Cultural Creative Industries Research Articles

Research on Cross Border Integration and Collaborative Development of Cultural and Creative Industries

By using the methods of theory research and case analysis, discusses the necessity of cultural and creative industries of cross-border integration, analysis of cross border industry types of cultural and creative industries in China, probes into the process of cultural and creative industry integration, and puts forward the paths and countermeasures for the coordinated development of cultural and creative industries. The article thinks, accelerating the cultural creative industry and manufacturing, tourism, service industry, information industry, clothing design industry types of cross-border integration and coordinated development, can promote the sustainable development of cultural and creative industries, but also conducive to the optimization and upgrading of industrial structure, to the national economic development has great value and significance

Development Problems and Countermeasures of Jingdezhen Ceramic Culture Creative Industry

The development of ceramic culture creative industry in jingdezhen has the following difficulties: the number of enterprises, small scale and lack of tap; Lack of demand for creative products of ceramic culture; The concept of developing creative culture industry and the imbalance of talent structure; Lack of protection of intellectual property rights of creative products of ceramic culture; The local government has the institutional obstacles and the lack of effective resource allocation mechanism. Jingde town development ceramic culture creative industry significance. Firstly, it is beneficial to the upgrading of ceramic industry structure in jingdezhen. The second is to accelerate the construction of ceramic industry base; The third is to enhance the image of the city of jingdezhen. For promoting the development of jingdezhen ceramic creative cultural industry, must be based on the law of jingdezhen ceramics own unique creative cultural industry development, promoting the development of the creative cultural industry rapid policy. To create a loose environment for its development, attract all social resources to the ceramic creative cultural industry agglomeration.

Research on Value Chain Composition and Effect of Jingdezhen Ceramic Culture Creative Industry

Jingdezhen ceramic culture creative industry chain is based on the ceramic culture creative projects which must be creative core, the relationship and not under the various demand of the market to the correlation industry of industry radiation and combination, and to provide a variety of products and services of the chain structure, its structure is divided into content creation, transformation, market marketing, information feedback, wholeness, high value-added, high risk and cyclical, with cluster and the chain effect.

Research on Development Mode of Ceramic Culture Creative Industry in Jingdezhen

Jingdezhen ceramic culture creative industry has high visibility and profound ceramic culture development advantages, jingdezhen ceramic culture creative industry should be innovative mode of industrial development, through the implementation of the new model, in order to strengthen the management of government ceramic culture creative industry agglomeration, perfect the industry chain, to increase the depth of the ceramic culture mining, expand the scale of industry, developing leading backbone enterprises, optimize the industrial structure, the government's macroeconomic policies to guide the benign development of the industry, to mobilize the social cognitive ability and the respect of ceramic culture creative industry awareness, reshape the jingdezhen ceramic creative and international brand image. By domestic experts and scholars on the study of the theory of the jingdezhen ceramic culture creative industry, the ecological circumstance of jingdezhen industry development present situation as well as industry, jingdezhen ceramic creative industry should choose "government guide, market as the guidance, the enterprise as the main body" the trinity "special resource intensive" development pattern.

中外动漫形象商品化权法律保护的比较

动漫产业作为新兴文化创意产业，其快速发展带来了可观的经济效益，但在司法实践中侵犯动漫作品中人物形象的案件也频频发生。虽然我国在知识产权法律体系中有法律条文能够对此进行相应保护，但由于我国现行法律中没有商品化权的概念，因此现有保护体系并不完善。通过对比中外有关于动漫形象商品化权的研究，在民法典编纂之际，对完善我国动漫形象商品化权的法律保护提出若干建议，期望我国的动漫产业能够得到进一步的发展。 Animation industry as a new cultural creative industry, its rapid development has brought considerable economic benefits, but the infringements of cartoon characters in the case also occur frequently in judicial practice. Although China has made some corresponding protections in the intellectual property legal system, this protection system is not perfect because of the absence of the concept of merchandising right in our current laws. By the comparison of the Chinese and foreign studies on the merchandising rights of cartoon image, on the occasion of the codification of civil law, this paper puts forward suggestions on perfecting the legal protection of merchandising rights ,hoping the development of China's animation industry can be better.

