Corpus Vasorum Antiquorum Research Articles

The So-called Nonsense Inscriptions on Ancient Greek Vases: Between Paideia and Paidiá by Sara Chiarini

Reviewed by: The So-called Nonsense Inscriptions on Ancient Greek Vases: Between Paideia and Paidiá by Sara Chiarini David Sider Sara Chiarini, The So-called Nonsense Inscriptions on Ancient Greek Vases: Between Paideia and Paidiá. Brill Studies in Greek and Roman Epigraphy 10. Leiden and Boston: Brill, 2018. Pp. xiv, 543. $172.00. ISBN 978-90-04-37118-7. Sara Chiarini is the author of a small gem of a book on the Hesiodic Shield of Heracles, which moves quickly, easily, and aptly between art historical observations and philological and literary questions.1 Her new book, however, on those Greek vases with letters that though undamaged make little or no sense, will not qualify for a multum-in-parvo award. At over 500 pages, it is a detailed and thorough survey, discussion, and analysis of what earlier scholars (a surprisingly large number) have made of the many vases inscribed with “nonsense” verses. Chiarini’s own conclusions follow. Thirty-eight of the vases are illustrated, some in color, but in most cases the letters cannot be distinguished; a tighter focus (losing something of the shape of the vase) would have served the reader better. A good loupe can help. The useful and now standard rubric of nonsense covers a range of unintelligibility, from a group of letters that almost makes sense to squiggles, blots, and smudges that are meant merely to stand for letters. In between there are easily pronounceable syllables (some clearly written by the same hand who has written real Greek on the same vase), as well as consonant clusters that could pass for Georgian or Polish. There are also vases with free-floating letters that do not even pretend to belong to words. Chiarini gives examples of all types and presents a catalogue non-raisonné (225–517, containing 1381 entries!) that includes her transcription of the inscriptions, in many cases an improvement upon earlier transcriptions, such as those by Henry Immerwahr, who, interested in all vase inscriptions, was often limited to the fuzzy images in Corpus Vasorum Antiquorum. (Scholarship demands such accuracy of Chiarini, although in this case one bit of nonsense is replaced by another.)2 I do wish, however, that she had been vain enough to assign them Chiarini numbers, which would surely benefit future scholars of this subject. As it is, the arrangement is first alphabetical by location and then by inventory number if available.3 Chiarini reasonably draws the line at nonsense words, not considering nonsensical (or nearly so) syntax, such as [End Page 225] καλόν εἰμι τὸ ποτήριον καλ[όν], which she regards as one sentence (but perhaps is better read as two) or Μοι̑σά μοι ἀμφὶ Σκάμανδρον ἐύρροον ἄρχομ᾿ ἀείδειν. Various explanations have been offered, each one credible in itself and not necessarily at odds with the others, but all fall short of proof: the artist is illiterate; the letters are meant merely to be decorative/aesthetic; writing in and of itself lends prestige to a vase; although nonsensical as Greek, the sounds represented by the sometimes iterative letters attempt to reproduce certain sounds (such as ]ΙΣ ΙΣ ΙΧΣ ΙΧ[ next to a rooster, or ENENENE as baby talk coming out of the mouth of a new-born Athena, with similar clusters nearby). Chiarini begins her attempts at understanding with a review of Greek pedagogy (as examined most fully by Raffaella Cribiore), where assignments to write letters and syllables produce results like those found on many of these vases. But, while the similarities are indeed intriguing, Chiarini’s attempt to link the two is interesting but not convincing, especially as she provides no parallels in other cultures for schoolboy exercises appearing on commercial and artistic products. Ultimately, though, Chiarini is properly dismissive of any one explanation, allowing that some (e.g., musical notes, onomatopoeia) make sense on certain vases. Her own attempt to take away a positive message is to look at these vases from the point of view of an audience willing if not happy to have the opportunity to puzzle over the various possible meanings. Polysemy rather than nonsense! When in conclusion she says that “these inscriptions could unleash a whole range of imaginative, logical and linguistic skills in a literate reader” (217), the reader that comes to mind is none other than Chiarini herself, who has...

