Creative Work Research Articles

Dostoevsky in the Perception of a Bearer of Another Culture: Interpretative Constants. Article 1. Prolegomena

The article attempts to systematize the material related to the reception of Fedor M. Dostoevsky’s works by foreign speakers, examines reinterpretations, secondary texts of various types devoted to the writer’s creative works – philological studies, feature films, TV series, theatrical productions, comics, computer games, textbooks of the Russian language for foreigners, the results of pilot surveys, etc. Theoretical substantiations of the problem of understanding and perception of a literary text by a bearer of a different culture are given, the key concepts of which are “the presumption of incomplete understanding” and “the presumption of a negative assessment”. In order to generalize the material the term “interpretative constant” is introduced. Interpretative constants are generalized statements expressed in a concise form such as “The study of a man is the main theme of Dostoevsky’s works”; “God-seeking is the main theme of his works”; “The main force of evil is a woman”; “He loved death, suffering more than life”; “Suffering in the Russian world unites people”; “All the actions of the heroes are conditioned by libido”, etc. Generally, the method of identifying the interpretative constants and their interpretation is indicated. Interpretative constants have the predictive effect, their classification allows us to determine possible trends in the development of Dostoevistics, both foreign and domestic. It is assumed that the specification of the material presented in the publication will be carried out in the subsequent articles of the cycle.

Persuasive Communication Strategy in Creative Work Digital Marketing Agency

The pandemic period in recent years has made it difficult for business people and MSMEs to market their products. This is one of the reasons for the establishment of the digital agency Karya Creative. This research also focuses on how Karya Creative's persuasive communication strategy to attract prospective clients to entrust their brand and what are the factors that influence the success of persuasive communication by Karya Creative in attracting clients. In this research, researchers took an approach used in qualitative descriptive. In using qualitative descriptive type, where researchers describe or construct in-depth interviews of research subjects. The results of this study show the process of persuasive communication strategies applied in Creative Works, the elements and components of persuasive communication used, and what factors influence the success of persuasive communication of Creative Works. Researchers hope that this research can make a scientific contribution to communication science and be useful for students who pursue communication research. The advice obtained from this study is that persuasive communication must be given continuously to convince clients because it is the basis of the strength of marketing agencies in promoting. Then it is also important in building client trust, of course, we need to uphold an honesty or a transparent communication.

AI and Creative Work

AI and Creative Work

The Impact of Intertextuality in Movies on Language Learning

This paper examines the effectiveness of using intertextuality in second language learning through movies. Two types of materials were prepared: first, the American animated movie <i>Shrek 2</i> (Adamson et al., 2004) was the primary material, and second, idioms from YouTube shorts were used as points of comparison for regular expressions found in <i>Shrek 2</i>. This case study involved five college students majoring in non-English subjects. Among them, one was at an intermediate level in English and four were at a low-intermediate level. After three months of participation, students underwent five tests: three language tests and two open-ended-question tests. The first three assessed recognition, salience, and memory. The results of the recognition and salience tests indicated that participants achieved perfect scores in regular expressions, thanks to intertextuality. The results of the memory test showed that idioms were remembered significantly better than regular expressions. However, this test suggested that intertextuality played a larger role in semantic contexts than in syntactic ones. In the first open-ended-question test, the participants successfully described both an original character and a new character in <i>Shrek 2</i>. The final question revealed that most participants appreciated two aspects of intertextuality: creative work and long-term memory gains.

The influence of self leadership on creative self efficacy and innovative work behavior

The influence of self leadership on creative self efficacy and innovative work behavior

About Mirza Sanglakh's Life, Creativity and His Work Called "The Book of the Examination of Scholars"

About Mirza Sanglakh's Life, Creativity and His Work Called "The Book of the Examination of Scholars"

