ABSTRACT After the coup d’état of 1980, as a neoliberal regime was gradually established in Turkey, confession gained unprecedented power as a disciplinary technology. Several queer subjects created auto/biographical texts and performances as they negotiated the gendered and sexualised politics of confessional citizenship. Ümit Oğuztan’s documentary novel Kraliçe Sisi [Queen Sisi] (1991) was of exceptional significance. Oğuztan claimed to narrate the high-end trans sex worker Seyhan Soylu’s life and her sexual experiences with Turkey’s elite. The author employed archival and ethnographic research methods and performative writing techniques to create a truth effect while preventing trouble with the law. By queering iconic figures, Kraliçe Sisi proposed an alternative perspective on the past and explored the possibility of a different future. This example of liberal pornography queered its readers by providing an opportunity for identification and empathy, and by producing non-normative sexual desires in and through their bodies. The accounts of the book’s trans readers show how this notorious text performed a work of activism and changed lives. Rather than an unconditional investment in liberatory politics, however, Kraliçe Sisi harbours strong ambivalences and discriminatory discourses, revealing the diverse, at times unsettling forms queer literature and memory practices can take.
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