Complex Genre Research Articles

Genre Hybrids in the Symphonical Creativity of Ye. Petrychenko as a Reflection of Time Trends

"Some peculiarities of genre interaction are considered (based on the symphonic creativity of a modern Ukrainian composer – Yevhen Petrychenko). It was found out that the symphony genre is open to various interactions, resulting in complex genre hybrids that allow the symphony to realize all its potential and extend the “life” of the genre. It has been proved that the awareness of the peculiarities of the genre hybrid is possible only at the level of seperate works and is situational. Two types of interactions that characterize genre hybrids are identified. This is an equal combination of genres, which is reflected in the genre name and the superiority of one genre with the scattered manifestation of the characteristics of other genres. It was revealed that Symphony No.1 “Requiem” by Petrychenko demonstrates the first type of genre interaction, because it combines genre features of symphony, suite, requiem and quartet, in which the dominant genre role is played by symphony, features of other genres are sporadic and subordinate to laws of symphony genre. The first chamber symphony also belongs to the first type of genre interaction, but shows minimal influence of other genres, due to the complexity of the chamber symphony genre. At the same time, in the Symphony “Antitheses” the genres of symphony, cantata and vocal cycle interact, which is reflected in the genre denotation (vocal symphony), principles of development, form and drama of the work. The prospects of research of genre hybrid forms open ways to the comprehension of features of modern academic music. Keywords: symphony, genre hybrid, genre interaction, the symphonic creativity of Yevhen Petrychenko, Ukrainian music, modern academical music. "

Issues of the Interview Genre in Contemporary Media Space

The purpose of the research is to investigate the problems of the genre in modern media discourse. Research methodology. When writing a scientific article, research methods are used: analysis and synthesis (analyzed and systematized the work of the interview genre have been analyzed and systematized), a comparative method (parallels of interviews in the world and Ukraine have been made), generalization and systematization (summarizing has been made due to practical knowledge and work with diverse literature). Scientific novelty. This article is relevant today, despite the huge number of ready-made materials and articles. Scientific work will help to understand the essence of conducting one of the most complex genres of information journalism and will demonstrate the problems of interviews in Ukraine. Conclusions. During the study of the interview genre in the modern media space, the problems of the interview genre were analyzed through scientific works. It has been established that interviews are a special genre in modern media discourse that helps to reveal or create something completely new and show another angle of the interlocutor. Being one of the leading genres on television, the interview makes a significant contribution to the growth of popularity in a modern environment on the leading channels of the country. Psychological factors have been disclosed, which contribute to the success of communication with a guest; potential problems, the main difficulties faced by the interviewer have been outlined. It has been proved that during the conversation, important moments that turn into information are revealed. The fact that in modern information space, especially in Ukrainian media, there is a lack of qualification of leaders during interviews, is accentuated. Based on them, we summarized the main problems and features of the interview genre. As a result, while working with the article, we have made a conclusion about the main problems of the genre on modern television.

Контактная экскурсия: речевой жанр vs коммуникативное событие

The article deals with the problem of the relationship between two linguistic theories: a speech genre theory and a speech act theory. The research is based on the genre of a contact excursion. From the point of view of genre studies a contact excursion is a speech genre and it can be described using the “speech genre questionnaire” proposed by T. V. Shmeleva, which includes the communicative goal of the genre, the concept of the author, the concept of the addressee, the dictum content, the image of the communicative past, the image of the communicative future, and the language embodiment. From the point of view of functional and structural classification, a contact excursion is a complex genre or a hypergenre, consisting of a number of simple genres. Within the framework of the actional or the activity approach, which is based on the speech act theory, a contact excursion can be considered as a communicative event and described using speech strategies and tactics which represent one or more speech actions, which traces to the concept of a speech act. The notion of the communicative style serves as the basis to reconcile and combine both theories.

