Taking a specific lens on China’s unique and intricate interplay between urbanization and rural revitalization, this article traces these dynamics back to the nation’s social-cultural fabric. It contextualizes the coexistence of urban and rural identities within the broader Chinese cultural tapestry, underscoring their shared heritage within a collective consciousness shaped by an agrarian legacy. This culminates in the philosophical concept of “Oneness of Heaven and Humanity,” the apex of Chinese cultural aspirations, deeply rooted in the relationship between humans and the land, and calibrated by a state of harmony. Emotion is not merely a tool for achieving this ideal but also a phenomenon shaped by it. Through a comparative analysis of two architectural projects – one urban and one rural – this study examines the practical application and influence of emotive architecture. This approach, sensitive to emotional undercurrents, employs precision akin to acupuncture in diagnosing and addressing regional challenges. It accentuates the meticulous interpretation of emotional resonance, a sensory comprehension of place, and the harmonious fusion of digital craftsmanship with local construction techniques. By positioning architecture as the interface between individuals and their broader environment, the study reveals how emotion-centric design can evoke profound emotional responses, foster community engagement, nurture a collective sense of belonging, and contribute to the economic and cultural vibrancy of specific locales. Particularly pertinent amid the significant sociocultural and environmental shifts in both urban and rural China, this research advocates for a reevaluation of architectural practices that prioritize understanding and addressing the emotional dimensions of space. It offers a strategic framework for navigating the complexities of modern development in China.
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