Concept Of Archetype Research Articles

Authority and Power in the Classroom: Implications of Schooling on Life Script

The authors present a series of ideas about the intrapsychic and interpersonal dynamics of the classroom. The premise of the paper is that individuals’ early experience of schooling, including their relationships with teachers, can have a longstanding impact in relation to navigating relations with authority and power as well as attitudes and beliefs about the capacity to learn and to be successful. A new model introducing the notion of parallel private and public spheres in relation to structural ego states is presented. The authors introduce the concepts of the teacher archetype, educational relational units, and working with the Child ego state in educational work.

Emotion Regulation, Relationship and Therapeutic Change in Analytical Psychology and Contemporary Psychodynamic Approaches.

All contemporary psychotherapies agree that (failing) emotion regulation is central to psychological disorders and that psychotherapy is about improving emotion regulation. In his research on the "emotion-laden" complex Jung put an emphasis on the role of failing emotion regulation in contributing to psychological disorders as well as to change in the process of psychotherapy, but he left this field of research and took a very different direction in favour of his archetype concept. Psychodynamic approaches generally argue that changes in emotion regulation are accomplished through corrective emotional experiences in the therapeutic relationship. Insights from affective neurosciences and attachment research have had a major influence on how the therapeutic relationship is constructed in contemporary psychodynamic approaches. There is a lack of similar developments in analytical psychology, which leads to substantial differences between the models of Jungian psychotherapy in contrast to other contemporary psychodynamic approaches. The implications of these differences for the practice of psychotherapy and especially the role of the therapeutic relationship are pointed out.

Philosophical understanding of Russian-language poetry of Central Asia and the East

Introduction: The cultures of Central Asia have been intertwined with Russian culture for many centuries. Many Russian-speaking poets of this region have left a serious contribution to the development of several cultures at the same time. Objectives: The aim of this study is to identify the main philosophical meanings and contexts that unite the creative heritage of Russian-speaking poets of Central Asia and the Far East.Methods: To achieve this goal, the historical method, comparative method, and hermeneutic analysis are used. The authors of the article also refer to the concept of archetypes, introduced into literary studies from the psychoanalytical approach.Results: In the course of the study, it is determined that many Russian-speaking poets of these regions adopted the Asian cultural code, in connection with which the themes of “the call of the Motherland”, “metaphysics of the Great Steppe”, “Eastern City”, nomadic way of life, as well as a special, close to Asian, perception of time and eternity appear in their texts. These archetypes were added to Russian culture mainly under the influence of Eastern trends and the activities of emigrant and bilingual poets.Conclusions: The study contributes to the study of Russian-language poetry, as well as the poetic field of Central Asia and the Far East. It also touches upon the theme of the peculiarities of the formation of the writer’s identity in a bilingual environment and the theme of the dialogue of cultures, interethnic exchange of cultural code

Loving and Terrible Mother: An Archetypal Redefinition of African Motherhood in Beloved

The memories of past experiences have an unconscious influence on the present. In her novel Beloved, Toni Morrison vividly portrays the atrocities of slavery, shedding light on the enduring psychic wounds inflicted upon subjugated Black women and their motherhood. This study explores the embedded memories, trauma, and dehumanization that control and distort the ability of Black individuals to respond to the human experiences of maternal bonds. While existing literature has extensively explored motherhood, a gap remains in understanding the archetypal development within the fragmented psyche of tormented mothers. Drawing from Carl Jung and Eric Neumann’s collective unconscious and mother archetype concept, this interdisciplinary research aims to identify and examine the dual nature of motherhood – the loving and the terrible. By analyzing the reasons behind this duality, we seek to redefine motherhood, considering the exhibition of two contradictory natures among oppressed mothers.

Archetype symbols and altered consciousness: a study of shamanic rituals in the context of Jungian psychology.