The Experience of Doctoral Nursing Candidate in Writing Publication in Journal

Graduates of PhD nursing programs are expected to produce complex genres of writing such as abstracts, research grants, manuscripts for publication, and dissertations. Research evidence shows a wide range of variability in writing among doctoral nursing students, and these variations may become more profound when exposed to complex genres. the objective of this study to explore the experience of PhD candidate in writing publication in high indexed journal. This case study used depth interview, semi structured question, Interview conducting in English, recorded voice used for transcribing data in 2 respondents from doctoral nursing candidate in Bangkok Thailand comes from Mahidol university and Chulalongkorn university. Participants’ criteria for this study are: 1) Doctoral candidate with minimum 1 publication in high indexed journal (Scopus/ ISI Thompson) 2) Doctoral nursing students that study in Thailand 3) Pass Qualifying Exam. Data analysis used modification Benner’s methods use in this study. This study exposing three themes. Theme 1: Strategies for publish. Theme 2: Support for publishing journal. Theme 3: two ways Communication with journal editors and public. Introduce scholarly writing at the undergraduate level and reinforce across the nursing education continuum, provide students with examples of quality scholarly writing, encourage student to connect with writing mentors (peers, colleagues, family, editor, faculty) are main recommendation for postgraduate student for increasing high level publication of nursing students.
 
 

Application of status paths in the opera“layli and majnun” by reyngold glier and tolibjon sadikov

In this article, a comprehensive overview of the application of status traditions and ways was reflected in the Opera “Laylyand Majnun”, belonging to the pen of Geyngold Glier and Tolibjon Sadikov. The article can be useful for researchers in the field of Music Arts. The Opera “Layli and Majnun” is based on the work of Alisher Navoi with the same name. The libretto, which is the basis of the novel-made play by Hurshid, brilliantly showed the intelectuality of the main hero. Since opera is one of the most complex genres in music, it has made it much more difficult for young Uzbek composers. Uzbek demanded to be a nationalist while preserving all the rules of this generous genre.

Історичний репортаж. Розвиток теорії, збагачення емпірики

In the modern scientific developments, the topic of historical reporting rarely arises. Simultaneously, historical reporting with cognitive content in the current socio-economic conditions is invaluable in terms of aesthetic and patriotic education.The objective of the article is to use concrete empiricism to confirm the fact of real existence and rapid evolution of historical report- ing, defining its stylistic characteristics, specifics of collecting factual material, adherence to the rules of professional ethics when writing original material. Research methods. The historical-comparative method is widely used to cover objectively the problem throughout its development: from fixation in the scientific literature ten years ago to this scientific study. The method of content analysis allowed to summarize and to systematize the factual material that became the basis for writing the historical reports. The method of generalization could be used when summarizing the results and depicting the prospective ways of further scientific inquiry. Results. The social changes taking place in the country since 1991 could not fail to raise the questions in mass and especially public consciousness, as for the issue of the past and the prospects for the future. When it comes to historical researches, namely the fiction on interpretation of past events and facts, sometimes their concepts differ fundamentally. The historical reporting in its form may resemble a blog, historical investigation. The author of this scientific study insists that historical reporting is as close as possible to the objective reality. Conclusions and suggestions. The historical reporting develops as a genre. A number of empiricists is increasing, the editors publish the historical researches written in a fictional style. The historical reporting will soon be perceived as an everyday reality. In regards to the prospects of training of journalists who will work in this complex genre, it should be recognized that this activity provides for significant funding involving the experts in writing the material.

ТРАГЕДИЯ В ДРАМАТУРГИИ Л. ТИКА: НЕКОТОРЫЕ АСПЕКТЫ

The article considers the genre of tragedy in the works of L. Tieck, one of the key figures of German Romanticism. It is known that the tragedy genre among the German romantics is represented mainly by two varieties: the “tragedy of fate” (Schicksalsdrama) and the drama on a religious-historical theme (in literature most often referred to as Universaldrama, “universal drama”). L. Tieck stands at the origins of both genres, while the tragedy “The Life and Death of Saint Genoveva” (1801), to which other religious and historical dramas of German romanticism go back, turned out to be especially influential. Having created examples of those two genres, Tieck rethinks tragic structures, relativizing them in different ways – firstly, by transforming the tragic genre itself, and, secondly, by including tragic elements into the complex genre constructs, mainly into fairy-tale dramas. That rethinking, however, takes place mostly in the mainstream of the parody typical of Tieck’s work – whether it is a parody of the “main” tragedy with a comedy counterpart or the inclusion of parodies of the tragedy, including his own tragedies, in comedy texts. At the same time, however, Tieck’s last dramatic work, “Fortunat”, which has much in common with his fairy-tale dramas and, like them, is a complex genre construct, ends in tragedy in its purest form, the triumph of the tragic substance. In our opinion that testifies to the impossibility of complete relativization of tragedy and to the crisis of romantic drama

