Paint Composition Research Articles

Enhancing the Surface Mechanical Properties of AL2618 Alloy Turbochargers Using a PLD Device with AI2O3

Abstract Pulsed laser deposition (PLD) has become a widespread technology for the fabrication of multicomponent thin films Material. In this research, the Microstructure phase, composition and effect of paint made from A nanomaterial (Alfa- Al2O3) were study, A Pulsed laser deposition used in order to improving mechanical performance of aluminum alloy (AL-2618) of turbocharger blades, The main advantages of using it in the manufacture of turbocharger blades to reduce corrosion and erosion, and to ensure high hardness and long-life fatigue, The Pulsed laser deposition used for turbocharger blade, to deposit a layer of aluminum dioxide (10 m) on the surface of the aluminum alloy. The mechanical properties of the blade improved where the hardness of the samples examined and conducted an (EDX) test before and after the deposition process. It was found that after depositing a Nano-layer of aluminum dioxide (Al2O3), the hardness increased and the corrosion and erosion were reduced.

New eco-friendly succinimide linseed oil resin: synthesis, characterization, DFT and docking studies for surface coating

Purpose The purpose of this study is to develop a new protective coating formulation for industrial use, using new eco-friendly succinimide linseed oil resin. Design/methodology/approach Epoxidized linseed oil and N-(4-hydroxy phenyl) succinimide are reacted to create succinimide-modified epoxy (SIE) compounds. The synthesized compound was confirmed by different analyses, gas chromatography, Fourier transform infrared, proton nuclear magnetic resonance and scanning electron microscopy. The prepared compound has been blended with a primer paint formulation, then their physical and mechanical properties have been studied. Density function theory is used to calculate Frontier molecular orbital including highest occupied molecular orbital and least unoccupied molecular orbital to indicate the charge transfer from molecule to biological media and molecular electrostatic potential map was used to indicate the chemically reactive zone suitable for drug action. Findings The results of the paint formulation confirmed their best performance and provided good mechanical properties and high chemical and corrosion resistance. Research limitations/implications Resin compounds are the most used antimicrobial additives. Other functionalities of these compounds, such as corrosion inhibitors, might be studied to see if they are suited for these applications. Practical implications Because of the efficiency of the SIE when incorporated with primer, paint against microbial has also been examined in silico using the docking study which contributed to the analysis of their protein binding. This type of epoxy compound is environmentally friendly and can be used as a biocide with different paint formulations. As a result, paint compositions including this compound as additives can be used as dual-purpose paint and for a variety of industrial applications. Originality/value This research demonstrates how a low-cost paint composition based on synthesized SIE compounds may be used as a dual-function paint for industrial use.

Unveiling the Composition of La Pajarita PVAc-Based Paints in Joan Miró's Studio and in Three Artworks from the 1970s.

In this study, we present the first characterisation of the polyvinyl acetate (PVAc) paints of commercial Spanish brand La Pajarita preserved in the studios of Joan Miró (1893-1983) in Mallorca, Spain. Investigation of several black and white paint samples using complementary analytical techniques (XRD, SEM-EDX, FTIR, and Py-GC-MS) allowed for the identification of pigments and binding media in studio materials, as well as in three artworks dating from the 1970s. Through comparative analysis, it was possible to find significant similarities between the composition of La Pajarita paints conserved in cans in the artist's studio with black and white painted layers from three artworks by Miró. Miró's use of La Pajarita paints is extensively documented in studio notes, photographs, and videos, and these paints are known to have been used by other significant Spanish artists. However, their composition has remained largely undiscovered until now. This research contributes to the knowledge of PVAc paints, providing evidence of their use by Joan Miró. The analytical results serve as a valuable reference for comparing and identifying these synthetic paints in other artworks, as well as aiding in attribution or dating studies. Furthermore, the study demonstrates the significance of materials found in artists' studios as a fundamental resource for identifying the materials present in artworks.

A Study on Pigment Composition of Buddhist Cave Paintings Based on Hyperspectral Technology.