The alteration of consciousness during shamanic rituals is both a physical and mystical phenomenon. It involves psychological and spiritual experiences. Through ritual practices, shamans can connect with archetype within the collective unconscious, utilizing trance-inducing techniques for "hallucinatory exploration". This study surveyed 75 participants to investigate the impact of prototype symbols in Shamanistic rituals on participants' consciousness states focusing on Jungian psychology's concept of archetype. The results indicate that archetype symbols in shamanic rituals can significantly influence participants' conscious state, leading them to experience a conscious dissolution of the self. Furthermore, archetype symbols have different effects at the stages of consciousness change. In particular, during the "Visionary Restructuralization" stage, archetype symbols, such as patterns, masks, totems and music, brought participants' consciousness to a peak and caused significant changes to it. These findings suggest that the metaphoric function of archetype symbols plays a crucial role in rituals. Archetype symbols connect the individual to the collective unconscious through visual images and symbolic imagery. They prompt the participants to experience emotional resonances that transcend individual experiences and affect their state of consciousness.

Military culture: Understanding deeper dynamics through the warrior archetype

This paper proposes a new psycho-sociological approach to understanding military culture change, built on the notion of warrior archetype, in line with psychiatrist Carl Jung’s concept of archetype. It contends that military culture and its related institutional forms fundamentally seek to mobilize on an ongoing basis human energy produced through the activation of the warrior archetype. The archetype is built on enhancing feelings of strength in numbers, and empowerment through socially sanctioned actions and potential use of violence. It uses the example of the Canadian Armed Forces culture change effort to illustrate that any such planned organizational culture change will fail if it does not remain consistent with activating the warrior archetype, as its central dynamic and purpose.

Artificial Intelligence and Psyche: The Trickster and Our Moral Compass

This article explores the mercurial nature of Artificial Intelligence (AI) as a reflection of Jung’s concept of the trickster archetype, delving into how AI epitomizes at once the brightest aspirations and the darkest inclinations of the human psyche. Through personal experiences shared by the author from his decades of working in the field of information technology and as viewed through a Jungian lens, this discussion illuminates the psychological underpinnings of our collective engagement with AI technologies, arguing that AI presents ethical and moral conundrums that must be navigated cautiously by the humans who use it.

AS RELATED TO THE MECHANISM OF EMERGING OF VOLUMETRIC-SPATIAL STRUCTURES WITHIN THE SACRAL ARCHITECTURE

The paper is a scrutiny of the process of adopting by people of the ar-chitectural form, as the result of adopting of the category of space. The author studies the mechanism of emerging of the architectural form. Based on adopting of the catego-ry of space and getting the awareness that the space is developed as per the system of axises, people generated the concept of geometrically arranged space. Then artistic component was added to such way of structuring of the space. All the above led to emerging of architecture as a phenomenon. The author, has applied the systematic ap-proach to research and shares his hypothesis on consecutive genesis of the architec-tural form as an independent category. Architectural form development is based on hierarchy of preceding stages which are components of the unified system – from the most common ones and up to the closest to the architectural form. So, we get deeper awareness of types of the volumetric-spatial structures. The author has studied accord-ing researches to form his concept of the spatial archetype. He justifies the statement – the volumetric-spatial structure (VSS) is the basic and only partially geometrically as-sociated lapidary foundation for emerging of architectural forms, with great variety of their specific spatial configurations. Also, despite unlimited amount of architectural forms, the quantity of basic types of VSS is six only. Systematic research of architec-tural form-development has led to determination of its deep inner mechanisms and bet-ter understanding of the category of architectural form.

Linguistic Personality of the Marvel Cinematic Universe Character Nebula: Narrative and LIWC Analyses

Blockbuster films intended for an international audience often depict universally recognisable psychological motivations and limitations, presenting characters whose verbal expressions create distinct psychological impressions. This paper focused on the relationship between language use, including narratives and psychological categories of words, and the psychological traits of cinematic personalities. The study aimed to investigate how a character's language usage exposed their personality, psychological attributes, and transformations throughout their story arc and archetype. To achieve this, in the research a connection between Maslow's hierarchy of human needs, Jung's concept of archetypes, and Schmidt's typology of master characters in fiction was drawn, which expanded the understanding of the heroine Nebula from Guardians of the Galaxy verbal behavior. The research further defined the character's psychological image and arc by analysing their speech patterns. It identified the character's archetypes, namely the Backstabber and the Father's Daughter, and explored the progression between these archetypes. Additionally, the article employed the narrative analysis to construct the character's story. The narrative analysis was concluded with the implementation of the LIWC-22 psycholinguistic analysis in order to validate the findings derived from the psycholinguistics and cinematic studies. This method allowed for a comprehensive examination of the language used by cinematic characters, providing insights into their psychological traits and development. Ultimately, this research has contributed to the comprehension of how people's psychological characteristics are depicted and communicated through language in mass cinematography.

