Flat, rectangular displays consisting of 2, 3, 4, or 6 vertical grey stripes, alternately light and dark gray (NCS 3500 and NCS 6000, respectively) were presented one at a time illuminated by two identical projectors. One projector illuminated the upper half of the display through a yellowish colour filter (Strand Golden Amber), and the other one illuminated the lower half through a bluish colour filter (Kodak Wratten 80 A). The display appeared ambiguous, periodically and spontaneously shifting between two distinct 3-D shape percepts, A and B. Display A appeared vertically folded along the reflectance edges (‘shape from shading’, where the dark fields appeared to be attached shadows). The colours were quite saturated yellow and blue surface colours. There was no colour constancy; Display B appeared horizontally folded along the illumination edge like a roof (‘shape from shading’, where one of the illuminations appeared to be an attached shadow). The display now appeared very desaturated, even achromatic, but in a ‘warm’ illumination. The colour constancy was almost complete. The phenomenon is demonstrated with a slide, and some psychophysical data on the colour desaturation and on the frequency of shifts between the two percepts are reported as well as some observations on combinations of illuminant colours other than yellow and blue. The reported colour constancy phenomenon is discussed in relation to an earlier presented model for the perception of illumination, colour, and depth [S S Bergström, 1994, in Lightness, Brightness, and Transparency Ed. A Gilchrist (Hillsdale, NJ: Lawrence Erlbaum Associates)].