CVA – NICHOLSON MUSEUM 2 - M. Turner, A. Cambitoglou Corpus Vasorum Antiquorum. The Nicholson Museum, The University of Sydney. Red Figure and Over-painted Pottery of South Italy. The Nicholson Museum Fascicule 2. Pp. 111, b/w & colour ills, pls. Sydney: The Nicholson Museum, The University of Sydney, 2014. Cased, AUD$100. ISBN: 978-1-74210-329-7.

<i>CVA</i> – NICHOLSON MUSEUM 2 - M. Turner, A. Cambitoglou Corpus Vasorum Antiquorum. The Nicholson Museum, The University of Sydney. Red Figure and Over-painted Pottery of South Italy. The Nicholson Museum Fascicule 2. Pp. 111, b/w &amp; colour ills, pls. Sydney: The Nicholson Museum, The University of Sydney, 2014. Cased, AUD$100. ISBN: 978-1-74210-329-7.

Book Review of Corpus vasorum antiquorum. Poland 11. Krakow 1: Jagiellonian University Institute of Archaeology 1 and Jagiellonian University Museum, by Ewdoksia Papuci-Władyka

Book Review of Corpus vasorum antiquorum. Poland 11. Krakow 1: Jagiellonian University Institute of Archaeology 1 and Jagiellonian University Museum, by Ewdoksia Papuci-Władyka

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Previous articleNext article FreeOPEN ACCESS ON AJA ONLINE (www.ajaonline.org)Online-Only ContentPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreOnline-only content accompanying American Journal of ArchaeologyVolume 119, Number 1 (January 2015)SUPPLEMENTARY CONTENTImage Gallery: Stasis and Change in Roman Domestic Space: The Alae of Pompeii’s Regio VI, by Elisabetta Cova ONLINE NECROLOGY Georgos I. Despinis, 1936–2014, by Mary C. Sturgeon BOOK REVIEWS Re-Presenting the Past: Archaeology Through Text and Image, edited by Sheila Bonde and Stephen Houston. Reviewed by Catalin Pavel From Prehistoric Villages to Cities: Settlement Aggregation and Community Transformation, edited by Jennifer Birch. Reviewed by Thomas E. Emerson The Making of the Middle Sea: A History of the Mediterranean from the Beginning to the Emergence of the Classical World, by Cyprian Broodbank. Reviewed by Maud Devolder Space and Time in Mediterranean Prehistory, edited by Stella Souvatzi and Athena Hadji. Reviewed by Quentin Letesson Epigraphy, Numismatics, Prosopography and History of Ancient Cyprus: Papers in Honour of Ino Nicolaou, edited by Demetrios Michaelides. Reviewed by Philippa M. Steele A Companion to Greek Art, edited by Tyler Jo Smith and Dimitris Plantzos. Reviewed by Nassos Papalexandrou Corpus vasorum antiquorum. Poland 11. Krakow 1: Jagiellonian University Institute of Archaeology 1 and Jagiellonian University Museum, by Ewdoksia Papuci-Władyka. Reviewed by Mary B. Moore Marathon Fighters and Men of Maple: Ancient Acharnai, by Danielle L. Kellogg. Reviewed by James Kierstead Poseidon and the Sea: Myth, Cult, and Daily Life, edited by Seth D. Pevnick. Reviewed by Marie-Claire Beaulieu Tan Men/Pale Women: Color and Gender in Archaic Greece and Egypt. A Comparative Approach, by Mary Ann Eaverly. Reviewed by Jeffrey M. Hurwit Physionomie d’une cité grecque: Développements stylistiques de la coroplathie votive archaïque de Tarente, by Ágnes Bencze. Reviewed by Jaimee Uhlenbrock Chariots and Other Wheeled Vehicles in Italy Before the Roman Empire, by Joost H. Crouwel. Reviewed by Eric Poehler Etruscan Art in the Metropolitan Museum of Art, by Richard Daniel De Puma. Reviewed by Gretchen E. Meyers Harvesting the Sea: The Exploitation of Marine Resources in the Roman Mediterranean, by Annalisa Marzano. Reviewed by Robert I. Curtis Rome, Portus and the Mediterranean, edited by Simon Keay. Reviewed by Stephen L. Dyson Ostia V: Le terme del nuotatore. Cronologia di un’insula ostiense, by Maura Medri and Valeria di Cola. Reviewed by Elizabeth Fentress Water and Roman Urbanism: Towns, Waterscapes, Land Transformation and Experience in Roman Britain, by Adam Rogers. Reviewed by Ann Olga Koloski-Ostrow Peintures romaines de Tunisie, by Alix Barbet. Reviewed by Caroline Downing Theoi Sebastoi: Il culto degli imperatori romani in Grecia (provincia Achaia) nel secondo secolo d.C., by Francesco Camia. Reviewed by Ilaria Bultrighini Materia Magica: The Archaeology of Magic in Roman Egypt, Cyprus, and Spain, by Andrew T. Wilburn. Reviewed by Steven M. Stannish Making and Breaking the Gods: Christian Responses to Pagan Sculpture in Late Antiquity, by Troels Myrup Kristensen. Reviewed by Brian Madigan List of Books Received Previous articleNext article DetailsFiguresReferencesCited by American Journal of Archaeology Volume 119, Number 1January 2015 The journal of the Archaeological Institute of America Views: 14Total views on this site Article DOIhttps://doi.org/10.3764/aja.119.1.online Views: 14Total views on this site Copyright © 2015 by the Archaeological Institute of America. All rights reserved.PDF download Crossref reports no articles citing this article.