Some Stylistic Features of Zurab Gorgiladze's Creative Work

Some Stylistic Features of Zurab Gorgiladze's Creative Work

LEGAL ASPECTS OF INTELLECTUAL PROPERTY AND MANAGEMENT TOOLS

This study examines the legal aspects of intellectual property (IP) and management instruments. It is demonstrated that intellectual property represents the outcome of an individual's or collective's intellectual and creative activities, encompassing defined rights to innovative inventions, creative works, trademarks, designs, and other personal intellectual assets. The primary objects and subjects of intellectual property are identified. It is clarified that, considering the objects of ownership, the property rights of individuals or legal entities manifest in both ownership of tangible property and ownership of the results of creative activities. The legal regime governing the results of an individual's or collective's intellectual creativity aligns with the legal regime of property rights and comprises the following entitlements of the owner: the right of possession, the right of use, and the right of disposal. Conceptual principles within the system of intellectual property law are proposed. It is justified that the principles of intellectual property relate to the protection of the rights of subjects regarding the results of creative activities; therefore, they should demonstrate the rule of conduct within the framework of creation, possession, use, and disposal of intellectual property. It has been determined that the most critical economic process for intellectual property subjects is commercialization, as well as effective and efficient management of intellectual property objects. It is established that managing intellectual property involves a targeted process within a complex multi-component system with multifactorial relationships in the creation, possession, use, and distribution of intellectual property objects in the relevant environment. Intellectual property management should focus on effective planning, decision-making, and control regarding intellectual property objects in the appropriate economic environment. The stages of the intellectual property management process are proposed, along with the fundamental tools necessary for ensuring effective management within the economic system.

The problem of self-presentation of the author of a poetic text (based on the creative work of V. V. Mayakovsky)

The problem of self-presentation of the author of a poetic text (based on the creative work of V. V. Mayakovsky)

Authorship in artificial intelligence‐generated works: Exploring originality in text prompts and artificial intelligence outputs through philosophical foundations of copyright and collage protection

AbstractThe advent of artificial intelligence (AI) and its generative capabilities have propelled innovation across various industries, yet they have also sparked intricate legal debates, particularly in the realm of copyright law. Generative AI systems, capable of producing original content based on user‐provided input or prompts, have introduced novel challenges regarding ownership and authorship of AI‐generated works. One crucial aspect of this discussion revolves around text prompts, which serve as instructions for AI systems to generate specific content types, be it text, images, or music. Despite the transformative potential of AI‐generated works, the legal landscape remains fragmented, with disparate jurisdictional interpretations and a lack of uniform approaches. This disparity has led to legal uncertainty and ambiguity, necessitating a nuanced exploration of originality, creativity, and legal principles in the context of text prompts and resulting outputs. This article seeks to contribute to the ongoing debate by delving into the complexities surrounding AI‐generated works, focusing specifically on the originality of text prompts and their correlation with resulting outputs. While previous literature has extensively examined copyright issues related to AI, the originality of text prompts remains largely unexplored, representing a significant gap in the existing discourse. By analysing the originality of text prompts, this article aims to uncover new insights into the creative process underlying AI‐generated works and its implications for copyright law. Drawing parallels from traditional creative works, such as collages, the article will assess how legal principles apply to AI‐generated content, considering philosophical foundations as well as copyright principles, such as the idea‐expression dichotomy. Furthermore, the article will explore the divergent approaches taken by different jurisdictions, including the United Kingdom, United States, and European Union, in determining originality in the context of copyright law. While refraining from providing definitive answers, the article aims to stimulate critical thinking and dialogue among stakeholders. By offering fresh perspectives and insights, it seeks to enrich the discourse surrounding the copyrightability of AI‐generated works and pave the way for informed policy decisions and legal interpretations. The article aims to contribute valuable perspectives to the ongoing debate on copyright and AI, shaping the future trajectory of intellectual property law in the era of artificial intelligence.

Themes of Love and Solitude in Contemporary Azerbaijani Women’s Prose

The article examines the representation of themes of love and loneliness in women’s prose in Azerbaijan. It is noted that the literary works of women in different countries have gained particular relevance at the end of the 20th and beginning of the 21st centuries. The novelty of the research lies in identifying key themes raised in the works of several leading Azerbaijani female writers, who are not well known to a wide circle of Russian readers. The creative works of A. Masud, Farida, and A. Gyulnel are analyzed, with themes of love and loneliness being the focus of the study. It has been established that the thematic content of the works exhibits a traditional character typical of women’s prose: the quest for love by women and men, contemplation of issues of loyalty and betrayal, and solitude. It is shown that the characters in their pursuits do not find understanding from those around them. The absence of love drives A. Masud’s characters to madness (“Fatima” novel), physical death (“Aysun” story), or moral decline (“The Boss” story). In Farida’s work “Silent Birds”, the issue of the influence of ancient cruel traditions on the relationships and fate of young people is raised. In “Cactus” by A. Gyulnel, the heroine suffers from loneliness due to the lack of parental love. The author concludes that the variety of issues raised by female authors is imbued with the idea of the tragedy of human existence without love.

TEACHING THE BASICS OF MULTIMEDIA TO ENVIRONMENTAL DESIGNERS DURING THEIR PROFESSIONAL TRAINING

The article discusses the features of teaching multimedia to environmental designers as part of training sessions. A brief review of sources was carried out, attention was paid to the definition of the concept of multimedia in the context of the study. Special applications and programmes for the development of multimedia materials used in educational practice are indicated, their capabilities are defined. The main problems in multimedia training of environ mental designers are considered. The authors present the methodological components of the educational process, aimed at the formation of skills in the development and use of multimedia technologies by students, including in the design of the interior and exterior environment. The article discloses the issues of the development of knowledge and skills of students necessary for the creation of professional presentations of their research and creative works, as well as the presentation of copyright projects in the form of a virtual space. Ways to solve the stated problem are proposed.