О жанровой природе лирики Золотого века

The article refutes the traditional view that in Pushkin’s era the poetics of genres was replaced by the poetics of stable styles. The genre certainty, characteristic for the early lyrical works of the leading poets of the time, is described. It is demonstrated that the phenomenon often identifi ed as the blending or the diffusion of lyrical poetry genres in the 1820s and 1830s is a complex genre orchestration based on a clearcut differentiation of genres.

Romanian National Opera of Cluj-Napoca – a Century of Existence beyond the Limits of the Times

Abstract On September 18, 2019, the Romanian National Opera of Cluj- Napoca celebrated its 100th anniversary and on May 25, 2020, it also celebrated a century from its inaugural performance. The birth of a cultural institution represents in itself the first overcoming of a limit: the limit of perpetuity. The concept of limit arose with the awareness of the finite essence of human nature in relation to its need for evolution and, concurrently, with the craving for freedom, exemplary being a desirable consequence of challenging the limit. In this context, humans discovered and endowed art concurrently with the purpose and gift of sublimating them, of guide them in their effort to explore, understand, affirm and overcome their condition. From the multitude of artistic expressions, opera appears to be, perhaps, the most complex genre. From this perspective, the Romanian National Opera of Cluj-Napoca not only has the virtue of being the first institution of this kind in the country, but also of fully observing its artistic status, of triumphantly overcoming all the challenges it, at a historical scale, through the mists of time. Now that the institution has celebrated its centennial, this is no longer a mere trial, but a confirmation. Through its accomplishments, the Cluj Opera has all arguments to be confident in its ability to persevere in going beyond the most recurrent of limits: the future.

The Sounding of Fancy Gestures: Visual in Music for the Performance “Camille” by Alexei Retinsky

The relevance of the study. The creativity of Alexei Retinsky (1986) gives an example of universalism, in which the artist’s personality reveals itself not only in different musical genres, but also in various types of art (music, painting, photography). A. Retinsky’s syncretic ability was realized in the process of working on the performance “Camille” (2018) about sculptor’s Camille Claudel life and her creative drama. The electro-acoustic composition created as a musical part of the performance closely interacts with its visual components — butoh-dance, scenography, light. There are three reasons why identifying the mechanism of this interaction seems important: firstly, it brings us closer to understanding the style of young talented composer; secondly, allows comprehend the essence of the synthesis of arts in performance better; thirdly, enriches methods of analysis of electroacoustic music. This publication is one of the first musicological studies of the work of A. Retinsky, which justifies its scientific novelty.Main Objective is to present the electroacoustic composition by Alexei Retinsky “Camilla” as a component of a complex genre of performance.Methodology / How the study was done. Both empirical and comparative methods are involved in this study: visual ideas found in the performance’s “Camille” choreography and scenography are traced in the sounding as well.Results/Findings and Conclusions. The interactions between music and the visual components arise in “Camille” in consequence of parallel implementation of identical ideas (symbols, contrasts and synesthesiae) in composition, choreography and scenography. Symbols include wave, circle and pendulum; various forms of presence these symbols both in music and visual parts are described. Contrasts — it means pairs of opposites that characterize the properties of choreographic gestures and sounding’s quality. Examples: line — dotted line, top — bottom, softness — stiffness, objectivity — generalization. Synaesthesia is construction and using for artistic purposes of causal relationships between gestures and sounding. Comprehension the music and visual components of “Camille” in their interaction helps to realize sense of this work as modeling non-vector time, as creation of extended in time and space “here-and-now”.

