AbstractThis study seeks to examine water as a liminal symbol that reflects and symbolizes the liminal identities of adolescents and young adults in two selected plays for young adults: Feeding the Moonfish (2011) by Barbara Wiechmann and Our Place (2015) by Terry Gabbard. Feeding the Moonfish deals with the young adults Martin and Eden who suffer from traumatic experiences. They go to the dock by the lake to rediscover themselves, and, eventually, heal by the water. In a similar setting, Our Place comprises five stories that revolve around adolescents and young adults’ feelings of loss, fragmentation, frustration, love, and death. In both plays, the characters go through the three stages of liminality defined by Arnold van Gennep: the pre-liminal, the liminal, and the post-liminal and, finally, emerge as reborn/healed. Water is a complex liminal symbol that reflects the experiences of adolescence and young adults, and combines contradictory meanings which are essential, expressive, and, most importantly, complementary for the development of the characters and for their eventual recovery. Using the concept of liminality and adolescent psychology to read scenes in which liminal experiences (confusion, indecisiveness, and disorientation) are present, this study argues that the depiction of liminal experiences near water in these plays for young adults offers complex symbols for the study of young adulthood and for encountering and responding to traumas experienced in adolescence.