The value of the Buddhist cave lies not only in the Buddha statues but also in the surface painting. Hyperspectral imaging technology, as an emerging and effective method for component identification, offers a non-contact and non-destructive approach to the preservation and restoration of oil paintings. This study employed hyperspectral cameras to capture common pigments on the surfaces of Buddhist caves. Then, the results were processed and used as a database to identify the paintings. Additionally, a series of experiments were conducted to examine the impact of binder, substrate types, and pigment sizes on the reflectance spectrum of the paints. The Spectral Angle Matching (SAM) algorithm was then used to analyze the Yuanjue Cave and Qiqushan Stone Carvings of the Tang Dynasty in China. The findings revealed that the position of absorption peaks in the reflectance spectra is not significantly influenced by the substrate but is affected by the binder. Moreover, the absorption depth varies regularly with particle size. Furthermore, the spectral matching results demonstrate that components can be accurately identified even for similar colors. Based on the pigment distribution, the study also inferred specific details of ancient paintings, including the painting steps and hidden information in the manuscript layout. These findings hold significant implications for the restoration of representative surface paintings of the Tang Dynasty Buddhist cave, providing a reference for the selection of restoration materials and methods.

Functionalization of one-component cement silicate paint

The paper presents the results of a study devoted to expanding the functional properties of one-component cement-silicate paints based on white Portland cement, soluble sodium glass and a hardening retarder (sodium phosphate). Existing compositions, despite their exceptional performance qualities, are not able to provide the entire range of required functional characteristics. Therefore, in order to expand the areas of cement silicate paints application, additives based on aluminum powder and nano-sized titanium dioxide were introduced into the coating composition. This resulted in the increase in the electrical conductivity of the coating and made the paint self-cleaning due to photocatalysis. The study showed that the introduction of nano-sized titanium dioxide particles into the paint composition provides the rapid degradation of organic pigments (within 2 days) due to the photocatalysis reaction occurring under the influence of ultraviolet solar radiation. The pigments are further removed due to precipitation. This helps to maintain the aesthetic properties of the paint even in high dust conditions, for example, in conditions of sandstorms, which are frequent in the African climate. The introduction of aluminum powder into the paint composition reduces its electrical resistance (in a wet state) from 5.05 kOhm for the reference sample to 2.7 kOhm for the modified sample. The thickness of the applied paint was 350 microns. This can help the coating to absorb man-made electromagnetic radiation due to shielding, while preventing the accumulation of static electricity on the surface, which also contributes to less dust in the premises. In addition, the use of aluminum powder instead of traditional electrically conductive carbon-containing additives allows maintaining the aesthetically pleasant white color of the paint.

Development of methodology for the visual identification of Tributyltin (TBT) in antifouling paint matrices.

Organotin compounds (OTC), mainly tributyltin (TBT), have been used since the 1970s as biocides in the composition of antifouling paints. Due to its physical-chemical characteristics, TBT has high toxicity to the marine environment affecting non-target organisms. The present study aims to develop a method of direct visual identification of TBT in antifouling paints using the cyclopalladate complex, 4- (2-thiazolylazo) resorcinol (TAR-Pd), synthesized in our laboratory. Tests were performed in blank and in the paint matrix with the following OTC: TBT-O; TBT-Cl; TPT-Cl; DBT-Cl (tributyltin oxide, tributyltin chloride, triphenyltin chloride, dibutyltin chloride), in addition to the SnCl4 and SnCl2 compounds (tin IV chloride and tin II chloride), all at a concentration of approximately 20g/ kg of dry paint). The test was performed by applying paint samples to test bodies and scraping a few tens of milligrams of the dry paint film. The scraped paint samples were submitted to the test, showing a different staining reaction for the TBT-Cl and SnCl4 samples concerning blank and other samples (TBT-O, TPT, DBT-Cl, and SnCl2). Solution tests were performed to characterize reaction products by spectroscopy in the visible band. The method developed has potential for application in real samples, being selective for TBT-Cl and SnCl4 in an acid medium, obtaining a limit of detection, in the range of 1-10mg/kg dry paint.

WDXRF Analysis of White Colour Pigments Used by Ancient Artists in Central Tanzania Rock Paintings

In central Tanzania, there are large numbers of ancient rock paintings which have been drawn mostly on shelter rocks. Different colours were used in the paintings including white paint. The pigments and the material used by ancient artists in making these colours were not known. This study aimed to determine the composition of the white colour and suggests the pigments and materials used in making the white colour. A technique namely WDXRF was used to determine the composition of white paint in order to suggest the pigment used while a CHN elemental analyser was used to determine the presence and amount of organic carbon in the samples. The results from the analysis of the rock sample were compared to the results of the analysis of the paint sample. White colour was found to be from chalk (CaCO3) and gypsum (CaSO4X2H2O). Both pigments were found to contain some amount of organic carbon in different concentration. Organic carbon in the pigment is related to the use of organic binders during the preparation of the colour.