Translation as artistic communication in the aesthetics of migration: From nonfiction to the visual arts

AbstractIn an increasingly globalized and digitalized world, where the advancement of technologies and media constructions oversimplify and manipulate public beliefs and shared knowledge, the artistic sector seems to provide new networks of solidarity, collaboration and interaction that challenge a world dominated by conflicts and cultural shocks. Against this backdrop, acts of translation within the arts bear witness to humanity and become the ultimate ground for subjective expression and fundamental reflections upon individualist attitudes against migration issues. By putting emphasis on the role of translation in its political transfer of migration into the arts, this investigation draws attention to a recent corpus of works of art that testifies to the modalities by means of which the creative cultural industries are contributing to giving voice to migration not just as transruption and memory, but as an inclusive form of movement and communication. In Notes on the Exodus by Richard Flanagan, with illustrations by Ben Quilty (2016), and in the arts installations Call Me By My Name and All I Left Behind. All I Will Discover (London, 2017), translation intervenes as an instrument of cross-cultural collaboration and solidarity, resistance and dissent, and also demonstrates to what extent stories of migration can interact within art forms and be performed as acts of translation involving processes of (re)narration and (re)framing of identities.

The “Localization Model” of the Integration of Sichuan Cultural Creativity with Design Services and Related Industries

As a new industry, cultural and creative industries show a strong vitality and huge space for development in practice. Sichuan is a cultural province but not a giant cultural province. How could Sichuan go out of the cultural field of localization development model under the background of the "transition period" in Sichuan Province? How could it play the cultural creativity and design services to the leading role of related industries, making it become the driving force of economic transformation in Sichuan Province? Both of the questions above are the important issues that need to be explored and solved in a new stage that Sichuan development goes into. The development of cultural and creative industries in the leading position has accumulated a wealth of development experience, and this paper attempts to sort out the experience of developed countries through the cultural creativity and design services and industry integration development, with making researches and learning from targets in order to explore the integration and development of Sichuan's localization of the path to promote industrial development.

Analysis on the Roles of the Chinese Government in the Cultural Creative Industry Based on Public Expenditure Policies

The Report at the 18th CPC National Congress explicitly incorporated “cultural soft power” into the important goal of complete the building of a moderately prosperous society in all respects, and one of the important ways to improve “cultural soft power” is to accelerate the development of the culture industry. In recent years, the cultural creative industry has won increasing attention from the Chinese Government by virtue of its specific advantages of promoting economic growth, increasing employment and so on, and becomes an emerging key-developing industry. The paper, mainly based the ten steps of public expenditure projects in the expenditure policy theory, analyzes the current roles of and influences from the Chinese Government on the cultural creative industry, explores the main functions and positioning of governments in the field, and then puts forward corresponding policy suggestions for helping local governments in China better plan and develop their local cultural creative industry.

Industrial transformation in Chinese animation cinema (1995–2015)

Abstract This article focuses on Chinese cinema animation works between 1995 and 2015 in terms of industrial transformation, thus providing an up-to-date view of cinema animation as an important subsector of Chinese cultural creative industries. The findings of this study can be divided into three parts. First, Chinese cinema animation shows a child-oriented trend over the last two decades. That is to say, Chinese animators always, consciously or unconsciously, find opportunities to cater to children’s pleasure while ignoring the entertainment appeal for other age groups. Second, the serialized and broad-based cinema animations, which have the possible advantage of the audience’s pre-existing familiarity with the characters and stories, can be regarded as an important link of animation value chain. Meanwhile, the above works have exerted mixed effects on its parent brand. Finally, the majority of completely original animated films in China have fallen into a paradox between sound reputation and poor box office performance.

