ABSTRACT Zahra Husayni’s war memoir Da (2008) is widely recognized as one of the most successful productions of Hawzah-yi Hunari’s Holy Defence oral history project. Focusing on this work and by using a combination of paratextual analysis and close reading, the present article explores the dynamics of meaning-making as a contested phenomenon within the propagandist messaging of the Islamic Republic of Iran. The analysis hinges on the fact that despite the official promotion of this memoir as a tribute to the mothers of martyrs of the Iran-Iraq War, the narratives of these mothers are surprisingly marginalized within the text. Approaching the Holy Defence discourse as a Lyotardian grand narrative, this article raises the question whether in light of this discrepancy, a counter-discursive reading of Da is possible. Exploring this question provides insight into the construction and propagation of meaning in the Holy Defence war memoirs industry in Iran.