Making History, Making Worlds Robin D. G. Kelley (bio) In a way, the obsessions that drove me into and then rapidly away from drama were those most beautifully summarized in a few thoughts of Marx: by mixing our labor with the earth, we change the external world and thereby change our own nature. That's what drama is; that's what geography is: making history, making worlds. —Ruth Wilson Gilmore, "What Is to Be Done" (2022) Ruth Wilson Gilmore's Abolition Geography: Essays towards Liberation contains many definitions of abolition, all of which are incisive, insightful, profound, and equally valuable. They represent an accretion of ideas produced from a lifetime of intellectual work and organized struggle, flashes of which appear in three decades of collected writing. In an interview for the Intercept not included in the book but quoted in the introduction by its editors, Brenna Bhandar and Alberto Toscano, Gilmore insists, "Abolition has to be 'green.' It has to take seriously the problem of environmental harm, environmental racism, and environmental degradation. To be 'green' it has to be 'red.' It has to figure out ways to generalize the resources needed for well-being for the most vulnerable people in our community, which then will extend to all people. And to do that, to be "green" and "red," it has to be international."1 A month after the Intercept published this interview, Gilmore further elaborated on the meaning of abolition in an email to me: "I think really hard about defining abolition. To me, it's an elaboration (not novel but distinctive) of small-c communism, without a party though I wish we had party discipline. … I'm a Leninist in the sense that I do believe we can prevail with a combination of "the Soviets plus electricity." What is that 100 years on? For one thing, its groupings wherever they struggle fighting to redistribute material and symbolic resources." In other words, abolition begins and ends with "groupings" of people struggling to end the stranglehold of racial capitalism on the earth and all of its life forms, and build a sustainable, equitable, and ethical world for all. Building is the keyword. Abolition is less an act of demolition than a construction project. It is creative creation, the boundless and boundary-less struggle to make our collective lives better, what she calls "life in rehearsal." As she told Clement Petitjean in an interview: "Abolition is: figuring out how to work with people [End Page 383] to make something rather than figuring out how to erase something … Abolition is a theory of change, it's a theory of social life. It's about making things."3 To illustrate her point, she turns to W. E. B. Du Bois's classic Black Reconstruction in America (1935), which not only showed "how slavery ended through the actions and organized activity of the slaves" but that the legal abolition of slavery "doesn't tell you anything about the next day, what the next day, and days thereafter, looked like during the revolutionary period of radical Reconstruction." In other words, freedom was not an event, nor was it "given." It had to be made. Her invocation of Black Reconstruction was very deliberate. It is the story of groupings of people once regarded as chattel "making history, making worlds," transforming property relations, organizing to redistribute material and symbolic resources, and changing themselves in the process. Drama, indeed. Du Bois called it "the most magnificent drama in the last thousand years of human history. … the finest effort to achieve democracy for the working millions which this world had ever seen."4 He defined their vision and practice of freedom as "abolition democracy," the determined struggle to destroy all vestiges of slavery and rebuild the country into the democracy it never was. Their vision derived not from Marx or Engels but from the Old Testament idea of Jubilee. Its principles are expressed in Leviticus chapter 25 and Isaiah 61, which calls for the cancellation of debts, restitution of land, freeing of all slaves, which entails "to proclaim liberty to the captives and release to those in prison." Jubilee marked a new beginning, a clearing intended for building the new...
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