Perancangan model bisnis cinderamata sebagai implementasi social entrepreneurship

Strategic location, near by national economic center, exposes Banten with positive vibe for its economic growth. Nevertheless, according to existing data, on the 3rd quarter in 2015, tourism sector only reached 2,6% of market share. Thus, it hasn’t been existed as featured sectors. It appears due to several reasons, one of them is supporting component for this cultural creative industry that still under-developed. One of the local creative industries that has purpose to promote the uniqueness value of Banten culture through local souvenirs is Ora Bae (OB). This business is built based on social entrepreneurship. OB was established in 2013. However, the designated business model, apparently do not consistent with the income. Referring to above problem, therefore this research is conducted to identify and evaluate the existing business model as well as to design appropriate one. This research is carried out by implementing direct observation in Ora Bae Souvenir Shop and several Small and Middle Enterprises (SMEs) under it. The interview is performed by using SWOT concept that integrated with Business Model Canvas (BMC). Later, the results of observation and interview are used as the current business model formula that will be employed for SWOT analysis. Its results will be applied as basic for determining the business model alternative. Blue Ocean Strategy is employed to eliminate elements of business model that are insignificant and to create innovation in the latest business model. The improvement conceptsare conducted by enhancing the numberscostume’s designersto anticipate new customers’ segmentation, neglecting low price components on offered price proposition, improving the products’ distribution channel on places that potentially could maximize the available channelsby participating in Banten events as advertising service. The improvements are also supported by resources in IT Support. In maintaining the relationship with customers, it is required additional services such as personal assistance and customer care. The innovation of this recent business model is expected to be the alternative for solution on problems that encountered by Ora Bae brand.

Study on Tourism Marketing of Jilin Province Museum

Reputed as the “Spring City in the North”, Jilin province is located in the center of the northeast of Asia, with the unique historical background of which enables the province to possess advantages to develop cultural creative industry. Museum is a window and symbol embodying the level of civilization of a city, a region and a nation. Museum constitutes an important part of Jilin Province’s public cultural system and is the foundation in developing Jilin Province’s cultural creative industry. In this article, the museum tourism marketing strategy from three aspects to be carried out by museums in enhancing service consciousness, strengthening marketing efforts and developing tourism products was elaborated.

The Cloud Design System Building Research of Tourist Souvenirs

With the development of the society and the improving of people living standards, tourism industry becomes a sunrise industry. However, it is not conducive to the healthy development of the tourist industry that simply rely on ticket sales and government support way. From the angle of protecting Chinese traditional culture and improving the level of museum tourism development, converting the way and the idea of museum management, we put forward the concept of tourist souvenirs cloud design system. Tourist souvenirs cloud design system based on the digital museum, full use digital resources to build design repository, full use of the advanced technology, such as cloud computing, internet of things and cloud manufacturing, provide sustainable and systematic technical support of tourist souvenirs development. In this paper, we form the architecture design of the tourist souvenirs cloud design system, at the same time we verify the feasibility of cloud design system through the application of actual case. Tourist souvenirs cloud design system is not only conducive to the sustainable and healthy development of the tourist industry, but also is of great significance for the healthy development of cultural creative industry.

Analysis on the International Competitiveness of Beijing’s Cultural Creative Industries

This paper analyzes the competitiveness of Beijing’s cultural creative industries, investigates the overall competitiveness of Beijing’s cultural creative industries in the international market share, and reveals the comparative advantage and industrial competitiveness of Beijing’s cultural creative industries in cultural creative products and cultural creative services. This study comprehensively evaluates the competitiveness of Beijing’s cultural creative industries.

The Creative Cultural Industry: the Production of Concepts in the Process of Commodification of Culture and its Impact

This article seeks to assess the underlying factors behind the hype around the creative economy. On the one hand, this article tries to retrace the processes which could have caused the rise of interest and, on the other, analyse the concepts that were generated to explain the processes within cultural and creative industries. This study analyses the power relations underlying the use of both concepts. Thus, this paper aims to understand the economic and social impact of the industrial production and diffusion of symbolic products in our current world, and, more specifically, the opportunities and challenges that this scenario presents to countries, mostly peripheral ones, that seek to develop their economic strategies in the field of cultural and creative industries.

A Study of the Influencing Factors of the Export Trade of Beijing’s Cultural Creativity Industry

Based on existing research results and the gravity model, the present paper constructs a gravity model of the export trade of Beijing’s cultural creative products and services. This paper also analyzes the main influencing factors of the export trade of Beijing’s cultural creativity using the gravity model.