Study of Properties of Water-Dispersion Paint and Varnish Compositions with the Content of Modified Mineral Filler

This article presents the results of research work devoted to improving the characteristics of paint and varnish coatings based on aqueous dispersions of polyacrylates; it is proposed to modify them by introducing mineral raw materials as fillers and hydrated lime, with subsequent processing in a vortex layer apparatus. The introduction of activated diatomite does not cause the deterioration of covering power, adhesion or an increase in the porosity of the paint material. The modification of coatings contributes to an increase in their operational properties, which can be associated with a reduction in the free volume in the composite and the formation of polymer boundary layers with modified physical and chemical properties. The aim of this study is to obtain a water-dispersion paint and varnish composition containing modified diatomite on a polyacrylate basis and, subsequently, study its main physical and mechanical parameters. The work has been carried out by the following method: determination of porosity, adhesion, elasticity and covering power of the control composition; determination of porosity, adhesion, elasticity and covering power of the obtained composites using modified filler; investigation of the influence of radiation on the infrared spectrum of the paint coating surface using a FLIRB620 thermal imager. As a result of this research work, it was noticed that the modification of water dispersions with silica-activated diatomite helps to eliminate the main disadvantages of materials and coatings based on acrylate binders—low water resistance and low physical and mechanical characteristics. The introduction of modified diatomite into water-emulsion paint on an acrylate base does not lead to the deterioration of the main performance characteristics of paint coatings—porosity, adhesion, elasticity and covering.

HYDROPHOBISATION OF WATER-DISPERSION PAINT AND VARNISH MATERIAL WITH POLYSILOXANE EMULSION

The modern market of paint and varnish materials is represented by a wide range of construction products, including those designed to protect facades of buildings and structures from atmospheric impact. Among the variety of varnishes and paints for processing and rendering decorative and protective properties to building materials, as well as from the viewpoint of environmental friendliness, the most popular products are water-dispersion paints based on acrylic dispersions. However, along with the high values of colour fastness, UV resistance and gas permeability, acrylic-based paints are insufficiently elastic and lack resistance to water. In this regard, the paper considers a method for increasing the mechanical and hydrophobic properties of acrylic paint and varnish material by introducing a hydrophobic polyethylhydrosiloxane-based emulsion containing polyethylhydrosiloxane (PEHS) - 35.20, glutaric aldehyde - 0.19, polyvinyl alcohol (PVA) - 7.75, water - 56.86 wt%, as well as by increasing the surface development (relief), achieved by increasing the volumetric concentration of pigments (VCP). The optimal range of the amounts of a hydrophobic emulsion and a coalescent into the composition of water-dispersion paints based on acrylic dispersion has been determined. To assess the stability of the coating after drying an aqueous dispersion paint modified with the aqueous polyethylhydrosiloxane emulsion, the wetting angle and free energy of the surface were evaluated using two liquids of different polarities, namely distilled water and diiodomethane. The possibility of modifying the aqueous dispersion paint, characterised by VCP of 70-80 %, by the polyethylhydrosiloxane hydrophobic aqueous emulsion in the amount of 5-5.5 %, combined with ethylene glycol (4.5-5.5 %) has been established, which makes it possible to obtain a hydrophobic coating with a wetting angle of up to 100°. By comparing the wetting angle values of the coatings, it has been shown that in the absence of the hydrophobic additive, this parameter is lower by 12.5 % than the parameter of the modified sample.

Comprehensive Characterization of Drying Oil Oxidation and Polymerization Using Time-Resolved Infrared Spectroscopy.

Drying oils like linseed oil are composed of multifunctional triglyceride molecules that can cure through three-dimensional free-radical polymerization into complex polymer networks. In the context of oil paint conservation, it is important to understand how factors like paint composition and curing conditions affect the chemistry and network structure of the oil polymer network and subsequently the links between the structure and long-term paint stability. Here, we employed time-resolved ATR-FTIR spectroscopy and comprehensive data analysis to study the curing behavior of five types of drying oil and the effects of curing temperature as well as the presence of a curing catalyst (PbO). Extracted concentration curves of key reactive functional groups point to a phase transition similar to a gel point that is especially pronounced in the presence of PbO, after which curing reactivity slows down dramatically. Analysis of kinetic parameters suggests that PbO induces a network structure with a more heterogeneous cross-link density, and the ATR-FTIR spectra indicate lower levels of oxidation in those cases. Finally, lower temperatures appear to favor the formation of carboxylic acid groups in oil mixtures with PbO.

