ON A RECENT VISIT to New York I had occasion, through the kindness of my colleagues in the Department of Greek and Roman Art of the Metropolitan Museum, to examine the bronze hut urn (Figures 14) that was on exhibition in the room dedicated to Etruscan antiquities. The urn,' constructed of sheet bronze, is in the shape of a hut with an oval plan and with vertical walls that slope slightly inward toward the top. A bronze strip, bent to an angle of nearly ninety degrees, serves to join the base of the walls to the sheet that forms the floor of the urn. The various parts are held together by rivets: eleven on the bottom, with large, slightly convex heads, and eighteen, with conical heads, along the lower part of the wall. A bronze molding attached with small bronze pins and incised with vertical hatching runs along the lower edge of the wall and the jambs of the doorway; similar moldings frame the door itself and mark the junction of the roof and the eaves. The trapezoidal doorway is surrounded on three sides by bronze strips fastened to the wall by means of eight bronze rivets with conical heads. Horizontal eyelets are attached to the middle of each of the two vertical strips, and a similar eyelet is attached to the center of the door by three small rivets with hemispherical heads; a long bronze pin with a conical head passes through the three eyelets, thus closing the urn. To either side of the entrance are vertical pilaster strips, each attached to the wall by two nails with hemispherical heads; each strip is capped by a rounded, capital-like protuberance tapered at the top. On the opposite side of the urn are two more pilaster strips, plain and without capitals; their position does not correspond exactly to that of the first pair but is determined by the rafters of the roof. The roof is divided into four somewhat convex
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