On Contemporary Speculative Short Fiction in Southern Africa

Speculative fiction is one of the most diverse and complex genres of African literature today. While the genre is not new to the continent, it has recently acquired new energy. This is perhaps most evident in the abundance of short story publications. Short story authors working in this genre are based throughout sub-Saharan Africa, and the range of subject matter dealt with is striking. One component that appears to bind speculative short stories together is the presentation of a plurality of collective, planetary anxieties about the contemporary moment and the imagined future. This article identifies nodes of interest—cyborgs and temporalities, specifically—from which an entanglement of cultural contexts can be considered in contemporary speculative short stories. In particular, the article focuses on speculative short fiction from the southern region of Africa—specifically from Malawi, Zimbabwe, and South Africa. The overall conclusion of this article is that the speculative genre in Africa is becoming a powerful tool with which to establish new relations to local spaces and ideas, to the world, and to futurity.

ИНТЕГРАТИВНЫЕ ХАРАКТЕРИСТИКИ СОВРЕМЕННОГО ПРОТЕСТА (НА МАТЕРИАЛЕ НЕМЕЦКОЯЗЫЧНОЙ ПОЛИТИЧЕСКОЙ БЛОГОСФЕРЫ)

Цель. Статья посвящена анализу характеристик немецкоязычной политической блогосферы на официальной платформе https://www.cision.de/top-10-blogs-politik/, определяющих пространственно-временное, предметное, коллективно-личностное системно-коммуникативные измерения протеста; актуальных выражений Net-мышления и электронной демократии как новых особенных форм современной политической коммуникации в исследуемых практиках протеста. Раскрывается комплексная сущность политических блогов, детерминируемая их полифункциональностью, дискурсивной гибридностью и стилистическим синкретизмом. Описывается совокупность компонентов, характеризующих политический блог как комплексный жанр онлайн-коммуникации; релевантные коммуникативные стратегии и тактики массового адресата, индивидуального адресанта и со-адресантов. Определяются параметры среды интернет-коммуникации, обусловливающие способ организации коммуникативного взаимодействия блогера и потенциального адресата и выбор языковых средств, необходимых для реализации интенциональности блогера. Основное внимание сосредоточено на совокупности классифицирующих признаков, которые находят свое проявление в стилистическом синкретизме политических блогов.Метод или методология проведения работы. Эмпирический материал был отобран методом сплошной выборки на официальной платформе https://www.cision.de/top-10-blogs-politik. Методы исследования включают в себя общенаучные методы анализа и синтеза, интерпретативный метод, контент-анализ, стилистический метод, применяемый для анализа фрагментов политических блогов.Результаты. Выделены проявления медиатизации как инструмента общественного взаимодействия в анализируемых протестных практиках, воздействующих на сознание и жизнедеятельность индивида. Результаты исследования позволяют по – новому переосмыслить взаимосвязь между сетевой коммуникацией и социокультурными изменениями.Область применения результатов. Результаты исследования могут быть использованы в базовом курсе прикладной лингвистики, лингвокультурологии и социолингвистике.

Learning Logic Gate through 7-Gates Game

This game is based on Logic Gates that invented by Walther Bothe in 1924 and improvised by Konrad Zuse (from 1935 – 1938). This game is a simple method for a student that try to learn in Logic Gates, an educational game with futuristic adventure. The only way for the player to save the digital world in this game by using Logic Gates, with Logic Gates formulas the player can make the power connection on the circuit to the digital world engine. Without knowing how Logic Gates functional will make the player losing the power for the engine to the digital world. 7 Gates Digital World is a complex genre game. The main genre for this game absolutely is an Educational Game. Although, the game developer made a complex genre for this educational game. Puzzle include in this game combined with platforms games style the player must collect all the switches in confusion platform map to go through the next portal to the next level. Educational genre in this game giving the content level completely based on the level of understanding and give the player to memorize every gates formula.

