ABSTRACT Reşad Ekrem Koçu’s İstanbul Ansiklopedisi (the Encyclopaedia of Istanbul) is a remarkable undertaking covering various periods in Istanbul during the Ottoman Empire and in recent Turkish history. The colourful and compelling picture of Istanbul that Koçu presented in the encyclopaedia was imbued with his nostalgia. In this article, which takes its cue from the archival turn in the twentieth century, I provide a rereading of İstanbul Ansiklopedisi by scrutinising the ways in which Koçu’s nostalgia functioned as a generative desire in the compilation of the encyclopaedia. I argue that the encyclopaedia entries link various temporalities and spatialities to create a unique, idiosyncratic Istanbul. Due to the organisation of the encyclopaedia, which entails the overlapping of different times and spaces, the encyclopaedia disrupts the linearity of history, opens up possibilities for new contexts for its readers, and generates hope for the future.