted as such] appear to be identified by workplace city, rather than institution;neither does it include a listof illustrations.) The contributors range from Mikhail Meilakh, who must be counted as the earliest (and, as iswell illustrated here, perhaps themost vital) scholar of Kharms, to the editor and another translator of the recent OBERIU: An AnthologyofRussian Absurdism (Evanston, IL, 2006), Evgenii Ostashevskii and Matvei Iankelevich. Other established Kharmsians represented in the collec tion include Dmitrii Tokarev and Aleksandr Kobrinskii. Contributors are drawn from France, Holland, Italy, Switzerland, Poland, Croatia, Israel and Japan, as well as Russia, the USA and, of course, Serbia. 112 SEER, 87, I, JANUARY 200g As might be expected, attention ispaid to the full range of theKharmsian oeuvre:prose stories (mini- and longer), poetry, dramatic works, children's writing, lettersand notebooks. Kharms isdiscussed in relation to such themes (inaddition to the absurd) as: anarchism, arithmetic, art (Duchamp, Malevich, Zal'tsman and others), the body (male and female), dandyism, Detgiz, food, the 'image', the ludic,music, political satire, pseudonyms, religion, rhythmics, semantics and (modes of) transport.Among the figures discussed in compari son with, or in relation to, Kharms, we find: Gogol', Kafka, Meyrink, Sukhovo-Kobylin and Lev Tolstoi ? as well as the obvious OBERIU adher ents and a number of more extraneous minor personalities or groupings (such as 'Nepokoi') of the late avant-garde period in Soviet Russian culture. Keener readers will not fail to notice the underlying (or indeed at times surface) current of dispute persisting within the ranks of oberiutovedenie. There is, perhaps inevitably, a considerable degree of both overlap and unevenness within the contributions taken as a whole, and the volume may be said to incorporate certain editorial infelicitiesand peculiarities. Neverthe less, this ample collection certainly does include a number of valuable and interesting items and it is likely to represent a significant landmark in the now burgeoning field ofOBERIU scholarship. School of Modern Languages ? Russian Neil Cornwell Universityof Bristol Karcz, Andrzej. The Polish Formalist School andRussian Formalism.University...
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