CULTURAL CREATIVE AR GAME AND SIDE EFFECTS EVALUATION

In cultural creative industry, mobile games are one of the most increasing markets. Pokemon Go, as an Augmented reality (AR) in mobile games, may lead to both video game and physical activity, but it also inevitably triggers a certain degree of side effects. Unfortunately, there is little objective, scientific research focused on evaluating the risks of side effects that result from information exchange among mobile devices. In this study, the Grey Relational Analysis (GRA) is employed to identify and evaluate the risks of Pokemon Go. This research finds “Walking or car accident”, “Disturbing sacred location”, and “Trespassing” are the top three side effects. Cultural creative game is a new inevitable business trend, it is an unavoidable responsibility to our society to govern and constitute a legal environment for those AR game players.

Spatial conversion design characteristics of the cultural creative industry cluster study - Focus on Shanghai area

Spatial conversion design characteristics of the cultural creative industry cluster study - Focus on Shanghai area

Knowledge bases and regional development: collaborations between higher education and cultural creative industries

This paper builds on the assumption that cooperation between higher education institutions (HEIs) and creative and cultural industries (CCIs) stimulates innovation and economic growth at the regional level. It further assumes that HEIs and CCIs hold different perspectives on their intention to cooperate with external actors and, thus, there is a need for joint arenas to develop and integrate knowledge and practices among stakeholders across academia and industry. With this rationale in mind, the paper’s main objective is to discuss how universities’ roles in the establishment and development of locally embedded CCIs change or evolve over time. Taking a process economics perspective and building on a case study from the South of Norway, two questions are addressed: (1) What are the barriers – structural and cognitive-cultural – hindering cooperation between HEIs and CCIs in Southern Norway? and (2) How can long-term win-win cooperative arrangements between HEIs and CCIs be enhanced? Different knowledge bases, combined with lack of knowledge and understanding of the other sector’s expertise or knowledge content, and thus the lack of common language, were found to be the biggest barriers that must be overcome to stimulate strategic cooperation between HEIs and CCIs in Southern Norway. The findings support the need for a diverse and flexible policy where target initiatives are adjusted to CCIs’ needs and academic departments’ fields of knowledge to decrease barriers to cooperation, with the ultimate aim of moving from a situation of ‘lock-in’ towards the creation of new innovative and valuable relationships.

Who Owns “Place of People” Cinema? Glocalizing “Taiwan New Cinema” in the Neoliberal Era

The relationship between cultural–creative industries and globalization has been a significant concern of geographers for more than a decade. Geographers have argued that cultural–creative industries have become urban-based initiatives which reinforce social stratification and social inequalities. Analyzing Taiwan’s film industry, this article integrates the framework of the New International Division of Cultural Labor with the urban theory of David Harvey and Henri Lefebvre. The main research question examines how the famed Taiwan New Cinema was subsumed into the overarching structure of the New International Division of Cultural Labor in the neoliberal era. Meanwhile, through a case study of “Place of People” cinema in Taipei, this article examines the Taiwan state-led “Cultural and Creative Industry Development Plan” and its aftermath. This study argues that although public–private partnerships do in fact comprise Taipei’s urban entrepreneurial strategy governing Place of People cinema, they contribute to possibilities for the development of an alternative space for social and cultural transformation.

Creative Cities and Human Well-being: A Perspective of Economic Philosophy

The theoretical tradition that concerns innovation and economy changes, which was originated from the classical economists and was carried forward by Schumpeter, is increasingly manifesting its strong vitality. The focus of innovation research also shifts from innovation itself to innovation agents and its economic, institutional and cultural environments, namely innovation system. Specifically speaking at meso-level of cities, creative city is not only concerned with the development of cultural creative industries and the solicitation of creative class, but also embodies the possibility of upgrading human well-being via the citizen-city-citizen accumulation cycle by cities as organisms that breed innovation. From the perspective of economic philosophy, the possibility lies in two paths at least: the first path is the further liberation of productivity, through going beyond instrumental reason step by step by creative thinking at culture level; the second path is the recurrence of human being through gradually replacing alienated labor by creative labor at institutional level.