Corpus Vasorum Antiquorum. Greece 13. Thessaloniki: Aristotle University, Cast Museum (Book Review)

Corpus Vasorum Antiquorum. Greece 13. Thessaloniki: Aristotle University, Cast Museum (Book Review)

Corpus Vasorum Antiquorum. Greece 12. Athens, National Museum 6: Attic Black-Figure and Six's Technique Lekythoi (Book Review)

Corpus Vasorum Antiquorum. Greece 12. Athens, National Museum 6: Attic Black-Figure and Six's Technique Lekythoi (Book Review)

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Next article FreeOPEN ACCESS ON AJA ONLINE (www.ajaonline.org)Online-Only ContentPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreOnline-only content accompanying American Journal of Archaeology Volume 118, Number 1 (January 2014)SUPPLEMENTARY CONTENTImage Gallery: A Domus in the Subura of Rome from the Republic Through Late Antiquity, by Margaret M. Andrews Image Gallery: Archaeological Research at Gabii, Italy: The Gabii Project Excavations, 2009–2011, by Marcello Mogetta and Jeffrey A. Becker BOOK REVIEWSThe Foundations of Cognitive Archaeology, by Marc A. Abramiuk. Reviewed by Emily Miller Bonney The Cave of the Cyclops: Mesolithic and Neolithic Networks in the Northern Aegean, Greece. Vol. 2, Bone Tool Industries, Dietary Resources and the Paleoenvironment, and Archaeometrical Studies, edited by Adamantios Sampson. Reviewed by Susan E. Allen Egyptian-Type Pottery in the Late Bronze Age Southern Levant, by Mario A.S. Martin. Reviewed by Felix Höflmayer Afterglow of Empire: Egypt from the Fall of the New Kingdom to the Saite Renaissance, by Aidan Dodson. Reviewed by Jan P. Stronk Ancient Iran from the Air, edited by David Stronach and Ali Mousavi. Reviewed by Carrie Hritz The Lives of Ordinary People in Ancient Israel: Where Archaeology and the Bible Intersect, by William Dever. Reviewed by Jens Kamlah Early Thermos: New Excavations 1992–2003, by I.A. Papapostolou. Reviewed by Mary E. Voyatzis Pottery in the Archaeological Record: Greece and Beyond. Acts of the International Colloquium Held at the Danish and Canadian Institutes in Athens, June 20–22, 2008, edited by Mark L. Lawall and John Lund. Reviewed by Shannan M. Stewart Acropoli di Atene: Un microcosmo della produzione e distribuzione della ceramica attica, by Elisabetta Pala. Reviewed by Kathleen M. Lynch Corpus Vasorum Antiquorum. Greece 13. Thessaloniki: Aristotle University, Cast Museum, by Vassiliki Saripanidi. Reviewed by Mary B. Moore Corpus Vasorum Antiquorum. Greece 12. Athens, National Museum 6: Attic Black-Figure and Six’s Technique Lekythoi, by Eleftheria Serbeti. Reviewed by Mary B. Moore Ateliers and Artisans in Roman Art and Archaeology, edited by Troels Myrup Kristensen and Birte Poulsen. Reviewed by Tatiana Ivleva Comparative Issues in the Archaeology of the Roman Rural Landscape: Site Classification Between Survey, Excavation and Historical Categories, edited by Peter A.J. Attema and Günter Schörner. Reviewed by Kim Bowes Roman Architecture in Provence, by James C. Anderson, Jr. Reviewed by Anne Hrychuk Kontokosta The City in the Roman West, c.250 BC–c.AD 250, by Ray Laurence, Simon Esmonde-Cleary, and Gareth Sears. Reviewed by Kathryn Lomas Nani in Festa: Iconografia, religion e politica a Ostia durante il secondo triumvirato, edited by Christophe Bocheren. Reviewed by Genevieve S. Gessert The Making of Pompeii: Studies in the History and Urban Development of an Ancient Town, edited by Steven J.R. Ellis. Reviewed by Pedar W. Foss Akten des Symposiums “Sarkophage der Römischen Kaiserzeit: Produktion in den Zentren–Kopien in den Provinzen”/ “Les sarcophages romains: Centres et périphéries,” Paris, 2.–5. November 2005, edited by Guntram Koch and François Baratte. Reviewed by Sinclair Bell Archaeology and the Cities of Asia Minor in Late Antiquity, edited by Ortwin Dally and Christopher Ratté. Reviewed by Ine Jacobs The Chora of Metaponto 4: The Late Roman Farmhouse at San Biagio, by Erminia Lapadula. Reviewed by William Caraher List of Books Received Next article DetailsFiguresReferencesCited by American Journal of Archaeology Volume 118, Number 1January 2014 The journal of the Archaeological Institute of America Views: 12Total views on this site Article DOIhttps://doi.org/10.3764/aja.118.1.online Copyright © 2014 by the Archaeological Institute of America. All rights reserved.PDF download Crossref reports no articles citing this article.