Photonic Stochastic Emergent Storage for deep classification by scattering-intrinsic patterns

Disorder is a pervasive characteristic of natural systems, offering a wealth of non-repeating patterns. In this study, we present a novel storage method that harnesses naturally-occurring random structures to store an arbitrary pattern in a memory device. This method, the Stochastic Emergent Storage (SES), builds upon the concept of emergent archetypes, where a training set of imperfect examples (prototypes) is employed to instantiate an archetype in a Hopfield-like network through emergent processes. We demonstrate this non-Hebbian paradigm in the photonic domain by utilizing random transmission matrices, which govern light scattering in a white-paint turbid medium, as prototypes. Through the implementation of programmable hardware, we successfully realize and experimentally validate the capability to store an arbitrary archetype and perform classification at the speed of light. Leveraging the vast number of modes excited by mesoscopic diffusion, our approach enables the simultaneous storage of thousands of memories without requiring any additional fabrication efforts. Similar to a content addressable memory, all stored memories can be collectively assessed against a given pattern to identify the matching element. Furthermore, by organizing memories spatially into distinct classes, they become features within a higher-level categorical (deeper) optical classification layer.

The cybersecurity of fairy tales

Abstract The timeless nature of fairy tales can help uncover the timeless nature of many cybersecurity notions. Using 16 classical tales as illustration, in this article, the author shows that fairy tales are full of cybersecurity motifs and examples, and can thus be used extensively and effectively to explain cybersecurity notions. Obviously not cybersecurity as we know it today, but rather the fundamental and archetypal concepts that are at its heart. Fairy tales can thus be employed to mediate in conversations with less-knowledgeable, misinformed, or even skeptical laypersons about cybersecurity, increase their understanding and awareness, and thereby strengthen the overall cybersecurity of systems and applications.

Cortejando Medusa ou uma abordagem poética da teoria crítica dos processos de criação em artes

The article aims to expose the concept of “process documents” through a mythical format, touching on the position of the critic and the artist in relation to records, in addition to the immateriality of the creative process and the challenges of artistic creation. This approach is justified by enabling the reading of complex and abstract notions belonging to the critical theory of creative processes in the arts through a structure closely linked to human experience, that is, telling stories. To this end, the Greek myth of Perseus and Medusa was selected, especially the section in which the hero uses his shield as a mirror, in order to be able to see Medusa, given that this episode allows us to establish a bridge with the potential of the documents of process of enabling the glimpse of something, a priori, invisible, that is, the creative process itself. The breadth of meanings provided by the symbolic figures that make up the narrative and the specific way in which they relate enable an in-depth poetic investigation of the nature of the aforementioned concepts. For the theoretical basis and development of the discussion, the reasoning developed by Gaston Bachelard was used regarding the essential elements from which the creative movement originates - with emphasis on the water element - and the concepts of archetype and unconscious belonging to Analytical Psychology, formulated by Carl Jung. The study presents a qualitative approach and the procedure used was bibliographical research, emphasizing the unique contribution of Cecília Almeida Salles.

Supramolecular Aggregation of Carbon Nanodots.

Supramolecular aggregation has provided the archetype concept to understand the variants in an emerging systems property. Herein, we have achieved the supramolecular assembly of carbon nanodots (CDs) for the first time and employ supramolecular aggregation to understand their alteration in photophysical properties. In detail, we have employed the CDs as a block to construct the supramolecular assembly of aggregates in the CDs' antisolvent of ethanol. The CD-based aggregates exhibit complex and organized morphologies with another long-wavelength excitation-dependent emission band. The experimental results and density functional theoretical calculations reveal that the supramolecular assembly of CDs can decrease the energy gap between the ground and excited states, contributing to the new long-wavelength excitation-dependent emission. The supramolecular aggregation can be employed as one universal strategy to manipulate and understand the luminescence of CDs. These findings cast new light to build the emerging systems and understand the light emission of CDs through supramolecular chemistry.