The Aesthetics of Peace: Complexity, Speculation, and Unknowing in Creative Peacebuilding Research

ABSTRACT Creative and artistic methods are increasingly popular in the study of peacebuilding, as scholars look for new ways to access the experiences and insights of communities in post-conflict societies. This article draws on recent creative peacebuilding work to create a three-point spectrum of aesthetic peacebuilding research approaches, with each point demonstrating an escalating commitment to creative approaches. The argument shows how deeper commitment to aesthetic research in peacebuilding raises increasingly foundational questions about the nature of peacebuilding, which have the potential to open up new avenues of peace research but may also undermine the entire project of peacebuilding.

Globally connected, nationally restrained: Platform ambiguities and censorship in Turkey's drama production

About a decade ago, Turkey's television drama makers believed that streaming platforms would expand markets and create an uncensored space. Platforms did partly reform working conditions and enable drama creatives globally to produce quality shows. Yet creatives remain politically restrained because of platforms’ compliance with state regulations. Drawing on platform studies’ emphasis on how platforms have both restraining and enabling features, and extending this towards the contradictions around creative freedom and state control, I conceptualize drama creatives’ working experiences with national and global streaming platforms through platform ambiguity. Platform ambiguity allows a grasp of how platforms exert power over cultural producers by both enabling and restraining their creative work. Dewesternizing platforms and cultural production scholarship by highlighting how drama makers are not only creative but also geopolitical subjects dependent on the state, I show that their imaginaries and labour practices are always embedded in national contexts and shaped by regulatory structures.

INTEGRATION OF MUSIC AND ART: SOME ASPECTS TO TEACHING HISTORY OF ART

One of the trends in the process of updating the contemporary education is the use of the integratd approach to teaching. The integrated approach to teaching creates the environment which helps learners to understand relations between the areas of content of different arts. This approach is first and foremost oriented towards the development of learners’creative thinking and imagination. The program developed for teaching potential designers in Daugavpils University includes courses on history of Art. The History of Art operates with such common art categories as harmony, rhythm, genre, form, style, content, contrast, imaginative contrast etc. Being aware of mutual links between such arts as painting and music will develop understanding about associative imaginary links of the language of artistic expression. Comprehension of composer’s or painting’s creative work or an individual composition within the context of spiritual quest of the epoch allows us to broaden our perceptions about general regularities of the development of historical processes and art in one or another historical period. Those developmental periods of art, when the interaction between its different kinds was the most intensive and satiated the whole cultural aspect of the epoch (romanticism, impressionism, expressionism), attract the greatest attention. In music literature, the most delicate form of sound patterns is manifested in musical landscapes. Natural phenomena, due to their nature, can be not only seen but also heard, and therefore, the range of their reflection in music is tremendously broad. The research aim based on an integrated approach to teaching, to research the interaction between music and painting, as example using the creative work of Latvian landscapist Vilhelms Purvītis and Latvian composer Alfrēds Kalniņš. The paper focuses on the possibility to integrate art and music in the context of enrichment of students’ knowledge and skills.

Influence of personality traits on creativity and innovative work behavior of employees

In recent times, creativity and innovation have emerged as a captivating theme for many researchers. However, the influence of personality traits on creativity and innovative work behavior remains insufficiently explored. The aim of this study is to examine how personality traits influence the creativity and innovative work behavior of employees in private companies in Vietnam. Data were collected through a survey of 261 employees. The research hypotheses were tested using structural equation modeling (SEM) with SPSS and AMOS 20 software. The results show that openness to experience, extraversion, and conscientiousness have a direct positive impact on creativity and an indirect effect on innovative work behavior through the mediating role of individual creativity. Among these, openness to experience is the most influential factor affecting creativity (βstandardized = 0.418), followed by extraversion (βstandardized = 0.229), and finally conscientiousness (βstandardized = 0.169). Creativity positively affects innovative work behavior (βstandardized = 0.563). The relationship between neuroticism, agreeableness, and creativity is not supported. This study has made a significant theoretical contribution by supplementing evidence on the relationship between personality traits, creative potential, and innovative work behavior. Additionally, it offers practical implications for fostering creative activities and innovative work behavior in private companies in Vietnam.