CVA - S. Schmidt, A. Stähli (edd.) Corpus Vasorum Antiquorum. Deutschland. Band 5. Vasenbilder im Kulturtransfer. Zirkulation und Rezeption griechischer Keramik im Mittelmeerraum. Pp. 187, figs, ills, map. Munich: C.H. Beck, 2012. Cased, €59.90. ISBN: 978-3-406-62567-1.

Corpus Vasorum Antiquorum, Germany, vol 5, Vase Pictures in Cultural Transfer, Circulation and Reception of Greek Pottery in the Mediterranean Region

Greek Vases: From Artistic Personalities to Archaeological Contexts

Ancient Greek vases are a challenging and complex subject. With their detailed imagery, elegant forms, utility, and wide distribution, the decorated vessels of archaic and classical Greece constitute a significant and substantial category of archaeological evidence. The information they provide about mythology and daily life is unparalleled in the whole of ancient art. Integral to the pursuits of both the classical archaeologist and the ancient art historian, Greek vases have for quite some time been considered equal to sculpture, architecture, and other arts.1 Their importance for both relative and absolute chronology is notable. But their place in the greater scheme of classical studies is sometimes awkward and unpredictable. Although Greek vases are rife with depictions of gods and heroes, it is all too often assumed they are mere snapshots of antiquity and that their decorated surfaces exist in large part to illustrate the stories better known to us from ancient texts. It is also presumed that their iconography and artistic merit make them accessible and comprehensible to a wider group of enthusiasts, and, as a result, they become the ready targets of simplistic visual interpretation. Yet as any specialist in vase painting knows, such attitudes make about as much sense as the assumption that Aristophanes is just as good in translation or that Homer can be read without a cursory knowledge of dactylic hexameter. Greek vases produced in the city of Athens and elsewhere are a language unto themselves. Like other visual forms of other cultures and traditions, they possess an internal structure, grammar, and vocabulary.2 While there are numerous ways to “read” the ancient Greek vase, and it is fair to say that no particular way is better than another, there remain a few unwritten rules: Beazley’s lists are an indispensable reference framework; the Corpus Vasorum Antiquorum volumes are primary sources of facts and (these days) of good illustrations; the vase is the sum of its parts and should be viewed holistically rather than selectively; fragments are as useful and valid as whole specimens; excavation pottery and museum-quality objects each have their place in the scholarly enterprise. At the same time, no one, not even the most dyed-in-the-wool connoisseur, is under the illusion that vases alone hold all the answers. Indeed, one of the most frustrating aspects of all Greek vase scholarship is the utter silence of the ancient sources on the subjects of vase production, techniques, and craftsmen.3 The five books under review here (two monographs, two conference proceedings, and a single exhibition catalogue) exemplify both the challenges and the complexity of Greek vase scholarship and demonstrate that these figuredecorated ceramic objects are at once visual and material, art and artifact, beautiful and ugly, tactile and portable. They also show that the merit of vases as archaeological data is rarely overlooked in current publications and scholarship. The notable amount of overlap among the bibliographies and the recurrence of authors exposes a certain “preaching to the choir” aspect to this intriguing and distinct disciplinary subfield. Although the books are produced in several countries, by different publishers and in various formats,