STATE, PROBLEMS AND MODERN DIRECTIONS OF MODIFICATION OF WATER-DISPERSION PAINT AND VARNISH MATERIALS

This article is devoted to the analysis of the state, problems and prospective directions of application of water-dispersion paint and varnish materials. Providing reliable and durable protection of coating remains the main task of water-dispersion paint and varnish materials technology. In this connection, modern technical solutions to improve the protective characteristics of paint and varnish compositions based on aqueous film-forming agents and, accordingly, the search for effective components in the direction of modification of paints and coatings acting as universal additives, in particular, dispersants and anticorrosive agents are considered.

Formulation of tattoo paints from the assemblage of the Upper Paleolithic site of Ushki V (Kamchatka)

In recent times, the practice of body modification in sociocultural, psychological, and art studies contexts has gained a new impetus for research. This article presents the results of the analysis of pigments found on the sur-face of stone artifacts identified as tattooing tools from the assemblage of layer VII of the Upper Paleolithic site of Ushki V (13–12 ka calBP, Kamchatka Peninsula). The aim of this study is to reconstruct the formulation of paints discovered on the surface of stone tools from the collection of Ushki V, that could have been used for tattooing. The reconstruction was carried out by means of determining the composition and microstructure of the paints using scanning electron microscopy and energy dispersive X-ray spectroscopy (SEM-EDX). The conclusions about the structure of colouring substances and the composition of paints are based on the element mapping method, which allows determination of the relationships of chemical elements and establishing the chemical com-position of individual components of the microstructure. Seven samples of red and yellow paint from the surface of six tools (carvers) have been thoroughly analysed. As a result, it has been found that three recipes were used for the manufacture of the pigments. The first (red paint) was based on mixing crushed mineral pigment (hema-tite) with organic binder of animal or vegetable origin. The second (yellow paint) implied the use of limonite, or-ganic binder and a thickener (aluminosilicate material or crushed bone). The third recipe (dark orange paint) in-cluded the compound of limonite and organic binder without thickener. The comparison of the formulations with previously obtained data on the analysis of paints from Ushki V allows for the conclusion that there were continu-ous technological traditions determined by the desired color and purpose of the paint. It has been established that the formulations have analogies both among the assemblages of other Stone Age sites of Eurasia and in ethno-graphic materials. Theoretical and practical significance of this research lies within extending of focused studies of the culture of peoples of the North and initiating of comparative research into similar Late Paleolithic and Neolithic complexes in the territories adjacent to Kamchatka and in the New World.

Comparative study of surface preparation for paint adhesion on CF-PEKK composites: Plasma, Chemical, and Flame treatment

Polyether ketone-ketone (PEKK) is a high-performance thermoplastic, and its fiber composites have various engineering applications. Fiber reinforced composites in long-term applications require a protective layer of coatings to avoid environmental degradation. In this work, the surface energy of carbon fiber-PEKK composites was modified by flame, chemical, and plasma treatments to improve paint adhesion. A detailed study was carried out to understand the physical, morphological, and chemical surface characteristics due to different surface treatments. We found through XPS that highly active surface functionalities (− C-Ȯ/−C = Ȯ) due to oxidation at the ketone/ether groups were for surface adhesion. In support of the enhanced surface functionality, we have also evaluated the wetting behavior of paint with respect to different treated surfaces using drop shape analyzer and found that the polar component of the surface free energy increased for all treatments compared to pristine. Surface crystallinity after surface treatment was assessed using XRD; flame and plasma showed reduced surface crystallinities (25.92 % and 38.18 %, respectively), compared to pristine (46.78 %), and yielded a good adherend for coatings. Surfaces with good wettability and functionalities show good adhesion between the paint and PEKK composites as found through adhesion tests following ASTM D3359. The findings demonstrate that plasma surface treatment outperformed flame and chemical treatments in terms of adhesion of the paint to the surface.

