which the concept does not apply. Many Renaissance people believed that like as base occupations are fit for folks of base fortune, so valiant and vertuous minds, in actions of honor and vertue should be employed.' Villain (serf), as Montesquieu observed in tracing the development of the concept of honor, was a term of reproach to a nobleman.7 (Falstaff's background peculiarly fits him to be a witty commentator on this parody. He is with the meaner sorte, so that he can observe them, but he is not altogether of them; he can view their present in terms of his past background. His parody of the noble class is clear when he calls the thieves, gentlemen of the shade, minions of the moon (i Henry IV, I. ii. I7-i8). Pistol is one of the low-life people who illustrate the parody of the physical-moral competence principle as applied to old age. In his quarrel with Fluellen, Pistol first utters such imitation-classical threats as, Base Troyan, thou shalt die! (Henry V, V.i. 32). Forced to eat a leek, Pistol still insists, By this leek, I will most horribly revenge! I eat, and yet, I swear- (V. i. 4950). But, obliged to choose between taking a tip of a groat or eating another leek, Pistol demonstrates a degenerative sequence in moral force which parodies that of such members of the noble class as Gaunt and York.8 Pistol finally acknowledges, Old I do wax, and from my weary limbs, Honour is cudgell'd (V. i. 89-9o).
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