Click to increase image sizeClick to decrease image size Notes 1. Rosalind Krauss, Passages in Modern Sculpture [1977] (Cambridge, MA and London: MIT Press, 1981). 2. Nicolas Bourriaud, Relational Aesthetics, trans. Simon Pleasance and Fronza Woods (Dijon: Les presses du réel, 1998). 3. Nicolas De Oliveira, Nicola Oxley, Michael Petry, Installation Art in the New Millenium. The Empire of the Senses (London: Thames & Hudson, 2003). 4. Rosalind Krauss, Passages in Modern Sculpture, p.279. 5. Rosalind Krauss, Passages in Modern Sculpture, p.279. 6. Brian Massumi, Parables for the Virtual. Movement, Affect, Sensation (Durham and London: Duke University Press, 2002) p.5. [original emphasis] 7. Rosalind Krauss, Passages in Modern Sculpture, p.280. [original emphasis] 8. Rosalind Krauss, Passages in Modern Sculpture, p.280. 9. Rosalind Krauss, Passages in Modern Sculpture, p.240. 10. Drew Leder, The Absent Body (Chicago and London: Chicago University Press: 1990), p.1. 11. In dys‐appearance, the prefix dys evokes several levels of meaning. (PP) In Greek, dys signifies ‘bad’, ‘hard’ or ‘ill’, a sense of meaning preserved in such English words as ‘dysfunction’, as well as in many terms for illnesses, such as ‘dysentery’ and ‘dyslexia’. (PP) Dys can also be understood as a somewhat archaic spelling of the Latin root dis, which originally had the meaning ‘away’, ‘apart’ or ‘asunder’. Dys‐appearance, therefore, effects an attentional reversal of disappearance. The words dys‐appearance and disappearance have an antonymic significance, while at the same time the homonimity of the words is meant to suggest the deep relation between these modes. Drew Leder, The Absent Body, pp.86–87. 12. Drew Leder, The Absent Body, p.91. 13. ‘Preface’, in The Artist's Body, ed. Tracey Warr, survey by Amelia Jones (London: Phaidon Press, 2000), pp.11–15. 14. Amelia Jones, ‘Survey’, in The Artist's Body, pp.16–47. 15. Tracey Warr and Amelia Jones, The Artist's Body, 21. 16. Tracey Warr and Amelia Jones, The Artist's Body, p.43. 17. Tracey Warr and Amelia Jones, The Artist's Body, p.43. 18. Drew Leder, The Absent Body, p.153. 19. Drew Leder, The Absent Body, p.173. 20. Michel De Certeau, The Practice of Everyday Life (Berkeley, CA: University of California Press, 1984), p.92. 21. Jonathan Sawday, The Body Emblazoned. Dissection and the Human Body in Renaissance Culture (New York and London: Routledge, 1995). 22. Brian Massumi, Parables for the Virtual. Movement, Affect, Sensation, p.178. 23. Brian Massumi, Parables for the Virtual. Movement, Affect, Sensation, pp.178–79. 24. Elisabeth Grosz, Volatile Bodies. Toward a Corporeal Feminism (Bloomington and Indiana: Indiana University Press, 1994). 25. First introduced at the AILA conference Multiliteracies: The Contact Zone (Ghent, Belgium, September 2003). See also Performance Research, 12:1 (2006): A Lexicon.