THE ANIMUS OF THE MAIN CHARACTER IN “GIRL MANS UP” NOVEL BY M-E GIRARD

This research is conducted to discover the animus of a masculine girl in the novel titled “Girl Mans Up” written by M-E Girard. This research applies an analytical psychology approach, specifically archetypal approach with the concept of animus archetype proposed by Carl Jung. Animus is the masculine qualities or traits in females’ psyche, in opposition with her outer appearance. This research focuses on the stages of the animus development of the main female character whose outer appearance was not feminine. The research method used is descriptive qualitative method. To collect and analyze the data, the researchers use library research method. There are two types of data, which are primary and secondary. Primary data are collected from the novel and secondary data are collected from books and articles related to animus to support the research. The analysis shows that the main character’s animus was on the first and second stage of development, with three data for Man of Power stage and six data for Man of Action stage, and that gender expression does not fully signify the person’s psychological traits.

Towards multi-domain user archetypes for user-centred façade design

User experience and satisfaction with the facade play a significant role in user comfort and energy efficiency of buildings. This paper explores the concept of User-Facade archetypes to inform the user-centred design of shading devices based on the perceived level of importance of different environmental domains at the workplace. A questionnaire was developed to collect data on users’ perceived level of importance of different environmental domains, user characteristics and other preferences. Based on the associated level of importance of the domains affected by shading devices (thermal conditions, access to daylight, access to outdoor view, privacy and glare mitigation), users were then clustered into eight different archetypes, which associated different “weights” to each comfort domain. The study also found a significant correlation between the associated level of importance and the reported frequency of interaction with shadings because of thermal comfort, glare mitigation or privacy. Overall, users that associated high levels of importance to several environmental domains also reported high perceived levels of importance for personal control at the workplace. Only one archetype reported low importance for personal control at the workplace. Further work is required to validate these archetypes by capturing actual user behaviour and preferences in real workplaces. However, these findings provide preliminary and valuable insights into the possibility of clustering users on their preferences and using this for informing a more user-centred design or operation of shading devices.

Revisiting Carl Jung’s archetype theory a psychobiological approach

This paper delves into the concept of archetypes, universal patterns of behavior and cognition, and proposes a novel tripartite model distinguishing between structural, regulatory, and representational archetypes. Drawing on insights from code biology, neuroscience, genetics, and epigenetics, the model provides a nuanced framework for understanding archetypes and their role in shaping cognition and behavior. The paper also explores the interplay between these elements to express representational archetypes. Furthermore, it addresses the informational capacity of the genome and its influence on post-natal development and the psyche. The paper concludes by discussing the future trajectory of psychology, emphasizing the need for an integrative approach that combines our understanding of social constructs with insights into our inherent organizational propensities or archetypes. This exploration holds the potential to advance our understanding of the human condition.

First Days after Death - A Jungian Comparison between the Beliefs of the Serbian Orthodox Church and the Post-mortem Experiences in the Tibetan Bardo Plan

This study examines the psychological aspects of the Bardo Thodol according to C.G. Jung and its relationship with Serbian Orthodox Christianity. Through a comparison of Jung's work "The Seven Sermons to the Dead" (published 12 years before his encounter with Buddhism) and "The Tibetan Book of the Dead," the researcher identifies similarities between these texts, the Bardo Thodol and the writings of the orthodox Church (with an accent on the Serbian Orthodox Church) These similarities include the significance of the soul after death, salvation symbolized by a luminous element, and the presence of an initiator guiding the soul towards salvation (reminiscent of the Orthodox belief in angels). Additionally, the interval between the moment of death and deliverance, present in both traditions, is highlighted. Jung's postscript to the translation of "The Tibetan Book of the Dead" provides valuable insights into the psychological aspect of the book and the varying concept of the soul in Eastern and Western literature. He emphasizes that metaphysical assertions are expressions of the soul and, hence, psychological in nature. Jung describes the Bardo Thodol as a process of initiation aimed at restoring the divine nature of the soul, lost through birth. The Bardo Thodol is deeply rooted in the archetypal representations of the unconscious. Jung's concept of archetypes as universal and hereditary psychic structures helps to understand the connection between the Bardo Thodol and the collective unconscious. Furthermore, the journey through the Bardo of Reality can be seen as a representation of the process of individuation, seeking to achieve wholeness and completeness. Drawing parallels between Orthodox Christian mythology (mitarstva) and the Bardo of Reality, the researcher observes numerous similarities. This raises the question of whether mitarstva, with its well-organized structure involving demons, angels, repentance, and the 40-day journey of the soul after death, represents archetypal representations translating the layers of the collective unconscious in a Christian-pagan population. Therefore, this study sheds light on the intriguing similarities between the Bardo Thodol and Serbian Orthodox Christianity from a psychological perspective, deepening our understanding of the complex interplay between ancient religious traditions and the universal elements of the unconscious mind.

