Based on the reading of Kalyani Thakur Charal’s notable autobiographical narrative Ami Keno Charal Likhi (Why I Sign as Charal,2016) and novella Andhar Bil (2016), this paper intends to analyze the experiences of second-generation Bengali Dalit women refugees in case of the post-Partition West Bengal. The present paper examines the tropes of nostalgia, partition, and rehabilitation as experiences of Bengali Dalit women characters in the post-Partition West Bengal, the notions of migration, remembrance, oppression, and injustice. Through a detailed analysis of both the narratives, this research article intends to explore how the intersectional dynamism of caste, and gender have impacted the experiences of Bengali Dalit women strata substantially. In majoritarian aspects Bengali Dalit women characters have been reduced to mute objects, stripped of their agency, subjecthood, and desires, from which these two narratives shift substantially.
 In case of the post-Partition scenario of West Bengal, the experiences of refugees from the different sections of the society are not a homogenized one. Kalyani Thakur’s narratives offer some valuable points for thinking about the differentiated experiences of migration, displacement, deprivation, and caste discrimination faced by Bengali Dalit women characters. Through her autobiographical narrative and the novella Andhar Bil, Kalyani Thakur also tries to portray how the intersectional dynamism of caste and gender has problematized the overall experiences of the Bengali Dalit populace in the post-Partition West Bengal. The researcher wants to argue that ideas like caste and gender both act as a site of oppression, which the grand narrative of the Bengal partition is primarily unable to capture. To develop this paper, the researcher consults literary, historical, and sociological facets of the Bengal Partition of 1947, Dalit identity, migration, and its effects on the Bengali Dalit population.