The foundational diversity pathways of the decorative design architecture in contemporary interior design. The founding of the decorative design architecture, arises from the creative will of the designer who collects and distributes his vocabulary objectively so that he realizes between several levels and in various shapes depending on the innovative side within the interior spaces of contemporary interior design .Also, the decorative designer and the contemporary interior designer have contributions in this field in terms of inspiring, adding to and developing heritage works, which increases its beauty and raises its contemporary artistic value,There is no doubt that each design has paths and principles that control it, and organizes the vocabulary mechanism and formative elements in order to add an expressive value, and a goal related to the function and aesthetic,Therefore, the designer’s interest in the art of decorative design is related to an attempt to find alternatives to express the design because it has a spatial structure that we can perceive through the sense of sight,In addition to adhering to the innovative framework of spatial reality, it was necessary to study this topic, which consists of four chapters .For the first semester, the researcher relied on formulating the research problem, which is summarized by the following question: What are the foundational diversity pathways for the decorative design structure in contemporary interior design? While the importance of the research lies in referring to the premises that are adopted within the designer's intellectual vision by meeting the design need while providing a distinctive decorative design product that is compatible with contemporary interior design .In light of this, the researcher focused the research goal in revealing the foundational diversity pathways of the decorative design structure in contemporary interior design.As for the limits of the research, the researcher specified objectively from the study of the foundational diversity paths of the decorative design structure in contemporary interior design.While its spatial and temporal limits included the study of contemporary interior design (of the entrances to the interior spaces of the hotels of the Kingdom of Morocco) implemented for the period 2009-2011 2011,While the second chapter relied on a study first: the structure of decorative design and its relationship in contemporary interior design and secondly
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