Post-apocalypse describes a human society that has become lawless due to the collapse of the social system destroyed after the destruction, and examines various elements of modern society such as human nature, desire, social system, and power. Recently, Korean post-apocalyptic content has gained public sympathy by depicting political and social anxiety that has long dominated Korean society, such as class inequality, corrupt power, and moral dilemmas. This study analyzed the space in Korean post-apocalyptic content based on Henri Lefebvre's spatial theory. As a result, it was confirmed that the apartment in <Concrete Utopia> functions as a space for survival and a place where hierarchical power structures are reproduced, which has the typical characteristics of the represented space described by Lefebvre. The space in the content is not simply a tool that reflects reality, but can also function as a space for social criticism and resistance. Through space, the content makes the audience face the inequality of modern society, the government's incompetence, and the contradictions of capitalism, and implies that space is a tool that reinforces power and class. This shows that, as Lefebvre argued, space functions as a product of power and a place that contains the possibility of resistance. In other words, the space in Korean post-apocalyptic content is an important device that visually reproduces social structures and power relations. Through this space, we can see that Korean post-apocalyptic content reflects the anxiety and conflict of modern society, and plays an important role in forming and criticizing social discourse by visualizing the reproduction of power and hierarchical conflict.
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