Exploring the Feasibility of Eu(TTA)3TPPO as Pigment for Fluorescent Paint

We outline the synthesis of rare earth hybrid organic β-diketonate Eu(TTA)3TPPO complex [Eu: Europium, TTA: Thenoyl Trifluoro Acetone, TPPO: Triphenylphosphine oxide] pigment to formulate luminous paints. Epoxy and urea formaldehyde resins were synthesized by catalytic homo polymerization and solution polymerization technique, respectively. The fluorescent pigment was synthesized at ambient temperature by solution technique, maintaining the stoichiometric ratio at pH 7. Nextly, fluorescent paint was developed on glass substrate with epoxy (E) and urea formaldehyde (UF) resins and toluene as solvent with thickness 0.1 mm, respectively. Photoluminescence (PL) spectra and photometric assessment of the complex were carried out to probe its photophysical parameters. The excitation spectra of the synthesized complex depicts a wide-ranging excitation peak at 466 nm with a wide shoulder at 538 nm, while emission spectra discloses an intense peak, recorded at 617 nm which portrays colour in the reddish-orange region of the visible spectrum. The paint compositions were checked for tack-free, hard dry, adhesion, water, salt, alkali and acid spray test to study their resistance against distinct surroundings. The painted panels also portrayed reddish orange emission at a unique wavelength of 617 nm. Amid all the paint compositions, the intensity of the painted panel with urea formaldehyde as a binder was found to be maximum, followed by the painted panel with epoxy as the binder. Photometric evaluation revealed reddish-orange emission from pure pigment as well as painted panels, which portrayed in the visible spectrum. This proposes a way to develop fluorescent paints that find applications in several areas such as flexible displays, glow-in-dark road paints, OLED devices, automotive rare lighting, fluorescent sensors, aircraft cabin and floor lighting, architectural and interior decorations and many more.

ColorNetVis: An Interactive Color Network Analysis System for Exploring the Color Composition of Traditional Chinese Painting.

In the field of digital humanities, color research aims to discover explanations for painting history and color usage habits. However, researchers analyzing color relationships is challenging and time-consuming, as it requires color extraction and a detailed review of many painting images for reference and comparison of color relationships. In our work, we propose ColorNetVis, an interactive color network analysis tool that enables researchers to explore color relationships through color networks. The core of ColorNetVis is a bipartite network model that establishes a bipartite relationship between colors and Chinese painting within a scope based on color difference measurement. It constructs a one-mode color network through projection algorithms and similarity calculation methods to discover the relationship between colors. We propose a coordinated set of views to demonstrate the combination of determined color networks with painting types and real-world attributes. We use color space view, color attribute distribution view, and single color query components to assist researchers in conducting detailed color analysis and validation. Through case studies, researcher reviews, and user studies, we demonstrate that ColorNetVis can effectively help researchers discover knowledge of color relationships and potential color research directions.

РАСШИРЕНИЕ ФУНКЦИОНАЛЬНЫХ СВОЙСТВ ЦЕМЕНТНО-СИЛИКАТНОЙ КРАСКИ

The paper describes a one-component cement-silicate paint based on white Portland cement and sodium hydrosilicate, which lacks expensive zinc oxide and potassium liquid glass. The paint is supposed to be produced as a dry mixture, which can be applied in the conditions of the construction area using mixers. It is shown that the introduction of chrysotile nano-fibers into the basic composition of the paint allows its use for painting hot surfaces operating at temperatures up to 700 ºC. The use of nanodispersed titanium dioxide in the composition of cement-silicate paint provides self-cleaning of the painted coating due to photocatalytic reactions on the contaminated surface

Innovative solutions in easel painting through the prism of the activities of artists of the Creative Painting Workshop of the Russian Academy of Arts under the leadership of H. A. Yakupov.

The subject of the study is a set of innovative solutions for easel painting by artists of the Creative Painting Workshop of the Russian Academy of Arts under the leadership of H. A. Yakupov in Kazan from 1977 to 2008. Easel painting by artists-trainees of the Creative Painting Workshop of the Russian Academy of Arts in Kazan was chosen as the object of research. The review of the activities of the Russian Academy of Arts in the XX-XXI centuries is given, from the point of view of supporting the Russian traditions of easel painting in Russia and abroad. The characteristic of the Creative Painting Workshop of the Russian Academy of Arts under the leadership of H. A. Yakupov in Kazan as an object of research in the context of painting of the Republic of Tatarstan and Russia is given. The methodology of the analysis includes the following concepts: genre, plot, composition, color, format, and their implementation in the works of trainee artists. Comparative methods of compositional and coloristic analysis are applied, compositional solutions are considered as innovations in the composition of easel painting of a subject-themed painting. The research materials confirm the high results of the creative work of the trainee artists in creating new compositional and coloristic solutions in easel painting in the laboratory of the Creative Workshop using a combination of innovations. Сonclusions are formulated about the need to popularize the work of artists-trainees of the Creative Painting Workshop of the Russian Academy of Arts under the leadership of H. A. Yakupov in Kazan. Russian realism traditions have been preserved, and the easel painting of the trainee artists is based on the artistic experience of Russian realistic art, using a combination of innovations in author's solutions.