Development of an Interactive Platform for Traditional Handicrafts and Creative Works Based on WeChat Mini Programs

With the continuous improvement of modern living standards and the rapid development of science and technology, crafts produced by industrial mechanization have gradually replaced traditional handicrafts. In order to expand the dissemination range of traditional handicrafts, arouse people's enthusiasm for handmade art and promote traditional culture, this paper takes advantage of the operation convenience, recommendation personalization and informatization of WeChat applet to design and develop a green and healthy trading platform for traditional handicraftsmen, people who like to transform unused items into handicrafts or users who like all kinds of handicrafts. --Traditional Handicrafts and Creative Works Interactive Platform. This platform not only provides a trading platform for consumers, but also greatly promotes the development of handicraft products, and plays a positive role in the publicity and promotion of traditional handicrafts and creative works.

КҮЗЕМБАЙ БАЙБОСЫНОВТЫҢ ӨЛКЕТАНУ БАҒЫТЫНДАҒЫ ЕЛЕУЛІ ЕҢБЕКТЕРІ, ҒАЛЫМНЫҢ ХАТЫ ӨШПЕЙДІ

The article examines the works of the famous historian and local historian Baibosynov Kuzembaya. He made a great contribution to the study of the Zhambyl region. Throughout his life he conducted many scientific studies. He worked hard to find historical sites and valuable materials. Baibosynov Kuzembay did not stop his research even at retirement age. There were cases when they continued archaeological research in the sites of “Nizhniya Baryskhan”, located near the city of Taraz, they drew up a plan to open a museum there and presented it to the regional leadership.He presented the research he had done over the years and always mentioned historical sites that needed to be explored in the future.When students came to him for interviews, he shared many of his scientific plans and mentored the youth for the future. Let's talk about some articles that were published during his lifetime. The works of the Baibosynov Kuzembaya were published in local and national newspapers. Some time ago, an expedition organized by the museum brought from the Zhdanov state farm, Amangeldinsky department, Talas region, a very rare wooden bed made by Dayyrbekov Biten, who a century ago was famous for his art in the lower Talas region.Those who saw him and remember that he learned this art from his brothers Togyzbai and Onbai, and until recently, products made by him could be found in this village, but now they are not. In Kuzembai's articles, he was very interested in the history of the region and the creative work of the artists of this region. For example, one of the problems that has been bothering me for a long time is that wonderful works created by folk craftsmen and their musical instruments are being brought together. But some of them refuse to send it to the museum because it is a valuable thing left by their ancestors, he says. He writes about where and how the museum collected valuable artifacts from remote villages in the region.

Composer Eduard Brylin: Universal Nature of Creative Activity

The purpose of the research is to examine the creative path of Eduard Brylin, focusing on the factors that became the foundation for forming his professionalism and ensuring the universal nature of his creative activity. The research methodology is based on the biographical method and the model of a universal creative personality in the aspect of activity universalism (according to O. Komenda). The scientific novelty of the research lies in studying the life chronology of the composer Eduard Brylin as a universal type of musician, namely a universal composer. Conclusions. The basis on which the universal creative figure of E. Brylyn was formed was laid at the initial stage of his life. The musical environment of the family, rooted in national traditions, shaped Eduard’s musical and aesthetic preferences. Hard work, support and assistance from his parents, the professionalism of his teachers and mentors, and his dreams ensured his rapid growth in the piano field. Performing skills enabled the musician to present his work and be a concert performer. His thorough piano training allowed him to create methodical and highly artistic examples of piano pedagogical repertoire for children and youth and to try himself in the piano concerto genre. In the composition E. Brylin continued the traditions of his mentors, choosing to rely on folk song sources, appealing through A. Shtogarenko to the works of M. Lysenko. His intelligence and natural introversion led him to gravitate towards chamber genres, in which the lyrical facets of the composer’s personality were fully revealed. We define the 2000s as an acmeological period of the musician’s creative work because this time was fruitful in the implementation of various types of musical activities, which emphasises the universal nature of the artist’s creative activity. Loyalty to his musical and aesthetic ideals became the starting point for the realisation of Eduard Brylin’s creative potential as a universal composer.

Analysis of AIGC in Film and Television Production

The development of film and television is inextricably connected to the progress of science and technology. This paper commences by examining the utilization of AIGC in film and television production and its effects on the sector. It is determined that the implementation of AIGC in script production, scene production, post-production, and other areas reduces a great deal of time, production, and labour expenses, broadens the scope of film and television production, and offers the potential for inexpensive mass film and television production. Despite the progress made in the film and television industry, AIGC still has to confront problems such as a lack of logical consistency and emotional detachment, which necessitates human creators. It may also lead to the disappearance of creative works, a copyright crisis and the impairment of labour rights, with the risk of massive unemployment. It is essential to investigate the provisions of AIGC Guidelines.