The subject of the study is, on the one hand, the artistic reality of Alexandra Marinina's novel “The Illusion of Sin”, and on the other hand, an analysis of the features of Russian life in the 1990s, presented through the prism of this novel. The author doubts that this work can be fully classified as a detective genre, since the background is a description and comprehension of life in Russia at that time. A comparison of Chekhov's “The Cherry Orchard” and “The Illusion of Sin” allows us to formulate a hypothesis about the nature of Russian sociality. As before, two unrelated processes — impersonal, social and unrelated and often meaningless, marginal actions and deeds of people. From the point of view of this hypothesis, Marinina's work is considered: she, but naturally as an artist, presents to the reader the social reality of the 1990s, which in many ways resembles the “bad sociality” that Vasily nkovsky wrote about back in the 20s of the last century. The author identifies four aspects of this sociality: the attitude of Russians towards law that dates back to past centuries, a sense of social injustice, the absence of moral and ethical guidelines, and the obsession of Russians with ideas that M. Bakhtin wrote about.
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