Book Review of Corpus Vasorum Antiquorum. Great Britain 25. The British Museum 11: Greek Geometric Pottery, by J. Nicolas Coldstream

Book Review of Corpus Vasorum Antiquorum. Great Britain 25. The British Museum 11: Greek Geometric Pottery, by J. Nicolas Coldstream

Book Review of Corpus Vasorum Antiquorum. Greece 11. Athens 1: Museum of Cycladic Art, by Kleopatra Kathariou

Book Review of Corpus Vasorum Antiquorum. Greece 11. Athens 1: Museum of Cycladic Art, by Kleopatra Kathariou

Book Review of Corpus Vasorum Antiquorum. Russia 17. Moscow 8: Pushkin State Museum of Fine Arts. East Greek Pottery, by Natalia Sidorova

In recent years, the Russian museums have produced a steady flow of CVA volumes. Fascicles devoted to the Attic, South Italian, Corinthian, and now East Greek vases from the collections of the Pushkin State Museum of Fine Arts in Moscow and the State Hermitage Museum in St. Petersburg are finally finding their place on library shelves next to the volumes of other world-class museums with long-standing contributions to the series. These long-awaited gems are pricey, variable in quality, impressive in their quantity.

Works dealing with questions concerning ancient Greek vases (books reviewed: Approaches to the study of Attic vases, by P. Rouet; The Theseus Painter, by O. Borgers; The late mannierists in Athenian vase-painting, by T. Mannack; Non-Attic Greek vase inscriptions, by R. Wachter; Corpus Vasorum Antiquorum. Ny Carlsberg Glyptotek 1, by T. Fischer-Hansen; Corpus Vasorum Antiquorum. Amsterdam 3, by W.D.J. van

Works dealing with questions concerning ancient Greek vases (books reviewed: Approaches to the study of Attic vases, by P. Rouet; The Theseus Painter, by O. Borgers; The late mannierists in Athenian vase-painting, by T. Mannack; Non-Attic Greek vase inscriptions, by R. Wachter; Corpus Vasorum Antiquorum. Ny Carlsberg Glyptotek 1, by T. Fischer-Hansen; Corpus Vasorum Antiquorum. Amsterdam 3, by W.D.J. van

Recent Acquisitions and Conservation of Antiquities at the Ure Museum, University of Reading 2004–2008

The Ure Museum of Greek Archaeology, in the Department of Classics at the University of Reading, has experienced something of a renaissance in the 3rd millennium. It acquired status as a registered museum in 2001 and accreditation in 2008. It has boasted a bespoke web-accessible database since 2002 and a professionally designed website since 2004 (www.reading.ac.uk/ure). Finally, in 2005 its physical display was completely redesigned. While the existence of the Museum and some of its collections have long been well known to scholars of Gr vases – thanks to the tireless efforts of Percy and Annie Ure in the first half of the 20th Ct, including their 1954 publication of Corpus Vasorum Antiquorum. Great Britain 12. University of Reading (London, Oxford University Press, 1954), AR 9 (1962–1963) and some listings in Beazley and Trendall's volumes (see J.D. Beazley, Attic Red-figure Vase-painters, 2nd ed. [Oxford, Clarendon Press, 1963], A.D. Trendall and A. Cambitoglou, The Red-figured Vases of Apulia [Oxford, Clarendon Press, 1978–1982], A.D. Trendall, The Red-figured Vases of Lucania, Campania and Sicily (Oxford, Clarendon Press, 1967) – much of the collection remains unknown. Even in the 1960s, after all, the publication of fragments, lamps and Cypriote ceramics remained unfashionable. And the Ures, experts in Gr pottery, were little interested in publishing the Egyptian artefacts (approximately a 5th of the displayed collection) and other non-ceramic artefacts. As part of the Ure Museum's renaissance, University of Reading staff and students are researching and gradually publishing its hidden treasures: A.C. Smith, Corpus Vasorum Antiquorum. Great Britain 23. Reading Museum Service (Reading Borough Council) (Oxford, Oxford University Press, 2007) documents more than 150 vases, most in the Ure Museum, from the Reading Museum Service (Reading Borough Council); a forthcoming fascicule of the Corpus of Cypriote Antiquities will catalogue the Cypriote holdings in the Ure Museum; and another volume of Corpus Vasorum Antiquorum will detail approximately 200 holdings of the Ure Museum that are hitherto unpublished. The items discussed below, however, are those that have been acquired by the Ure Museum since 2004, as well a sample of the 19 Coptic textile fragments, which have been brought out of storage, conserved by the Textile Conservation Centre in Winchester and are now displayed in the Ure Museum (since 2005).

