By analysis of the acoustical spectrum within the nest of the oriental hornet, three distinct and characteristic categories of sounds have been recognized: (a) Hunger signals produced by the hungry larvae through the scraping of their mandibles against the comb cell walls; (b) sounds which the workers, arranged in a ‘resting circle’ around the queen, produce by tapping their abdomens on the surfaces of the cells. These sounds are temporarily designated as ‘the taps of workers facing the queen’; and (c) additional worker sounds, also produced as in (b) but of a different rhythm, which have been designated in earlier publications as the ‘awakening taps of workers’ (Ishay & Schwartz 1965; Schaudeinischley & Ishay 1968; Ishay & Landau 1972; Ishay & Schwartz 1973). The particular ‘beat’ (spcificity) of each of the three sound groups has been investigated in an attempt to understand the significance of rhythms as a means of communication among hornets.
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