The Archetypal Analysis on Main Characters of Stephen King's Rita Hayworth and Shawshank Redemption

This research article explores the application of Jungian archetypal theory in analyzing Stephen King's novella, Rita Hayworth and Shawshank Redemption. The primary focus of this analysis is to uncover the archetypal identities embodied by the central characters, Andy Dufresne and Ellis "Red" Redding. Employing a close-reading method, the researcher examines the novella to gather relevant data for this study. By delving deep into their individual journeys and psychological transformations, the objective of this research is to unveil the underlying archetypal forces that shape their roles within the narrative. Drawing inspiration from Carl Jung's concept of archetypes and the collective unconscious, this analysis identifies Andy Dufresne as a manifestation of the "trickster" and "hero" archetypes, as evidenced by his portrayal in the story. On the other hand, Red embodies the "mentor" archetype, serving as a seasoned inmate and the narrator of the novella. In this way, the study sheds light on the archetypal dimensions present in the characters of the novella.

Investigating the reliability of building energy models: Comparative analysis of the impact of data pipelines and model complexities

During the last few years, interest has been growing in modelling the building stock to provide a possibility to transform, adapt and decarbonize cities. To scale the modelling of buildings on an urban scale, large quantities of detailed data are needed, which are not commonly accessible. Therefore, simplification processes for modelling the building stock have been developed through the concept of archetypes. However, different geospatial data that are publicly available can influence the modelling process, and discrepancies can occur when simplified archetypes are used. This study aims to evaluate and investigate the influence of various data pipelines and modelling methods based on urban scale or onsite collected data on building energy model's accuracy. Multiple standards for evaluating building energy models were used considering the thresholds accepted by IPMVP, ASHRAE, and FEMP. The results reported significant differences between the models based on the assumptions used in the event of the lack of data. In addition, the discrepancy in geometrical consistency between the models led to the investigation of the optimal EUI standardization method to provide an unbiased assessment within multi-spatial scales. Overall, the study provides new insights into the performance of different models to be a fit-for-purpose guideline for determining adequate complexities and data pipelines for developing building energy models.

Семиотическое пространство характерологических колорем в эпических текстах (на материале старофранцузского, древнеанглийского и нартского эпоса)

The article is devoted to the analysis of the mechanisms of color nominations semiotization in the representation of archetypal concepts in their dynamics. The analysis of the epic text as a specific space for interpreting the events of objective reality makes it possible to identify determinants in the hierarchy of the achromatic and chromatic subsystems of symbolic color designations. For the first time the dynamic characteristics of the development of the explicatory and semi-generative potential of coloremes are determined as special signs of marking textual positions for changing the interpretive code from the individual to the general cultural one. Based on a multi-aspect approach, including the techniques of interpretive, semiotic, conceptual and hermeneutic-noematic analysis, the authors explore the determination mechanisms of color representatives of meta-concepts in archaic and modern linguistic cultures (English, French and Karachay-Balkarian) by a vertical sociocultural context. The material of the study was the texts of the Old French epic, represented by its most representative form – chanson de geste, as well as the text of Nart sagas and Beowulf, in which the hierarchical organization of the achromatic-chromatic semiotic space is revealed. The authors identify the achromatic two-element code “white/black” as the dominant coloristic symbols in the epics. As a result of the study, the following coloratives marking the primary discretion of the world and the prototypical opposition of “friend or foe” were identified: in positive space – blanche, blican, акъ; within the derogation area – noir, hárne, къара. The authors refer contextually polar and perceptually close colorems ou, golde, алтын; rougez, reód, къызыл to the key verbalizers of the gradual scale of chromatic space in the semiotization process of the opposition “good – bad” in the epic text. On the interpretation of cultural noematics define two basic subsystems of the color naming semiotization – generalized personalized images and environmental codes. The semiotic space of color meanings structures the recipient’s noesis and introduces it into the general semiosis.