Attic Vases in Rhodes - (A.A.) Lemos Corpus Vasorum Antiquorum. Greece. Rhodes, Archaeological Museum: Attic Black Figure. Greece, Fascicule 10. Rhodes, Archaeological Museum, Fascicule 1. Pp. 138, ills, b/w &amp; colour pls. Athens: Academy of Athens, 2007. Cased. ISBN: 978-960-404-098-8.

Attic Vases in Rhodes - (A.A.) Lemos Corpus Vasorum Antiquorum. Greece. Rhodes, Archaeological Museum: Attic Black Figure. Greece, Fascicule 10. Rhodes, Archaeological Museum, Fascicule 1. Pp. 138, ills, b/w &amp; colour pls. Athens: Academy of Athens, 2007. Cased. ISBN: 978-960-404-098-8.

Book Review of Corpus Vasorum Antiquorum. Greece 10. Rhodes, Archaeological Museum 1: Attic Black Figure, by Anna Lemos

This is the first fascicle in the Greek series for the Archaeological Museum of Rhodes. However, it is not the first publication of pottery from Rhodes because two fascicles appeared in the Italian series (nos. 9, 10) in 1933 and 1934. Seven pots reappear here. They include four Type B amphoras attributed to the Princeton Painter (inv. no. 1346 [pls. 12, 13, unnumbered color plate]), the Rycroft Painter (inv. no. 13447 [fig. 7, pls. 19, 20]), the Madrid Painter (inv. no. 11758 [pls. 31–3]), and the Dot-band class (inv. no. 12330 [fig. 20, pls. 39, 40]).

Book Review of Corpus Vasorum Antiquorum. Great Britain, 21. Harrow School, by Jasper Gaunt

Book Review of Corpus Vasorum Antiquorum. Great Britain, 21. Harrow School, by Jasper Gaunt

Book Review of Corpus Vasorum Antiquorum. Greece 8. Athens, National Museum 5. Attic and Atticising Amphoras of the Protogeometric and Geometric Periods, by Nota Kourou

Book Review of Corpus Vasorum Antiquorum. Greece 8. Athens, National Museum 5. Attic and Atticising Amphoras of the Protogeometric and Geometric Periods, by Nota Kourou

Corpus vasorum antiquorum. Greece. 8: Athens, National Museum. 5: Attic and Atticizing amphorae of the protogeometric and geometric periods. By Nota Kourou

Corpus vasorum antiquorum. Greece. 8: Athens, National Museum. 5: Attic and Atticizing amphorae of the protogeometric and geometric periods. By Nota Kourou. Athens: Research centre for antiquity of the Academy of Athens 2002. 109 S. XII, 54 Abb. 110 Taf. 4° (Union académique internationale.).

V. Sabetai: Corpus Vasorum Antiquorum. Greece, Fascicle 6: Thebes, Archaeological Museum I. Pp. 367, 43 ills, 89 pls. Athens: Research Centre for Antiquity of the Academy of Athens, 2001. Cased. ISBN: 960-7099-93-1.

V. Sabetai: Corpus Vasorum Antiquorum. Greece, Fascicle 6: Thebes, Archaeological Museum I. Pp. 367, 43 ills, 89 pls. Athens: Research Centre for Antiquity of the Academy of Athens, 2001. Cased. ISBN: 960-7099-93-1. - Volume 52 Issue 2