Sonatinas for Piano in the Context of Mao-Shuen Chen’s Composer and Pedagogical Activities

Sonatinas for Piano in the Context of Mao-Shuen Chen’s Composer and Pedagogical Activities

СРЕДСТВА СОЗДАНИЯ ОЦЕНКИ В РЕЦЕНЗИИ (НА ПРИМЕРЕ РЕЦЕНЗИИ НА ФИЛЬМ «ЗЕЛЕНАЯ КНИГА»)

The article considers the language genre-forming means of review as a research and news genre. It is noted that the review is one of the most complex genres, since it does not have strict genre-forming features. However, the review is always recognizable, because it is a secondary, derived text in relation to the work of art. The leading role in this text is played by the evaluation of this work. The score can be created by various means. In the review of the film "Green book", the dominant means of creating an assessment the irony is based on contrast. At the same time, using irony and a kind of banter, the author positively evaluates the analyzed film

The cover letter as a genre of speech in teaching Polish as a foreign language

Genres are products of cultures, reflecting the needs and practices of communities that have created them. Teaching the Polish language to foreigners, we should make them familiar with numerous Polish genres of speech, recommended in programmes of teaching Polish as a foreign language. The cover letter is a relatively new genre in the Polish continuum of speech, adopted from the Anglo-Saxon culture after the transition in 1989. It is a complex genre, deriving from others, such as the official letter, application, advertisement letter, and CV. The article presents a description of the genre, according to the genre pattern by Maria Wojtak, including four aspects: structural, pragmatic, ontological and linguistic. The dynamics of the genre resulted in the creation of a canon model, alternative variants and adaptive variants of this type of letter. The definition of the cover letter in terms of genre studies states that it is a short text (maximum one page) with a strictly defined structure, aiming at making the recipient (potential employer) hire the sender, it shows the sphere of life related to the world of labour and education, and is usually expressed in a schematic and clichéd manner (usage patterns are often copies of normative patterns). Foreigners should learn all four aspects of description of this genre of speech for effective communication in the environment of the Polish language and culture.

Hart Crane: A Romantic Poet of the Complex Genre of High Modernism

Hart Crane: A Romantic Poet of the Complex Genre of High Modernism

Disseminating and Hiding Information in Technical Communication Courses: The Case of Patents from the Perspectives of Digital Humanities

Despite their ostensibly aseptic nature, technical texts involve a multifaceted net of institutional, social and pragmatic functions. Patents, in particular, are characterized by a multi-layered rhetorical exercise in which information is provided, and hidden, in light of patent disclosure lawsDrawing on the Cooperative Patent Classification scheme, a corpus of patents related to environmental issues has been compiled. The objective is to investigate the main keywords emerging in the corpus and to analyse their semantic context in this patent type. More specifically, the analysis focuses on the patents’ semantic preference and semantic prosody in order to pinpoint and examine the semantic complexities emerging in this genre and to identify the strategies employed (such as the use of linguistic vagueness) in order to provide the necessary information while not disclosing precious data.
 Patents represent a complex, hybrid and cross-disciplinary genre and a finer understanding of their discursive features may contribute to spreading awareness of the importance that semantics plays within the rhetorical pattern of the text. Therefore, they may be fruitfully employed in Technical Communication courses in order to improved reading comprehension and analytical skills.

Light Dramaturgy as an Element of an Integrated Approach to the Creation of Museum Expositions and Exhibition Projects

Architectural and artistic construction of museum is one of the most complex genres in environment development and design, with its inherent qualities, means of expressiveness, principles of environment and image development, scientific concepts, in the context of historical development, artistic styles and trends. The author of the article considers the artistic lighting design in isolation from the integral dramaturgy of the project to be deeply flawed, and the setting of accent lighting at the final stage Ц to be simple, but not outstanding. Based on extensive hands-on experience in the construction of museum expositions, the author of the article reveals some peculiarities, especially significant to the participants of the lighting system setting for museums and other cultural facilities.

Threshold Concepts in Doctoral Education: A Framework for Writing Development in Novice Nurse Scientists.

Pedagogical practices for writing development in doctoral programs are often the by-product of completing dissertation research and may lack deliberate strategies to assist students with complex genres of writing. This article proposes a framework for doctoral education to assist students with mastery of threshold concepts in writing. Threshold concepts in writing are examined for their applicability to the evolution of writing in PhD nursing students as they begin to think and write like nurse scientists.