Objective: This research aims to explain the terms 'Hamartia', 'Anagorisis', and 'Catharsis' through the analysis of Shakespearian dramas, including examples from the twentieth and twenty-first centuries, to make it more relevant for readers. Additionally. Theoretical Framework: The research also offers an important perspective on each topic discussed, providing a comprehensive understanding of these critical literary concepts. Method: This term paper explores the variability of 'Hamartia', 'Anagnorisis', and 'Catharsis' and their various aspects. Results and Discussion: The accepted outcome is that readers will understand the manifestations and instances of those Aristotle's concepts in poetic works. Furthermore, this study poses a question, of whether "Anagnorisis" can be diversified, or if it is just a result of one state of feeling. Research Implications: Aristotle was a student of Plato’s who joined his academy at the age of 18 and contributed massively and abundantly in several fields, such as humanities, theatrical poetics. StudioBinder states that 'Aristotle’s Poetics is a foundational work of dramatic theory that outlines the fundamental principles of effective storytelling. Through his study of Greek tragedies, Aristotle identified key features as essential elements to evoke emotion within an audience and achieve a cathartic experience. By understanding Aristotle’s ideas on poetics, writers can create powerful stories that move and inspire audiences. Originality/Value: This term paper explains sufficiently the multiple aspects that Hamartia, Anagnorisis and Catharsis could be seen through. In addition, since Shakespearean tragedies are written in the renaissance era, fate has its main role in putting the characters under its influence.
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