Bioavailability, risk assessment, and source traceability of potentially toxic elements in bivalve species widely consumed in the emblematic Acapulco Bay, Mexico

The concentration of potentially toxic elements (PTE) was determined in edible tissue, digestive system, and shells of two bivalve species (Hyotissa hyotis and Spondylus limbatus) highly consumed in Acapulco Bay (southern Mexico) to evaluate the impact on marine ecosystems and human health risk associated with the consumption of potentially contaminated bivalves. PTE concentrations (Ba–Cd–Cu–Co–Cr–Mn–Ni–Pb–Sr–V–Zn) in edible tissues were lower than in the digestive system and shells in both bivalve species. Except for Cr, Pb, and Cd, PTE concentrations in the edible tissue of both species did not exceed international threshold limits. In addition, the biota-sediment accumulation factor values indicate bioaccumulation in edible tissues (Ni, Cd, Pb, Co, and Zn), digestive system (V, Ni, Cu, Cd, Pb, Co, and Zn), and shells (V, Cr, Pb, Co, and Mn), evidencing availability of pollutants in the Acapulco Bay. Contents of Pb and Cd found in edible tissue can threaten human health. Target Hazard Quotient values indicate that the consumption of edible tissue does not represent any risk of developing non-cancerogenic effects. However, the Target Cancer Risk values indicate a moderate risk of developing carcinogenic effects due to the accumulation of Cr and Pb and an even greater risk due to the accumulation of Cd. Additionally, although local rocks and sediments should be the only source of PTE in uncontaminated marine ecosystems, a low radiogenic Pb isotope composition was detected in the bivalve shells, which partially overlap with Pb isotope compositions of paints and gasoline, indicating anthropogenic lead sources participation in the Acapulco Bay.

Qian Xuan Pounding the Balustrade

In the late thirteenth century, the poet-painter Qian Xuan 錢選 (style [zi (字)] Shunju 舜举, sobriquets [hao 號] Zhaxi weng 霅溪翁, Yutan 玉潭; ca. 1235–ca. 1307) created a horizontal, multi-colored landscape painting known today as Wang Xizhi Watching Geese and owned by the Metropolitan Museum of Art in New York; a copy of the painting exists in the collection of the National Palace Museum in Taipei. The work depicts a waterside pavilion in which a figure stands with his right hand seemingly resting on the balustrade. This article offers a new interpretation of the painting's scene, and it will argue that the figure's hand on the balustrade is the key to an additional perspective of the painting's artistic statement. It begins by analyzing the painting composition, which includes the artist's inscription, before proceeding to a discussion of balustrade in Song ci-poetry and its significance in Qian Xuan's painting. A closer look at the architecture of the pavilion further reveals that the subject and theme of this painting is that of a dejected Song scholar-poet who laments his country's fate.

Extraction of Optical Characteristics of Diffuse Particles for Modelling a Dispersed Medium

Currently, virtual prototyping, i.e. preliminary modelling of processes on a computer has become ubiquitous. It is also applied to modern automobile paints in order to correctly reproduce the colour of the paint. The most practically important task is colour matching: calculation of the paint composition necessary to obtain a given colour. The complexity of modelling the propagation of light in paint is due to its complex structure and the wide variety of pigments, including diffuse ones. This problem can be solved by simulation of the light scattering by the dispersed pigment particles. To do this we need the optical properties of pigments, which are often unknown. In this paper, we propose several different methods for extraction of the pigment properties by measuring the light scattering of specially prepared samples. All methods are based on minimizing the difference between measured and calculated scattering values as a function of pigment properties. The methods differ in the types of paint samples that must be prepared and measured to obtain the pigment data. We describe the operation of the methods and test their robustness. As a result, one method has proven to be much more robust to the measurement errors. The colour of the real sample was also compared with the calculated colour of the paint, in the modelling of which the obtained properties of the pigments were used.